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      Mission to Mars: "What's impossible?" (Page 2)

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    Topic:   Mission to Mars: "What's impossible?"

       Andre Lux
      
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    I agree with you Lucius. I read this review at Filmtracks and found it pretty laughable too. In fact, I don't think you can take seriously a person who can't recognize (or even understand) Morricone's geniality and think "Mission to Mars" is a bad score because, among other things, there isn't any "heroic theme for the astrounats" (sic)...

    I think that's what happens to those who grow up watching things like "Armageddon"!

    LOL!!

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    posted 03-20-2000 08:43 AM PT (US)     

       Andre Lux
      
     unregistered
     


    I had to bring this thread back since "M2M" opened here in Brasil only last friday.
    I loved the movie. It's not a masterpiece by any means, but it's honest and extremely well done.
    The "Sacrifice of a Hero" sequence is breathtaking. Tim Robins is a hell of an actor! And the music, my God!!, the Maestro really knows what he's doing, doesn't he? That last trumpet solos were chilling. When I got home that scene just didn't get out of my mind. I couldn't sleep! You must respect a movie that do it to you...

    The only let down was, of course, the resolution. I'm saying all that cheezy-fussy sequence with the CGI Martian and all the voice-over explanations... Geez! I hate this. Why they need to explain what we are seing on screen?

    I think that's why, in the end, "M2M" ended just as an entertaining flick, while "2001" is a classic.

    Like Terry Gilliam once said: "The difference between 'Close Encounters of the Third Kind' and '2001' is that the end of Kubrick's film is a question, while the end of 'Close Encounters' is an answer - and it's a really silly answer - little kids in latex suites".

    Change "Close Encounter" for "M2" and you'll know what I meant...

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    posted 05-01-2000 07:40 AM PT (US)     

      Thor
     Click Here to Email Thor
     Member
     

    I saw this film about two weeks ago.

    THE MUSIC

    Morricone has always been a very on/off composer for me. I adore his THE MISSION and spaghetti scores (as does everyone else) but do not agree with his "contemporary" approach to several films (HAMLET, thrillers etc.). M2M falls somewhere inbetween. I certainly agree with joan that the organ music became grating in several sequences and that the music overemphasized certain scenes. On the album (and that's what we should be reviewing), the music was alright, but had a hard time "resoluting" if there is such a term - it builded and builded but never materialized into anything. A mediocre score.

    THE FILM

    Just as John Maher, I love De Palma. Luckily, and as opposed to him, I ALSO love "outer space movies", so this was a double treat for me. The opening scene was terrific - one, long shot to establish the characters, their relations and a general mood, a silence before the (sand) storm.

    The film, just as the music, was plagued by the fact that there was so much POTENTIAL there that never materialized. In other words, there was something wrong with the exposition. Whereas certain scenes and locations seemed rushed and flashed by (such as the spinning space station), others took too long to develop (the mars station). Furthermore, I still feel we should have been WITH THE PROTAGONISTS when we first saw Mars. I sort of felt cheated that there was no JURASSIC PARK-like awe when we first encountered people on Mars. But that's just me and not a critique of the film as such.

    I also found the "alien scenes" rather silly - another case of overstating something onscreen. The audience actually laughed at this. And the CGI wasn't that good to begin with either.

    But all in all, a good film that pleased both the entertainment side of me and the more challenging, intellectual side (to a lesser degree, though).

    SPECIAL NOTE ***incl. SPOILER****:

    The scene where Woody drifts off into space and his wife sends out the life-saving rope is stunning. A real tension-booster and escalator and a magnificent Morricone blast slams us in the face as the rope is JUST SHORT of saving his life and he floats away to meet his destiny. Superb.

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    posted 05-02-2000 08:18 AM PT (US)     

       Andre Lux
      
     unregistered
     


    Hei, Thor first time I agree with everything you said. Except for the "mediocre score" comment, which is perfectly understandable knowing your strange taste for film music.

    Cheers!

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    posted 05-02-2000 02:24 PM PT (US)     
     

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