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      Classical Music
      Concert Works by Film Composers

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    Topic:   Concert Works by Film Composers

     SFT
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    Hi, everyone!

    So - what is your favourite classical piece by a film composer? I don´t know that many myself, but a short list I CAN make:

    1. Wuthering Heights (opera) Bernard Herrmann

    2. Symphony No. 1 - Bernard Herrmann

    3. Clarinet Quintet - Bernard Herrmann

    4. String Quartet "Echoes" - Bernard Herrmann

    5. Flute Concerto - John Williams

    6. Violin Concerto - John Williams


    I guess you can see I only have a limited number of concert works by film composers. I have most of what Herrmann wrote for the concert hall, but not that much of William´s work, though I know he´s written much music in that medium.

    Any recommendations?

    SFT

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    posted 09-15-2001 12:47 AM PT (US)     

     Timmer
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    Yep I have recommendations...

    Quite simply...

    ANYTHING BY MALCOLM ARNOLD!

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    posted 09-15-2001 04:12 AM PT (US)     

     James
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    FIREWORKS by Jerry Goldsmith

    BLEEDING PARTICLES by Don Davis

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    posted 09-19-2001 02:29 PM PT (US)     

     JJH
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    The Song of Terezin by Franz Waxman
    Fire, Water, Paper: A Vietnam Oratorio, Elliot Goldenthal


    second that Malcolm Arnold recommendation

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    posted 09-19-2001 11:47 PM PT (US)     

     wistiti
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    quote:
    Originally posted by Timmer:
    Yep I have recommendations...

    Quite simply...

    ANYTHING BY MALCOLM ARNOLD!


    hmmm... I'm not sure that counts. Herrmann and Williams are primarily film composers. Though they might be classicaly trained, like Steiner, Korngold or Rozsa, I think they are in a separate catagory.
    Arnold is a classical composer, first and foremost.
    In the same way that I would exclude Shostakovich, Copland and Prokofiev from this category/thread/topic, I would also exclude Arnold, Walton, Alwyn, and Bliss.
    I regard those people as being classical composers who ventured into film scoring. Not film composers who ventured into classical music.

    Though I don't know what to make of Nino Rota. He is more than anything, a classical composer who ended up scoring films because he could not live on the income generated by his classical music which is slowly being rediscovered. Muti conducted a Sony Classical album of Rota's LaStrada ballet adapted from the film score, and included his Concerto for Strings. EMI recently put out a Rota classical music disc (again conducted by Muti) and Chandos has released a third or fourth Rota album (Concertos for Cello 1 and 2) follwing their previous releases of Rota's chamber/piano music repertoire.

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    posted 09-21-2001 10:16 AM PT (US)     

     Marian Schedenig
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    That's a difficult point, actually. Prokofiev is in the classical section of my collection, though the first CDs I had by him were the 2CD "Film Music" set. On the other hand, Philip Glass has his place in the film score section. Why? Don't know. Don't ask me, because I might end up not knowing if I should leave them where they are or move them to the other section.

    NP: Alan Silvestri: The Back to the Future Trilogy (Royal Scottish National Orchestra, John Debney)

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    posted 09-21-2001 02:32 PM PT (US)     

     Timmer
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    Wistiti, Arnold has written about 80, that's EIGHTY film scores, I think that qualifies him very well as a composer of film don't you think?! Only in recent times has he begun to be accepted in the snotty world of Classical critique.

    Arnold is one of the finest living composers on the planet.

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    posted 09-22-2001 06:50 AM PT (US)     

     wistiti
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    William Alwyn has written just as many.
    Quantity is not the issue.

    I do not believe having said that Arnold was not a film composer.
    It's just that I do not consider him to be primarily a film composer.
    I see him much more as a classical composer.

    [Message edited by wistiti on 09-22-2001]

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    posted 09-22-2001 01:51 PM PT (US)     

     JJH
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    whether he writes for film, theater, TV, or the concert hall matters not.

    A composer's a composer. Period.

    NP -- Bite the Bullett, North

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    posted 09-22-2001 03:40 PM PT (US)     

     Timmer
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    I'll drink to that JJ, fancy a pint Wistiti?

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    posted 09-22-2001 07:06 PM PT (US)     

     wistiti
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    Any time.
    Would that be a UK pint? Or a US pint?

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    posted 09-22-2001 07:10 PM PT (US)     

     JJH
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    a pint's a pint dammit!


    Guiness for everyone!

    (my preference)

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    posted 09-23-2001 12:42 AM PT (US)     

     SFT
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    Some good points here - and the question is: how can you define someone as either a "filmcomposer" or a "classical composer"? Bernard Herrmann himself did not like the term filmcomposer, and to him it made no difference what you compose for - he thought of himself rather as "a composer who sometimes wrote for film."

    Also, you could ask the question: what is Danny Elfman? A "filmcomposer" or a "rock-artist"? Depends on your point of view...to me he´s primarily a "composer". And with the upcomming ballet, he´ll be venturing into the classical realm aswell.


    SFT

    NP: Rumanian Folkdances, Bela Bartok

    [Message edited by SFT on 09-23-2001]

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    posted 09-23-2001 12:54 AM PT (US)     

     Timmer
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    Hey Wistiti, is there a difference between a UK and a US pint?

    JJ, Guiness never taste as good unless you drink it in Ireland (...at least in my experience )...do they DO a good Guiness in the States?

    Food in a glass...'yum'! Iron me up so you will, lovely stuff so it is

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    posted 09-23-2001 06:06 PM PT (US)     

     Guenther Koegebehn
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    quote:
    Originally posted by Timmer:
    Wistiti, Arnold has written about 80, that's EIGHTY film scores, I think that qualifies him very well as a composer of film don't you think?! Only in recent times has he begun to be accepted in the snotty world of Classical critique.

    Arnold is one of the finest living composers on the planet.


    <nitpickmode on>
    Arnold wrote 62 motion picture scores and
    was involved in 8 others as either conductor
    or orchestrator or co-composer or had his
    work rejected (once or twice if you count
    Battle of Britain)

    He scored aprox. 50 documentaries (exact
    number is not known) and a few radio and
    TV shows.

    <nitpickmode off>

    I agree on the finest composers

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    posted 09-24-2001 03:08 PM PT (US)     

     JJH
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    quote:
    do they DO a good Guiness in the States


    What constitutes a BAD Guiness?


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    posted 09-25-2001 01:02 AM PT (US)     

     Hector J. Guzman
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    quote:
    Originally posted by Timmer:
    Arnold is one of the finest living composers on the planet.


    I thought Arnold was dead.


    NP. Holst "Saturn - the Bringer of Old Age" from The Planets
    Orchestre Symphonique de Montréal
    Charles Dutoit

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    posted 09-10-2003 11:54 PM PT (US)     

     Graham Watt
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    Hector, I hadn't heard that Malcolm Arnold had died. I think I'd have remembered if he had, though he was looking rather shakey in the last photos I saw of him (Soundtrack Magazine Vol. 21 No. 81, Spring 2002 - great quality photos by the way, Malcolm Arnold in Dusseldorf)

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    posted 09-11-2003 01:50 PM PT (US)     

     Timmer
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    Alive so he is!

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    posted 09-11-2003 06:07 PM PT (US)     

     Guenther Koegebehn
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    Yes, Malcolm is still with us.

    BTW he even has a homepage:
    http://www.malcolmarnold.co.uk

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    posted 09-16-2003 03:22 AM PT (US)     
     

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