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      New from Varese: Elfman's THE WOLFMAN and Powell's GREEN ZONE

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    Topic:   New from Varese: Elfman's THE WOLFMAN and Powell's GREEN ZONE

     Bond1965
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    This just in at Varese:

    THE WOLFMAN
    Original Motion Picture Soundtrack

    Music Composed by Danny Elfman
    Benicio Del Toro
    Anthony Hopkins
    Emily Blunt

    Inspired by the classic Universal film that launched a legacy of horror, The Wolfman brings the myth of a cursed man back to its iconic origins. Oscar® winner Benicio Del Toro stars as Lawrence Talbot, a haunted nobleman lured back to his family estate after his brother vanishes. Reunited with his estranged father (Oscar® winner Anthony Hopkins), Talbot sets out to find his brother…and discovers a horrifying destiny for himself. Lawrence Talbot’s childhood ended the night his mother died. After he left the sleepy Victorian hamlet of Blackmoor, he spent decades recovering and trying to forget. But when his brother’s fiancée, Gwen Conliffe (Emily Blunt), tracks him down to help find her missing love, Talbot returns home to join the search. He learns that something with brute strength and insatiable bloodlust has been killing the villagers, and that a suspicious Scotland Yard inspector named Aberline (Hugo Weaving) has come to investigate. As he pieces together the gory puzzle, he hears of an ancient curse that turns the afflicted into werewolves when the moon is full. Now, if he has any chance at ending the slaughter and protecting the woman he has grown to love, Talbot must destroy the vicious creature in the woods surrounding Blackmoor. But as he hunts for the nightmarish beast, a simple man with a tortured past will uncover a primal side to himself…one he never imagined existed.

    The classically Gothic, Transylvania-flavored score is by Danny Elfman.

    Universal opens THE WOLFMAN nationwide on February 12.

    Varèse Sarabande Catalog #: 302 067 010 2
    Release Date: 02/23/10

    GREEN ZONE
    Original Motion Picture Soundtrack

    Music Composed by John Powell
    Matt Damon

    Matt Damon and director Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum, United 93) re-team for their latest electrifying thriller in Green Zone, a film set in the chaotic early days of the Iraqi War when no one could be trusted and every decision could detonate unforeseen consequences. During the U.S.-led occupation of Baghdad in 2003, Chief Warrant Officer Roy Miller (Damon) and his team of Army inspectors were dispatched to find weapons of mass destruction believed to be stockpiled in the Iraqi desert. Rocketing from one booby-trapped and treacherous site to the next, the men search for deadly chemical agents but stumble instead upon an elaborate cover-up that inverts the purpose of their mission. Spun by operatives with intersecting agendas, Miller must hunt through covert and faulty intelligence hidden on foreign soil for answers that will either clear a rogue regime or escalate a war in an unstable region. And at this blistering time and in this combustible place, he will find the most elusive weapon of all is the truth.

    Another veteran of the Bourne team is composer John Powell, who contributes an adrenaline-pumping score.

    Universal Pictures opens GREEN ZONE nationwide on March 12.

    Varèse Sarabande Catalog #: 302 067 011 2
    Release Date: 03/09/10

    I wonder if THE WOLFMAN will be the first score solely written by Elfman or the patch job done with Conrad Pope, etc.

    Looking forward to both score no matter the case.

    James

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    posted 01-25-2010 08:04 PM PT (US)     

     Crono
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    Yeah, ditto James.

    --Brian

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    posted 01-25-2010 11:34 PM PT (US)     

     sean
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    All I wanna' know is the BHS with Elfman.

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    posted 01-26-2010 01:05 AM PT (US)     

     Crono
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    You would you Drama Girl

    --Brian

    PS: Yes, I know it's supposed to be "Drama Queen." Sean has yet to ascend to that title

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    posted 01-26-2010 02:24 AM PT (US)     

     sean
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    quote:
    Originally posted by Crono:
    You would you Drama Girl

    --Brian

    PS: Yes, I know it's supposed to be "Drama Queen." Sean has yet to ascend to that title


    You're up, late! Anyway, StarlessWinter has to go look at other s.h.i.t., like the stars! BURN.

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    posted 01-26-2010 03:14 AM PT (US)     

     Crono
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    Sean, you make me laugh

    --Bri

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    posted 01-26-2010 04:59 PM PT (US)     

     gkgyver
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    Wasn't Elfman's score thrown away? Did I miss anything?

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    posted 01-27-2010 07:33 AM PT (US)     

     John C Winfrey
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    After seeing the trailers for this I must say:

    Sorry Charlie, the original Lon Chaney Jr version is far better, in my opinion. Claude Rains was great in that also. Frank Skinner and Salter's score was superb too although he reused much of the Son of Frankenstein score in it. That score was also used in 100 other films back then including The Tower of London with Boris K and some robot film with Bela Lugosi, that was terrible. And in 1943 also used in the Dead End KIds serial Junior G-Men of the Air, very laughable serial.LOL. J.

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    posted 01-27-2010 09:13 AM PT (US)     

     John C Winfrey
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    BTW, if some of you have never seen the Inner Sanctum Mystery films with Lon Chaney Jr some of those are pretty. Dead Man's Eyes, Frozen Ghost, etc. Lon Chaney plays the good guy in these mostly. And yes they are all tracked with Skinner and Salters music too. Universal films.

    J.

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    posted 01-27-2010 09:17 AM PT (US)     

     Kris
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    quote:
    Originally posted by gkgyver:
    Wasn't Elfman's score thrown away? Did I miss anything?

    From MovieScore Magazine:
    Following the latest twist in what has to be one of the most unusual chain of events in the film music business lately, Joe Johnston’s upcoming horror film The Wolfman will now feature original music by Danny Elfman, who was the original composer on the film but had his score for the film rejected in November. Universal Pictures has confirmed to MovieScore Magazine that Elfman’s music is back in the picture, and it appears that Paul Haslinger, the replacement composer is not working on the film.

    The replacement of Elfman’s, reportedly, old-fashioned orchestral score with music by ex Tangerine Dream-member Haslinger, who is best known for his electronic scores, was heavily debated in the film music community. The fact that Elfman’s score is back in the film, and the back-and-forth process of the film’s musical approach, implies that the filmmakers have had a difficult time to decide in what direction to take the film. It is scheduled to premiere on February 12. According to Cinemusic.net, additional composers (including Conrad Pope) has been brought in to finish the score in time – Elfman himself is unable to work on the film again due to his current work on Tim Burton’s Alice in Wonderland.


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    posted 01-28-2010 04:28 AM PT (US)     
     

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