The MovieMusic Store shopping cart   |  sign in
    SEARCH  
  • Home
  • Browse Store
    • New Soundtrack CDs
    • Top Sellers
    • Low Price New CDs
    • Used CDs
    • Soundtrack Compilations
    • Score Composers
    • Soundtrack Labels
    • Soundtracks by Year
    • ... detailed search page
  • Store Info
    • Happy Customers!
    • $1 Shipping
    • Accepted Payment Methods
    • Safe Shopping Guarantee
    • Shipping Rates & Policies
    • Our Privacy Policy
    • About Us
  • Help Center
    • My Account
    • How to Order
    • Search Tips
    • Return/Refund Policy
    • Cancelling Your Order
    • Contact the Store
  • The Lobby
  •   Message Boards
      Movie Soundtracks
      Elegies

    Archive of old forum. No more postings.

    Please visit our new forum, The MovieMusic Lobby, to post new topics.

    Author
    Topic:   Elegies

     Camillu
     Click Here to Email Camillu
     Standard Userer
     

    I just love a good Elegy. The high strings, the pathos, the drawn out notes, the schmaltz.

    Off the top of my head, some of my favourites:

    Carlito's Way (Doyle) - Carlito's Way
    Platoon (Delerue) - Theme (probably my favourite)
    Born on the 4th of July (Williams) - End Credits
    Titus (Goldenthal) - Adagio


    Which ones spring to your mind?

    Edit/Delete Message   Reply w/Quote

    posted 08-25-2008 12:53 PM PT (US)     

     PeterK
     Click Here to Email PeterK
     FishChip
     

    All I had to see was Goldenthal's name and was reminded of his expressive elegies!

    Alien 3
    Michael Collins
    In Dreams

    Probably more....

    And Doyle, too, good ones from him.

    Err... too busy to get into this like I want to, but excellent topic!

    Edit/Delete Message   Reply w/Quote

    posted 08-25-2008 02:12 PM PT (US)     

     Al
     Click Here to Email Al
     Standard Userer
     

    Why, "Elegy For Brown" from Morricone's Casualties of War, of course.

    Also, I've been listening to the John Williams: American Journey album lately, and the lovely "Song For World Peace" is certainly elegaic.

    Good Call on the Goldenthal. The Final Fantasy finale is also a shining example of one of his expressive elegies, it just builds and builds until it pushes to near-atonality (surprise, surprise).

    Edit/Delete Message   Reply w/Quote

    posted 08-25-2008 07:01 PM PT (US)     

     franz_conrad
     Click Here to Email franz_conrad
     Standard Userer
     

    quote:
    Originally posted by Camillu:

    Titus (Goldenthal) - Adagio

    This is a spirited jazz piece, if I'm not mistaken.

    Some that come to mind for me:

    'Flight through the Apostles and Elegy' (ON THE BEACH, Gordon)
    'Elegy' (BIRTH, Desplat)
    'Elegy for Violin and Orchestra' (LADY CAROLINE LAMB, Richard Rodney Bennett)
    'Elegy for Brown' (CASUALTIES OF WAR, Morricone)

    Edit/Delete Message   Reply w/Quote

    posted 08-25-2008 11:19 PM PT (US)     

     Camillu
     Click Here to Email Camillu
     Standard Userer
     

    Oops. You're right. Wrong track. I must have been remembering 'Crossroads'.

    Edit/Delete Message   Reply w/Quote

    posted 08-26-2008 05:47 AM PT (US)     

     Alexborn007
     Click Here to Email Alexborn007
     Standard Userer
     

    Great topic!

    Arlington by Williams
    Prayer for Peace or Requiem by Ifukube
    Journey to the Line by Zimmer
    the aforementioned Goldenthal
    Elegy for Inspector Moore by Fielding
    After the Drop by Giacchino

    Edit/Delete Message   Reply w/Quote

    posted 08-26-2008 08:24 PM PT (US)     

     NeoVoyager
     Click Here to Email NeoVoyager
     Standard Userer
     

    Does Herrmann's Nocturne from "The Ghost and Mrs. Muir" count? (the strings-only minor-key piece with high violins playing fugal lines supported by double bass and cello arpeggios)

    Edit/Delete Message   Reply w/Quote

    posted 08-26-2008 09:31 PM PT (US)     

     franz_conrad
     Click Here to Email franz_conrad
     Standard Userer
     

    I think the piece you're thinking of is actually called 'Andante Cantabile', though it was mistitled in the Silva Screen re-recording of the cue. It isn't an elegy, as what it accompanies on screen in the film wouldn't suggest a sad interpretation. It's a character's rapturous discovery of the truth of something she thought was only a dream.

    Edit/Delete Message   Reply w/Quote

    posted 08-26-2008 11:31 PM PT (US)     

     Incanus
     Standard Userer
     

    Epilogue from The Fury (John Williams), absolutely my favourite adagio. Just awe inspiring writing.

    Immolation from SW Episode III (John Williams)

    Elegy for Cello and Orchestra (John Williams)


    Edit/Delete Message   Reply w/Quote

    posted 08-27-2008 11:59 AM PT (US)     

     NeoVoyager
     Click Here to Email NeoVoyager
     Standard Userer
     

    quote:
    Originally posted by franz_conrad:
    I think the piece you're thinking of is actually called 'Andante Cantabile', though it was mistitled in the Silva Screen re-recording of the cue. It isn't an elegy, as what it accompanies on screen in the film wouldn't suggest a sad interpretation. It's a character's rapturous discovery of the truth of something she thought was only a dream.

    I see. I actually didn't know which title was the correct one; thus is why I included the short description. I prefer the Silva re-recording actually. Cleaner sound, and all of the original's sensitivity and pathos.

    As I haven't seen the film since I was a little kid, I wouldn't know what the dramatic intention of the music is... but it sounds really elegiac to me!

    Edit/Delete Message   Reply w/Quote

    posted 08-27-2008 02:51 PM PT (US)     

     Camillu
     Click Here to Email Camillu
     Standard Userer
     

    How on earth did I forget Immolation and Journey to the Line??

    I guess Elegy for Dunkirk (Atonement) counts too.

    Elegy for Charlotte (Autumn in New York) - although it has the non-typical female vocals

    Elegy (World Trade Centre)
    Elegy (Fahrenheit 451) - has anyone heard this? does it fit the bill?

    (I searched track titles for Elegy over at Soundtrack Collector)

    Edit/Delete Message   Reply w/Quote

    posted 08-27-2008 04:09 PM PT (US)     

     HadrianD
     Click Here to Email HadrianD
     Standard Userer
     

    The last 4 minute of the track 1, "Ascent", from Hans Zimmer's European score for K2. Written for Violin and Cello with string support, it's very melodic and tragic in sound, switching between minor and major mode effortlessly.

    Edit/Delete Message   Reply w/Quote

    posted 08-28-2008 03:52 PM PT (US)     
     

    Old Infopop Software by UBB

    © 1998-2011, The MovieMusic Company