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New at Varese for May 6th
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Topic: New at Varese for May 6th

Bond1965

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These just announced at Varese:STANDARD OPERATING PROCEDURE
Original Motion Picture SoundtrackMusic Composed by Danny Elfman
Is it possible for a photograph to change the world? Photographs taken by soldiers in Abu Ghraib prison changed the war in Iraq and changed America’s image of itself. Yet, a central mystery remains. Did the notorious Abu Ghraib photographs constitute evidence of systematic abuse by the American military, or were they documenting the aberrant behavior of a few bad apples? We set out to examine the context of these photographs. Why were they taken? What was happening outside the frame? We talked directly to the soldiers who took the photographs and who were in the photographs. Who are these people? What were they thinking? Over two years of investigation, we amassed a million and a half words of interview transcript, thousands of pages of unredacted reports, and hundreds of photographs. The story of Abu Ghraib is still shrouded in moral ambiguity, but it is clear what happened there. The Abu Ghraib photographs serve as both an exposé and a cover-up. An exposé, because the photographs offer us a glimpse of the horror of Abu Ghraib; and a cover-up because they convinced journalists and readers they had seen everything, that there was no need to look further. In recent news reports, we have learned about the destruction of the Abu Zubaydah interrogation tapes. A cover-up. It has been front-page news. But the cover-up at Abu Ghraib involved thousands of prisoners and hundreds of soldiers. We are still learning about the extent of it. Many journalists have asked about the smoking gun of Abu Ghraib. It is the wrong question. As Philip Gourevitch has commented, Abu Ghraib is the smoking gun. The underlying question that we still have not resolved, four years after the scandal: how could American values become so compromised that Abu Ghraib and the subsequent cover-up could happen?
Written and Directed by Errol Morris, this probing documentary features an original score by composer Danny Elfman.
Winner of the Silver Berlin Bear Award at the 2008 Berlin Film Festival.
Sony Pictures Classics opens Standard Operating Procedure on April 25.
Varèse Sarabande Catalog #: 302 066 897 2
Release Date: 05/06/08
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SPEED RACER
Original Motion Picture SoundtrackMusic Composed by Michael Giacchino
Emile Hirsch
Christina RicciFrom writer/directors Larry and Andy Wachowski, the creators of the groundbreaking The Matrix trilogy, and producer Joel Silver comes the live-action, high-octane family adventure Speed Racer. Hurtling down the track, careening around, over and through the competition, Speed Racer (Emile Hirsch) is a natural behind the wheel. Born to race cars, Speed is aggressive, instinctive and, most of all, fearless. His only real competition is the memory of the brother he idolized — the legendary Rex Racer — whose death in a race has left behind a legacy that Speed is driven to fulfill.
Speed is loyal to the family racing business, led by his father, Pops Racer (John Goodman), the designer of Speed’s thundering Mach 5. When Speed turns down a lucrative and tempting offer from Royalton Industries, he not only infuriates the company’s maniacal owner (Roger Allam) but uncovers a terrible secret — some of the biggest races are being fixed by a handful of ruthless moguls who manipulate the top drivers to boost profits. If Speed won’t drive for Royalton, Royalton will see to it that the Mach 5 never crosses another finish line.
The only way for Speed to save his family’s business and the sport he loves is to beat Royalton at his own game. With the support of his family and his loyal girlfriend, Trixie (Christina Ricci), Speed teams with his one-time rival — the mysterious Racer X (Matthew Fox) — to win the race that had taken his brother’s life: the death-defying, cross-country rally known as The Crucible.
Speed Racer marks the Wachowski brothers’ first writing/directing collaboration since The Matrix movies. The film stars Emile Hirsch (Alpha Dog) as Speed, Christina Ricci (Black Snake Moan) as Trixie, Matthew Fox (Lost) as Racer X, and Oscar winner Susan Sarandon (Dead Man Walking) and John Goodman (Evan Almighty) as Mom and Pops Racer.
The adrenaline rush of a score was composed by Michael Giacchino and is sure to be one of the most exciting releases of the summer.
Warner Bros. will open Speed Racer nationwide on May 9th.
Varèse Sarabande Catalog #: 302 066 898 2
Release Date: 05/06/08
Jamesposted 03-25-2008 10:31 AM PT (US) 
Al

Standard Userer

I'm curious to hear what Elfman does for Morris.
posted 03-25-2008 12:10 PM PT (US) 
nuts_score

Standard Userer

Whoa! Morris isn't working with Glass for his new doc?!That said, Elfman is an interesting replacement. I hadn't even heard of this until now but it's certainly gotten to the top of my radar.
posted 03-25-2008 07:36 PM PT (US) 
franz_conrad

Standard Userer

Apparently Elfman's work involves adapting his 'Serenada Schizophrenia'.
posted 03-25-2008 07:41 PM PT (US) 
nuts_score

Standard Userer

Is that so?
posted 03-25-2008 08:31 PM PT (US) 
Al

Standard Userer

Well if that's the case, then I suppose there's not much to be curious about.
posted 03-25-2008 09:59 PM PT (US) 
sean

Standard Userer

quote:
Originally posted by nuts_score:
Whoa! Morris isn't working with Glass for his new doc?!That said, Elfman is an interesting replacement. I hadn't even heard of this until now but it's certainly gotten to the top of my radar.
Really? Go watch Morris's a-hole performance at the Oscars when he won that statue for that "doc" he did on the war criminal, Robert McNamara, The Fog Of War. Then tell me you wanna' watch another one of his great movies.
posted 03-26-2008 12:13 AM PT (US) 
PeterK

FishChip

quote:
Originally posted by nuts_score:
Whoa! Morris isn't working with Glass for his new doc?!
He's been busy with the animals and wants to take a break!reference to animals: http://www.moviemusic.com/soundtrack/animalsinlove
posted 03-26-2008 09:24 AM PT (US) 
nuts_score

Standard Userer

Sean, my love for Morris is based on the fact that he made Gates of Heaven and The Thin Blue Line, which are two of the best documentaries ever, IMO. And he's a protege of Herzog's.In the case of The Fog of War, I thought the film was interesting, but it certainly didn't tap all of the veins it needed to. You're right in referring to McNamara as a war criminal, but in watching Fog of War I get the feeling that he's matured and his past is firmly behind him. I don't remember Morris' acceptance speech, but I do think he's allowed to say anything he wishes. Do you have a YouTube link, friend-o?
posted 03-26-2008 11:45 AM PT (US) 
franz_conrad

Standard Userer

THE FOG OF WAR is an excellent documentary, and needs not justify itself to the likes of Sean (or indeed - ANY Canadian!). I thought Morris got enough of a coup by getting MacNamara to basically say at one point: 'If we'd lost the war, we would have all been prosecuted as war criminals', in the context of the fire bombing of 50%-90% of hundreds of Japanese urban centres. Did you expect the film-maker to step forward, Michael Moore fashion, and make a tribal dance over it on camera? To secure as much cooperation as he did was remarkable.For me it's the film of Morris' I watch the most, though I love most of the others a great deal.
posted 03-26-2008 03:43 PM PT (US) 
Widescreen
Standard Userer

This is all well and good, but where's the information on the soundtracks for Indiana Jones and the Kingdom of the Crystal Skull or Iron Man? Varese won't have Indy, could have Iron Man, but I would think information on both would have arrived by now.
posted 03-30-2008 08:50 PM PT (US) 
nuts_score

Standard Userer

Ever since Noodles Djawadi was announced as scoring Iron Man instead of Favereau regular John Debney I became less excited to hear this score.I'll pass.
posted 03-30-2008 10:10 PM PT (US) Old Infopop Software by UBB
