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      Beltrami replaces Badalamenti...

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    Topic:   Beltrami replaces Badalamenti...

     moviescore
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    ... on THE EYE, the remake of the 2002 Hong Kong horror film.
    http://upcomingfilmscores.blogspot.com/2007/11/marco-beltrami-eye.html

    mc

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    posted 11-19-2007 08:49 AM PT (US)     

     Stargate
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    Wtf... re-making a 2002 movie? Have they run out of ideas?

    Oh, and good news on Beltrami. He certainly has the horror sound down.

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    posted 11-19-2007 09:18 AM PT (US)     

     Al
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    Probably a last-minute effort to try and push up the scare-quotient. I was at Lionsgate when the rough cut was being assembled and the execs weren't very pleased. I recall one of the producers claiming that the director "can't make a single scare." Someone had also sent over a CD of Beltrami's Live Free or Die Hard around the same time, so apparently someone's been pushing Beltrami pretty hard over there. So good news for Beltrami as far as a nice paycheck goes, but it doesn't look like the film will do much to inspire.

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    posted 11-19-2007 09:43 AM PT (US)     

     nuts_score
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    This is the one with Jessica Alba right?

    I'll pass and hope for a score release.

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    posted 11-19-2007 09:45 AM PT (US)     

     sean
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    Beltrami delivered a tired retread, strange given the time between the two, of his Omen music for this past summer's Captivity. He's becoming to horror films what Danny Elfman became to super-hero movies.

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    posted 11-19-2007 02:48 PM PT (US)     

     Squiddybop
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    quote:
    Originally posted by Stargate:
    Wtf... re-making a 2002 movie? Have they run out of ideas?

    This sounds like a question for Martin Scorsese and his Oscar.

    NP: Alien (Jerry Goldsmith)

    [Message edited by Squiddybop on 11-19-2007]

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    posted 11-19-2007 04:26 PM PT (US)     

     nuts_score
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    quote:
    Originally posted by sean:
    Beltrami delivered a tired retread, strange given the time between the two, of his Omen music for this past summer's Captivity. He's becoming to horror films what Danny Elfman became to super-hero movies.

    Unfortunately, this is true. That's why when he tackles projects like 3:10 to Yuma he knocks them out of the park! At least we have In the Electric Mist to look forward to a more different Beltrami.

    And did Captivity look exciting or inspiring enough to illicite a new, groundbreaking score? Hardly; Marco might have just wanted his check so that he didn't have to eat Ramen noodles that weekend.


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    posted 11-19-2007 05:51 PM PT (US)     

     sean
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    Originally posted by nuts_score:
    Unfortunately, this is true. That's why when he tackles projects like 3:10 to Yuma he knocks them out of the park! At least we have In the Electric Mist to look forward to a more different Beltrami.

    And did Captivity look exciting or inspiring enough to illicite a new, groundbreaking score? Hardly; Marco might have just wanted his check so that he didn't have to eat Ramen noodles that weekend.

    I agree that 3:10 is pretty cool, way better than Live Free Or Die Hard (I've tried and tried to enjoy this score, but am continually let down by it).

    I see what you're saying about inspiration being hard to come by with a terrible film, like Captivity which was atrocious, but other composers like Goldsmith and Zimmer make careers out of causing bad movies to sound great.

    Beltrami is in a tough spot, being pegged with so many horror films. I'd love to hear him score something grand and totally different than his norm, like Star Trek XI (sans electronics!!!).

    [Message edited by sean on 11-19-2007]

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    posted 11-19-2007 06:59 PM PT (US)     
     

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