The MovieMusic Store shopping cart   |  sign in
    SEARCH  
  • Home
  • Browse Store
    • New Soundtrack CDs
    • Top Sellers
    • Low Price New CDs
    • Used CDs
    • Soundtrack Compilations
    • Score Composers
    • Soundtrack Labels
    • Soundtracks by Year
    • ... detailed search page
  • Store Info
    • Happy Customers!
    • $1 Shipping
    • Accepted Payment Methods
    • Safe Shopping Guarantee
    • Shipping Rates & Policies
    • Our Privacy Policy
    • About Us
  • Help Center
    • My Account
    • How to Order
    • Search Tips
    • Return/Refund Policy
    • Cancelling Your Order
    • Contact the Store
  • The Lobby
  •   Message Boards
      Movie Soundtracks
      Speaking of Total Recall

    Archive of old forum. No more postings.

    Please visit our new forum, The MovieMusic Lobby, to post new topics.

    Author
    Topic:   Speaking of Total Recall

     John C Winfrey
     Click Here to Email John C Winfrey
     Standard Userer
     

    That other post mentioned this and I had been listening to this the other day. From 1990 on to the end of his career this is one of his better scores. From 62-88 there were so many good ones and from 90 on they were a little more scattered. Rudy, The Mummy, Thirteeneth Warrior, Mulan and some others, Small Soldiers. Some of those are very good, but overall not the quality of the 62-88 period when almost everything was so good.

    But, back to Total Recall. I have always liked "The Mutant" cue and "End of a Dream". There are several very driving cues in the score but these two stand out for me. "The Mutant" is also used in the End Credits. The sound and driving force in the End of the Dream cue is outstanding. A great action cue.

    J.

    Edit/Delete Message   Reply w/Quote

    posted 04-20-2007 07:45 PM PT (US)     

     tjguitar
     Click Here to Email tjguitar
     Standard Userer
     

    quote:
    Originally posted by John C Winfrey:
    That other post mentioned this and I had been listening to this the other day. From 1990 on to the end of his career this is one of his better scores. From 62-88 there were so many good ones and from 90 on they were a little more scattered. Rudy, The Mummy, Thirteeneth Warrior, Mulan and some others, Small Soldiers. Some of those are very good, but overall not the quality of the 62-88 period when almost everything was so good.

    But, back to Total Recall. I have always liked "The Mutant" cue and "End of a Dream". There are several very driving cues in the score but these two stand out for me. "The Mutant" is also used in the End Credits. The sound and driving force in the End of the Dream cue is outstanding. A great action cue.

    J.


    I agree with you about Total Recall being strong but I disagree with you about the 90s not having many strong scores. Besides the ones that you mentioned---Star Trek: First Contact, First Knight and Air Force One are all very good IMO. ST: Insurrection is pretty good also.

    Edit/Delete Message   Reply w/Quote

    posted 04-20-2007 07:49 PM PT (US)     

     TimT
     Standard Userer
     

    I love The Mummy score, and I don't khow how it can't reinforce anyone's love for film music and spark some interest in others.
    But when I came to praise the score at the time of its release, all I got was Wah wah wah Thirtheen Warrior wah wah wah wah Thirtheen Warrior and blah blah blah Thirteen Warrior from most of the film music community. And I never liked Thirteen Warrior that much.


    Edit/Delete Message   Reply w/Quote

    posted 04-20-2007 11:03 PM PT (US)     

     BackToTheFutureFan
     Click Here to Email BackToTheFutureFan
     Standard Userer
     

    Total Recall = pure Goldsmith genius.

    Yes, Air Force One is very underrated in my opinion. First Knight is very good as you said. 13 Warrior is overrated. The Mummy was actually my first Goldsmith score and I am proud to admit that.

    Edit/Delete Message   Reply w/Quote

    posted 04-20-2007 11:09 PM PT (US)     

     Al
     Click Here to Email Al
     Standard Userer
     

    "But when I came to praise the score at the time of its release, all I got was Wah wah wah Thirtheen Warrior wah wah wah wah Thirtheen Warrior and blah blah blah Thirteen Warrior from most of the film music community. And I never liked Thirteen Warrior that much."

    Okay. There are a few reasons this doesn't hold up.

    1.) The Mummy, to my memory--and I was participating on this board at the time of release--was initially received with great enthusiasm and praise by most people here. So it's not as if you came in here to stand up for some undiscovered gem.

    2.) I don't recall there ever being a giant mob of infantile members here crying out "wah wah wah" and "blah blah blah" who were praising The Thirteenth Warrior and simultaneously hating The Mummy.

    So either your memory isn't what it used to be, or it's just your choice of words.


    [Message edited by Al on 04-21-2007]

    Edit/Delete Message   Reply w/Quote

    posted 04-21-2007 01:23 AM PT (US)     

     Stargate
     Click Here to Email Stargate
     Standard Userer
     

    Ah, Total Recall. I could never quite get into that score but "The Mutant" cue definitely is the highlight. The action bits, though befitting the movie, are way too loud and pounding and headache-inducing.

    I was thinking about giving Total Recall another chance. Is the expanded release worth it?

    Edit/Delete Message   Reply w/Quote

    posted 04-21-2007 09:07 AM PT (US)     

     tjguitar
     Click Here to Email tjguitar
     Standard Userer
     

    quote:
    Originally posted by Stargate:
    Ah, Total Recall. I could never quite get into that score but "The Mutant" cue definitely is the highlight. The action bits, though befitting the movie, are way too loud and pounding and headache-inducing.

    I was thinking about giving Total Recall another chance. Is the expanded release worth it?


    Honestly i prefer the shorter CD, but there are those who love the expanded.

    Edit/Delete Message   Reply w/Quote

    posted 04-21-2007 09:38 AM PT (US)     

     TimT
     Standard Userer
     

    quote:
    Originally posted by Al:
    "But when I came to praise the score at the time of its release, all I got was Wah wah wah Thirtheen Warrior wah wah wah wah Thirtheen Warrior and blah blah blah Thirteen Warrior from most of the film music community. And I never liked Thirteen Warrior that much."

    Okay. There are a few reasons this doesn't hold up.

    1.) The Mummy, to my memory--and I was participating on this board at the time of release--was initially received with great enthusiasm and praise by most people here. So it's not as if you came in here to stand up for some undiscovered gem.

    2.) I don't recall there ever being a giant mob of infantile members here crying out "wah wah wah" and "blah blah blah" who were praising The Thirteenth Warrior and simultaneously hating The Mummy.

    So either your memory isn't what it used to be, or it's just your choice of words.



    I never said everyone hated the score, its just that everytime The Mummy is mentioned people chime in with 13th Warrior and how they think its better, and those respones were not limited to this message board.


    quote:
    Originally posted by Stargate:
    Ah, Total Recall. I could never quite get into that score but "The Mutant" cue definitely is the highlight. The action bits, though befitting the movie, are way too loud and pounding and headache-inducing.
    I was thinking about giving Total Recall another chance. Is the expanded release worth it?

    I agree whole heartedly, and I would also not recommend getting the expanded score unless you like that type of overbearing banging. I think "Clever Girl" and "The Big Jump" were the most listenable action cues. And I'm glad they are both on the standard 40 min Varese disc. The delema is that you can probably find the original CD and the expanded CD for about the same price now.


    Edit/Delete Message   Reply w/Quote

    posted 04-21-2007 03:40 PM PT (US)     

     tjguitar
     Click Here to Email tjguitar
     Standard Userer
     

    I prefer The Mummy to the 13th Wariror (though I prefer Silvestri's Mummy Returns score to both)

    Edit/Delete Message   Reply w/Quote

    posted 04-21-2007 03:47 PM PT (US)     

     Sargonarhes
     Click Here to Email Sargonarhes
     Non-Standard Userer
     

    I thought The 13th Warrior and The Mummy were equally well done. His work on the 13th Warrior should be noted as replacing Graeme Revell's score. His music stands out no matter when it was made.

    Edit/Delete Message   Reply w/Quote

    posted 04-21-2007 04:14 PM PT (US)     

     John C Winfrey
     Click Here to Email John C Winfrey
     Standard Userer
     

    Yep, I like all those. I also like the action music in Chain Reaction. There are several others too. Overall, though I have to say that of my top ten all time Goldsmith scores all are in that 62 to 88 period. There are a few that are close in the 90s and later.

    My Top Ten all time on him are:

    1. Under Fire
    2. Poltergeist
    3. Night Crossing
    4. Rambo II
    5. Blue Max
    6. Sand Pebbles
    7. Papillon
    8. Star Trek
    9. Capricorn ONe
    10. Final Conflict

    and right there close are In Harms Way and Patch of Blue both from 65,
    and I have many many in the next ten. A few from the 90s mixed in those. Including the westerns and war scores, in the second ten along with several more from the 80s

    J.

    Edit/Delete Message   Reply w/Quote

    posted 04-21-2007 07:13 PM PT (US)     

     Shaun Rutherford
     Click Here to Email Shaun Rutherford
     Standard Userer
     

    Honestly, I think the score really comes alive in its expanded form. The original album was bursting at the seams, and the 30 minutes or so of unreleased music on the Deluxe Edition just reinforces the genius behind this score. The string writing in "For Old Time's Sake" alone is worth the price of the disc. This is well-written, orchestral action music, not just a bunch of banging and pounding around.

    Shaun

    Edit/Delete Message   Reply w/Quote

    posted 04-23-2007 10:49 AM PT (US)     

     Shaun Rutherford
     Click Here to Email Shaun Rutherford
     Standard Userer
     

    Shaun Rutherford: Threadkiller

    Edit/Delete Message   Reply w/Quote

    posted 04-24-2007 09:29 AM PT (US)     

     Timmer
     Click Here to Email Timmer
     Standard Userer
     


    Hello Shaun

    ....."hello?"


    ............."anybody here??"


    Just me you and the tumble weed then Shaun

    Edit/Delete Message   Reply w/Quote

    posted 04-24-2007 10:08 AM PT (US)     

     Jeron
     Click Here to Email Jeron
     Standard Userer
     

    quote:
    Originally posted by Shaun Rutherford:
    Honestly, I think the score really comes alive in its expanded form. The original album was bursting at the seams, and the 30 minutes or so of unreleased music on the Deluxe Edition just reinforces the genius behind this score. The string writing in "For Old Time's Sake" alone is worth the price of the disc. This is well-written, orchestral action music, not just a bunch of banging and pounding around.

    Shaun


    Well dag nabbit, I agree Shaun.


    Edit/Delete Message   Reply w/Quote

    posted 04-24-2007 12:56 PM PT (US)     

     Mark Olivarez
     Click Here to Email Mark Olivarez
     Standard Userer
     

    quote:
    Originally posted by TimT:
    I agree whole heartedly, and I would also not recommend getting the expanded score unless you like that type of overbearing banging. I think "Clever Girl" and "The Big Jump" were the most listenable action cues. And I'm glad they are both on the standard 40 min Varese disc. The delema is that you can probably find the original CD and the expanded CD for about the same price now.



    Overbearing Banging? What would you call something like Armageddon? A lush lullaby?

    Edit/Delete Message   Reply w/Quote

    posted 04-24-2007 01:01 PM PT (US)     

     TimT
     Standard Userer
     

    quote:
    Originally posted by Mark Olivarez:

    Overbearing Banging? What would you call something like Armageddon? A lush lullaby?

    Some of it is....don't you think so?

    But what I'm saying is that there are parts of Total Recall that I think are unlistenable as a listening experience on CD. And its even more evendent with the expanded album.
    Plus theres a constant battle of raising the volume for the quieter parts then lowering it for the blast of loudness.
    So I personally could not recommend the expanded album.

    [Message edited by TimT on 04-24-2007]

    Edit/Delete Message   Reply w/Quote

    posted 04-24-2007 08:33 PM PT (US)     

     Al
     Click Here to Email Al
     Standard Userer
     

    Total Recall is an intelligent, masterfully composed work that is more complex and ambitious than most action scores. As a result it initially can come across as sounding too dense, or at least it did to me many years ago when I first heard the original album, but that same complexity, coming from Goldsmith's wealth of motifs and ambitious changes in meter, that's what keeps me coming back to it still yet.

    If I want a fun, exciting, less challenging score, I'll definitely put on The Mummy and have a blast, but when I put on Total Recall it's more to admire the talent and skill than a certain theme or cue.

    Edit/Delete Message   Reply w/Quote

    posted 04-24-2007 11:28 PM PT (US)     

     Marian Schedenig
     Click Here to Email Marian Schedenig
     Standard Userer
     

    It's the best action score in my book (more or less closely followed by Rambo 2). One of Goldsmith's very best.

    Edit/Delete Message   Reply w/Quote

    posted 04-25-2007 04:52 PM PT (US)     

     jonathan_little
     Click Here to Email jonathan_little
     Standard Userer
     

    I love the musicianship in the Total Recall recording... So many notes but so perfect. Thank goodness they ditched the sessions in Munich and hired the National Philharmonic.

    Edit/Delete Message   Reply w/Quote

    posted 04-25-2007 06:03 PM PT (US)     

     Marian Schedenig
     Click Here to Email Marian Schedenig
     Standard Userer
     

    They're not entirely flawless, but considering the music, that's not surprising.

    Edit/Delete Message   Reply w/Quote

    posted 04-25-2007 06:54 PM PT (US)     
     

    Old Infopop Software by UBB

    © 1998-2011, The MovieMusic Company