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Mother Knows Best vs. V for Vendetta
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Topic: Mother Knows Best vs. V for Vendetta

Dinko

Standard Userer

Kind of ironic sometimes.On one side: The wannabe blockbuster, a fresh script, huge potential for an original large-scale score, by one of the promising new composers of our time.
On the other side: The cheap TV flick made to entertain desperate housewives. A low-budget thriller about a mother who wants to kill her son-in-law.
The outcome: Mother 1, Vendetta 0.
It might have something to do with expectations, but I picked up the Vendetta soundtrack the other day. I don't know how the score is in the film, but the material on the CD is a superbly well-crafted, large-scale, professional lot of droning, pointless, completely forgettable and pathetically useless orchestral noise.
That, for the film with the bigger budget, and the original plot line, from the fresh composer, and so on.Then, today, I was channel surfing when a scene on a lame TV channel caught my ear. The music was a waltzy piece, with a lovely tune, underscoring a scene of a woman walking up the stairs where another woman pretends to have been beaten by her daughter's husband. I sat through nearly 45 minutes of crap... (ugh!) A daughter marries a garagist. Her mother hires goons to kill him. Goons are cops. Mother is crazy. Blah, blah blah... One of those Hush-like cheap, predictable TV flicks that entertain some people between Days of Our Lives and General Hospital. Hardly original material.
Funny what an underrated old-timer can do though. Instead of the expected dissonant strings, and other suspenseful thriller cliches, Patrick Williams produced a melody-rich, interesting, varied and original (!) score. Williams underscored many scenes with dance-like pieces (waltzes, semi-tangos, boleros, and what not). Everything you wouldn't expect for a movie about a deranged psycho. It seemed like a low-budget effort (sounded like it was all synth), but believe it or not, it was a better film score than most major blockbusters are getting nowadays.
posted 04-07-2006 07:58 PM PT (US) 
Lancelot

Standard Userer

Patrick Williams could sure use a lot more exposure on CD than he's recieved to date. He did a commendable job for Tom Clancy's "Op Center", a mini-series that had the feel of a series pilot that never got the green light.....
posted 04-07-2006 08:57 PM PT (US) 
MarkA

Standard Userer

Maybe it's just me but I liked the V for Vendetta soundtrack.
posted 04-07-2006 09:35 PM PT (US) 
Bagtatta

Non-Standard Userer

I really liked the V for Vendetta score too. From what I read on the board to it seemed a good prtion of them liked it too. That's a shame you don't like it, I thought it was something somewhat original sounding from the scores I've heard (which I admit..I just got into movie scores early last year..) and catchy. I don't know who Patrick Williams is..guess I should look him up.[Message edited by Bagtatta on 04-09-2006]
posted 04-09-2006 02:29 AM PT (US) 
sean

Standard Userer

Dinko, you need to go see V and then comment on the score. It's incredible with the film, but not as good on CD. See, I don't think you made a fair comparison: V and this other thing you're talking about are totally different and require totally different scores, so it's hard to see the point in what you wrote. Since you checked out the bad TV show, why not go see the incredible film for the score that didn't strike you? (Because it is quite good with the visuals.)
posted 04-09-2006 10:52 AM PT (US) Old Infopop Software by UBB
