Fluke (Carlo Siliotto)
Giant Robo I (Masamichi Amano)
Giant Robo II (Masamichi Amano)

quote:

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Originally posted by Squiddybop:

Sadly, my other Amano score arrived a day or so too early, so it shall be shunned like a leper…

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I should also be getting a fourth one in the next couple days as well.

Of course now that the first two Giant Robo discs have whet my appetite, I'll probably be importing as many of the other discs as I can get my hands on too. I guess it'd probably be too much to ask for Columbia Records to reissue the whole set in their budget Animex series, wouldn't it?

A few more new scores showed up today, all from composers that are pretty new to me.

Suna no Utsuwa: Destiny Suite (Kosuke Sugano)
The Aurora (Masamichi Amano)
Hyoheki (Takatsugu Muramatsu)
Lorna Doone (Mari Iijima)

quote:

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Originally posted by nuts_score:
and Bear McCreary's Season Two music from "Battlestar Galactica"

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Any idea when this is going to be officially released? I love the BSG scores!

Latest arrivals:

at used store Angel Heart by Jones(too much dialog, but music ok)I hate the talking on there

Narnia and 13 Days
RobotJox by Talgorn-some good cues on here, big and brassy and percussion

Loch Ness-Jones
Last Place on EArth-Jones
From Hell-Jones
Son of Fury-Newman
and several others. Good stuff.

FIREWALL - Alejandre Desplat (I really like it Demetris, I think it far surpasses a "standard thriller score" but that might be my Desplat-bias talking again)

quote:

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Originally posted by PeterK:
I finally had the chance to listen to DareDevil THE ALBUM. Man everything sucks on that album... except for the Chevelle track. Wow. I put that one on repeat about 15 times.

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A Tribute to Alfred Newman (OP-Koch CD with Kaufman)
Fantastic 4 (Ottman)
Alias-2 (Giacchino)
Serenity (Newman)
Not With My Wife You Don’t/Any Wednesday (Williams/Duning)
Force 10 from Navarone (Goodwin)
Enduring Love (Sams)
Joyeux Noel (Rombi)
The Fourth King (Morricone)
The Three Burials of Melquiades Estrada (Beltrami)
Crime and Dissonance (Morricone comp)

quote:

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Originally posted by PeterK:
I finally had the chance to listen to DareDevil THE ALBUM. Man everything sucks on that album... except for the Chevelle track. Wow. I put that one on repeat about 15 times.

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I like the Evanescence tracks, and normally I like moby, but not the track on that CD.

So far:

Harry Potter and the Goblet Of Fire (fantastic score! By far my favorite Potter score!)

Jarhead (Trevor Rabin meets Thomas Newman... I can dig it!)

quote:

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Originally posted by Bagtatta:
Hey guys, I've been lurking for almost a year now and I noticed a lot of talk about the From Hell Score by Trevor Jones. So my question is: Is it good? Saw someone bought it and I'd always thought about buying it but wanted to come on here and ask first..Thanks for the feedback..

New to my collection: Lost OST

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- Memoirs of a Geisha (John Williams)

Arrived today (thanks to MovieMusic):

- Spacehunter (Elmer Bernstein)

Hopefully Varèse Sarabande will ship these titles soon:

SOUL OF THE ULTIMATE NATION - Howard Shore
BROKEN ARROW - Hans Zimmer

And I also picked up Marianelli's score for V for Vendetta on my way home from work since I was unable to get my ass down to order from Peter or even Amazon. Now that I have SUN and V I can start talking again. Alright!

V For Vendetta by Dario Marianelli

CRIMSON TIDE - Hans Zimmer (I'm a little late on this one, but I found it cheeeeaaappp.)

THE NEW WORLD - James Horner (I like this, I haven't been a fan of Jimmy's since - oh well - Braveheart, but I find myself listening to this one a lot more than I expected. It's nothing perfect and you can still notice the usual Horner self-plagarism, but there are some very well-done cues that exist here. Although in the film, most if this score didn't make it, I can somehow sense that Terry Malick might have made the right choices. The Wagner piece still sits with you after these past few months.)

BRICK - Nathan Johnson (I will say this and I will mean it, this is one of the most original and eclectic scores to be added to my collection in a long time. Every cue here seems to be done with a lot of heart and soul and all of the themes and motifs really shine through here no matter how dingy they might have been performed. And I also say this and mean it: this is very experimental music, and NOT EVERYONE will have the ear for this; at all.)

UNDERWORLD: EVOLUTION - Marco Beltrami (I missed the hell out of Marco on attainable CD; sure I just got Three Burials not but a month ago, but this is the Marco I fell in love with. Deep brass, driving strings, percussive percussion, intense motifs, frenetic action; I love every second of it.)

LOST - Michael Giacchino (Unfortunately, I need a little more time with this one seeing that I just came across it today; but I really enjoyed the first listen.)

And thanks for the link, Peter. I swear, I put both title, then composer in before and I didn't get it. Guessed I spelled something wrong. About a week ago, at a different location, I found the K2 cd. HPB has been very good to my collection...