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      Let's discuss a score, shall we? Star Trek Nemesis

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    Topic:   Let's discuss a score, shall we? Star Trek Nemesis

     PeterK
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     FishChip
     

    Highlights from the comments on this site:

    "After numerous listens to this album, I can agree with Robert Townson about the greatness of this score."

    "It is a good score, but after the hype Varese gave it, I was expecting something better on CD."

    "This was a good score. The themes were very good, but it seemed that Goldsmith didn't focus on a theme long enough for my likes, or revist some of the themes that I really enjoyed."

    "The most disappointing score of the entire Star Trek series. Perhaps he was limited by the film itself, which was poorly-storied and horribly edited. Perhaps some of the best cues from the score simply weren't included on the CD. Or perhaps there were other reasons. But by and large, this soundtrack lacks any real main thematic component. The tracks (especially the end titles) are often subdued in quality (either in playing or in sound engineering), and the effect on the whole leaves the music sounding lifeless and dull."


    Wide range of reactions above. Peeps, pull out your Nemesis CDs, play 'em and tell us what you think.

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    posted 02-02-2006 10:33 PM PT (US)     

     franz_conrad
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    In its own way, one of my favourite Trek scores. Full of memorable action sequences, even if the recording does sell it a bit short of its potential size. The only problem is that there's not the same arc as in other Goldsmith Trek scores - it feels like from one third of the way in, the whole film is alternating suspence and action scenes. (Which is the film's fault to an extent.)

    I prefer it to First Contact as a score (though the theme of First Contact is great and The Dish a great suspence cue) and to Insurrection. Final Frontier comes out ahead, and The Motion Picture leads the way.

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    posted 02-02-2006 10:55 PM PT (US)     

     franz_conrad
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    Just in further comment to the above, there are 4-5 cues of worth that are not on the regular release. Possibly when corporate America collapses in revolution, they'll be released by freedom fighters for unfettered film music fandom. They're not worth dying for, but they're good stuff.

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    posted 02-02-2006 10:57 PM PT (US)     

     Dinko
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    quote:
    Originally posted by franz_conrad:
    They're not worth dying for

    Traitor!

    Me thinkest Nemesis be good, but not great, but could be better. Film sucked. One could blame the not-so-convincing score on inspiration. But Goldsmith rarely lacked inspiration when faced with retarded movies (that's what he mostly scored anyway), so that can't be it.
    There's just something missing from Nemesis to make it "good". It's the difference between serviceable and that next level.
    The action sequences towards the end of the album are nice though.

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    posted 02-02-2006 11:06 PM PT (US)     

     BigT1981
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    I love the Nemesis score. Infact I love all the Trek scores. That's just me though.

    Grant when I first listened to Nemesis I found it a bit odd and it had to grow on me a bit. I then was able to get the full bootleg of the score (even though it's missing two cues GAH!) and when I listened to that quite it a bit it certainly helped with the listening experience. There were a lot of good cues left off the OST that I enjoyed. I divided mine up evenly and started Disc 2 out with "The Mirror". I mostly listen to Disc 2 since good portion of the best cues are on there.

    I also loved how Goldsmith incrorpated some of the The Motion Picture music into this score. I have no idea why this score (or movie for that fact since I love the movie) is frowned upon by so many so called Star Trek and Goldsmith fans.

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    posted 02-02-2006 11:17 PM PT (US)     

     Wedge
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    I am in perfect agreement with Franz when it comes to ranking Goldsmith's Trek scores. Nemesis is a terrific score, and the climactic "Final Flight" is one of Goldsmith's all-time best action finales. His score for Star Trek: The Motion Picture is still #1 in my book, and the wonderful, vastly underrated Final Frontier places an easy second. Insurrection is the least of the five -- although it is by no means bad. Nemesis edges out First Contact, which is, I think, slightly overrated among Trek scores, in spite of it's lovely theme and excellent highlights. So the final ranking, in order of greatness:

    1. ST:TMP
    2. STV:TFF
    3. Nemesis
    4. First Contact
    5. Insurrection

    Actually, looking over my list, I find the placement of Nemesis rather interesting. Without it, the series would have been one slow decline. Such an impressive rally at the end of his career, and given his state of health, is really remarkable.

    [Message edited by Wedge on 02-02-2006]

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    posted 02-02-2006 11:24 PM PT (US)     

     sean
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    I think Star Trek: Nemesis is a great score and it left quite an impression on me with the first listen of the Varése album, that is indeed far too short a CD.

    Much of what should have made the official release but didn't is the best music in the film, especially Goldsmith's stellar and heroic "Battle Stations" piece and the following "Battle In The Rift" action cues (somewhat represented on the official CD). The brightest momments for me are the paraphrase cues of the original Star Trek: The Motion Picture thematic material, with the "Enterprise Flyover" and "The Argo." For action, "The Mirror" and the awesome escape sequence aboard the Scimitar music "The Scorpion" both contain first rate, high-adventure scoring from the master; I love the resolution cue in "The Mirror" where Data cracks the Reman encription codes at 04:59, giving our heroes a slight breather; and the frantic rhythmic material at 01:10 in "The Scorpion," with a heroic rendition of the new Nemesis theme that resolves at 01:34—very cool!—and finishing with a martial performance of the Enterprise theme to close off the piece as she warps out. There's also some interesting and touching music for the B4 / Data relationship in the film, heard on the CD at the beginning of "Repairs," done with strings and synthesizers before melding into the Kirk / Picard captain's 5-note motif (first introduced in Star Trek V). If there are any short comings with this score it is with the Reman / Romulan centered evil music for Picard's nemesis, Shinzon: it has a been there-done that feel to it, even though it is quite effective, especially in the fourth act battle music. The more emotional bridge between Shinzon and Picard, musically, in "Ideals" and "A New Ending" are also stand-out pieces worth mentioning and reflect some of the hopeful material from Star Trek: First Contact and Insurrection, and yet there's a dinstinctly sad feel to the Nemesis theme that sets it apart from Goldsmith's other Trek outings.

    As for inspiration that Jerry Goldsmith may or may not have needed for this unfortunately sub-par film, I believe Jeff Bond pointed out in his Goldsmith Buyer's Guide in FSM that Goldsmith himself felt that Nemesis was the best Star Trek film he'd scored; am I correct on that, Mr. Bond? And if that's true, than we probably got the best score we could get from Jerry.

    The complete film score is a far more impressive listen when you counter it with whats included on the official CD. A great score for an average film.

    NP: Star Trek: Nemesis (JG) *****/*****

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    posted 02-03-2006 12:11 AM PT (US)     

     lars b
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    A great score not well represented on CD !

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    posted 02-03-2006 10:08 AM PT (US)     

     sean
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    But Peter! Tell us what you think of Nemesis.

    NP: Chronicles Of Narnia (HGW) *****/*****

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    posted 02-03-2006 10:23 AM PT (US)     

     PeterK
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     FishChip
     

    Dang, on the stand.

    I take the fifth (for reasons explained only if you know me!).

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    posted 02-03-2006 10:28 AM PT (US)     

     rkeaveney
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    I must be alone here, but I think INSURRECTION is better than NEMESIS, but not better than FIRST CONTACT. INSURRECTION has that great love theme for Picard and his hundred-year-old babe, and Goldsmith's great action music (well, you sort of had to like that small U.S. MARSHALLS phase). The album seems more like a more complete listening experience than NEMESIS, which has that brutal synth bit for when Data's mangled body is discovered in the desert. That music made me cringe in the theater.

    Ryan

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    posted 02-03-2006 11:26 AM PT (US)     

     Marian Schedenig
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    Nemesis is an ok score with a few very nice highlights (most of them missing from the official album). Insurrection remains the best TNG movie score, even though the album version doesn't show it.

    NP: FOTR Complete (Howard Shore)

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    posted 02-03-2006 11:34 AM PT (US)     

     sean
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    quote:
    Originally posted by rkeaveney:
    I must be alone here, but I think INSURRECTION is better than NEMESIS, but not better than FIRST CONTACT. INSURRECTION has that great love theme for Picard and his hundred-year-old babe, and Goldsmith's great action music (well, you sort of had to like that small U.S. MARSHALLS phase). The album seems more like a more complete listening experience than NEMESIS, which has that brutal synth bit for when Data's mangled body is discovered in the desert. That music made me cringe in the theater.

    Ryan


    I agree with that. What's interesting about Insurrection is Goldsmith's non-use of the Enterprise theme throughout the score, appearing only briefly for the introduction of the ship at the film's beginning. Insurrection does feel like it has both feet on the ground, album-wise, yet there are still some great pieces missing from the official release: namely, "The Hidden Ship" and the heroic music for the Enterprise entering the Brier Patch, with a very cool rendition of Worf's Klingon theme, countered with the Capricorn One-esque piano writing for this score. Of the TNGH movies, Insurrection does have the best action music, "The Drones Attack" taking the cake. What do you think the new martial theme introduced for Riker at the end of this cue?

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    posted 02-03-2006 12:58 PM PT (US)     

     rkeaveney
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    I wish I knew enough about either film to remember when and where what was happening. I remember more of INSURRECTION because it was the kind of cheesball ST feature that I like - reminding me of the old television show (plus it had F. Murray going apeshit).

    I felt NEMESIS on the otherhand was paced like an episode of MATLOCK.

    I actually own all of the ST soundtracks (except Rosenman's and McCarthy's), but I wouldn't consider myself an expert on them. In fact, I have no right to be contributing to this thread! Ahaha.

    Ryan

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    posted 02-03-2006 09:38 PM PT (US)     

     sean
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    quote:
    Originally posted by rkeaveney:
    I wish I knew enough about either film to remember when and where what was happening. I remember more of INSURRECTION because it was the kind of cheesball ST feature that I like - reminding me of the old television show (plus it had F. Murray going apeshit).

    I felt NEMESIS on the otherhand was paced like an episode of MATLOCK.

    I actually own all of the ST soundtracks (except Rosenman's and McCarthy's), but I wouldn't consider myself an expert on them. In fact, I have no right to be contributing to this thread! Ahaha.

    Ryan


    LOL! Very funny analysis!


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    posted 02-04-2006 01:56 PM PT (US)     

     tjguitar
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    I think Nemesis is my least favorite Goldsmith Trek score...but it's not all that bad.

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    posted 02-04-2006 07:54 PM PT (US)     

     JeffBond
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    Yes, Goldsmith did say he thought Nemesis was the best Trek movie he'd scored yet...he also once admitted to his agent that he had no idea how to judge whether a movie was any good or not!

    To me Nemesis probably has the weakest melodic material of any of his Trek scores, but as a complete work it does have a great follow-through that some of the other later Trek scores lack. One thing I like about it is the way the big emotions connected to the "Nemesis" theme (which we can assume is the theme for Shinzon) don't come out until the end title treatment. That piece almost functions like an elegy for what Shinzon might have been, for his lost potential, and it's a surprisingly thoughtful piece of music for this particular movie.

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    posted 02-06-2006 11:37 AM PT (US)     

     BigT1981
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    Jeff,

    Hey what's your current e-mail address? The one in your profile got bounced back to me...

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    posted 02-06-2006 11:56 AM PT (US)     

     JeffBond
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    jbond@cfq.com

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    posted 02-07-2006 11:16 AM PT (US)     

     nuts_score
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    quote:
    Originally posted by sean:
    Originally posted by rkeaveney

    I agree with that.


    Doth Hell freezeth over?!

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    posted 02-07-2006 12:57 PM PT (US)     

     sean
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    quote:
    Originally posted by nuts_score:
    Doth Hell freezeth over?!

    Haha! Well, I have no personal grudge against that chap, and I agreed with what he said: funny stuff.

    Now, crazy_score, tell us all what your take on Goldsmith's Star Trek: Nemesis is.

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    posted 02-07-2006 03:02 PM PT (US)     

     franz_conrad
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    Just relistened to this score yesterday in a more complete version. Like many a complete score, one does tire of it before the end, but there's still some of Goldsmith's strongest ST material here. The way he tried to keep the 45-50 minute long battle at the end of the film continually interesting from a musical standpoint is impressive.

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    posted 02-07-2006 05:17 PM PT (US)     

     BigT1981
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    That's your opinion. I never get tired of Nemesis from begining to end. Infact alot of the scores I do like (most of em' are full promos) they needed to be heard in their full contex in order to fully enjoy it.

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    posted 02-07-2006 07:26 PM PT (US)     

     nuts_score
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    quote:
    Originally posted by sean:
    Now, crazy_score, tell us all what your take on Goldsmith's Star Trek: Nemesis is.

    Dammit, you know I don't own it yet; but as my Goldsmith collection grows month by month, this is one of the top choices. If only my copy of The Blue Max would miraculously make it's way to my mailbox I could be a little happier in life.


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    posted 02-07-2006 07:37 PM PT (US)     

     franz_conrad
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    quote:
    Originally posted by BigT1981:
    That's your opinion.

    And your user name is BigT1981.

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    posted 02-07-2006 07:57 PM PT (US)     

     sean
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    franz, that BigT, he likes his Star Trek but won't shell out the money to buy Jeff Bond's excellent book on the Music of Star Trek.

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    posted 02-07-2006 08:43 PM PT (US)     

     BigT1981
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    Ya so what if it my user name is BigT1981? By the way I don't have the money to shell out for a book right now.

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    posted 02-08-2006 04:10 AM PT (US)     

     franz_conrad
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    Well, it's my opinion, your username is BigT, the world is round, and there's a great many other obvious things we could point out too.

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    posted 02-08-2006 05:41 AM PT (US)     

     nuts_score
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    quote:
    Originally posted by franz_conrad:
    . . . and there's a great many other obvious things we could point out too.

    . . . Peter finally changed the poll!

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    posted 02-08-2006 04:37 PM PT (US)     
     

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