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Bruce Broughton's Horror
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Topic: Bruce Broughton's Horror

Ken S

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Long time no see!I was listening to some gorgeous Christmas music when this hit me: Has Bruce Broughton ever composed music for horror movies? Of all the things I've heard from Broughton, his MONSTER SQUAD score is the closest thing to an authentic horror score ...which is also a bit ironic that such a *cute* kiddie film has such a dark score - and by Broughton, of all the people, who usually scores even adult movies in a heightened fantasy mode (that I honestly, really, have always LOVED!!)

I know that Broughton composed the score for one of the most gruesome episodes of TALES FROM THE CRYPT (the tv series), but that's where my knowledge of Broughton's actual horror writing ends.
But yes - because Broughton's biography includes so many movies of which I've never heard anything about - I'd really like to know is there any true horror (or suspense) scores by Broughton? I know there are some great chilling passages in his scores like LOST IN SPACE, YOUNG SHERLOCK HOLMES, and SO I MARRIED AN AXE MURDERER --- and simply, I would like to hear MORE!!
KENPS. Sorry about my sloppy English; it has been so long time since I've used this language...
And I wonder if Jeron is the first one to reply.

[Message edited by Ken S on 11-03-2005]
posted 11-03-2005 01:22 PM PT (US) 
rkeaveney

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I'd just like to see Broughton score a theatrical release, period!I had the opportunity to listen to Intrada's YOUNG SHERLOCK HOLMES with the film's director and he enjoyed hearing this fantastic score again.
Ryan
posted 11-03-2005 06:03 PM PT (US) 
Shaun Rutherford

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At the risk of sounding like someone who doesn't read every one of your posts and isn't sure if you've spoken at length on the subject before, Ryan, is there any way you could elaborate on listening to Young Sherlock Holmes with Levinson?Thanks,
Interested In Indianapolisposted 11-03-2005 11:06 PM PT (US) 
rkeaveney

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Shaun, I work for Mr. Levinson here in Toronto.Ryan
posted 11-04-2005 02:39 PM PT (US) 
Shaun Rutherford

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Ryan, you dick. I'd be interested in what he said about it, if anything. Cool gig though, man. Make sure you tell him I said thanks for Homicide, as I was apparently the only viewer.Shaun
posted 11-04-2005 05:10 PM PT (US) 
rkeaveney

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Haha. I will tell him. Surprisingly he remembered where a lot of the cues were from without looking at the tracklist. Of course he had no idea that there was a 2CD set released (albeit limited). He enjoyed hearing Broughton's sprite main theme and the Holmes/Elizabeth love theme.I took the opportunity to tell him that the hen hallucination sequence scarred me as a child.
Should I mention to him I have a RAIN MAN, er, private release?

Ryan
posted 11-04-2005 08:46 PM PT (US) 
Shaun Rutherford

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If you bring up anything, just say these words."Thanks for 'Iko Iko.'" And then add, "you dick."
Shaun
posted 11-05-2005 08:20 PM PT (US) 
James

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I once read an interview with Broughton (that I have been unable to locate again) in which he said he had no interest in scoring "devil movies," and as such told his agent to turn down any such offers without even passing them on to him. This, I suspect, largely accounts for the lack of horror in his filmography, relative to other composers.I would actually venture that the Broughton score which contains the most frightening work he ever did is Tombstone. Lots of experiments with dissonance and otherwise jarring harmonies there, but it's emotionally chilling in addition to simply being cacophonous. And that "Morgan's Death" cue is seriously one of the most potent, heart-stopping moments in all of filmmusicdom (provided you've listened to the rest of the score up until that point).
Kirk
NP - Georgian folk songsposted 11-06-2005 12:23 AM PT (US) 
John C Winfrey

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LOL> devil movies?LOL
posted 11-06-2005 11:43 AM PT (US) 
Graham Watt

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James, I agree, that "Morgan's Death" cue from TOMBSTONE is absolutely great. It's a great album all in, but that's a highlight. One of those truly dramatic cues that goes way beyond the simple "this is sad, this is scary" painting-by-numbers music we all know (and still love). And yes, there are plenty of spine-tingling moments along the way which are worthy of a real horror movie.Ken, good to see you here again. Bruce Broughton doing horror? Well, as has been pointed out, that's something which he has covered in non-horror scores (TOMBSTONE, and you yourself mention THE MONSTER SQUAD - did you notice those very POLTERGEIST tonalities in the opening track?). So, yes OK, he's such a great and underused composer that it would be good to hear him doing ANYTHING that gets him noticed again, but I wonder if the horror genre would really let him stretch his wings. If he did one, I can imagine it would be in the Jerry Goldsmith/ Christopher Young mode which he's covered before (even if in non-genre movies).
posted 11-06-2005 04:23 PM PT (US) 
Southall
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Wow. Ryan works for Barry Levinson. The guy's one of my favourite directors. So sue me. I even liked Sphere.His best? The stunning Avalon. An absolutely beautiful, criminally underrated movie. One of my all time favourites.
posted 11-06-2005 06:15 PM PT (US) 
Shaun Rutherford

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I also liked Sphere, though if I hadn't agreed to forget Sharon Stone and the ending, I'd have noted that they were both terrible. But really---Huey Lewis cameo? Priceless.Shaun
posted 11-06-2005 08:35 PM PT (US) Old Infopop Software by UBB
