The MovieMusic Store shopping cart   |  sign in
    SEARCH  
  • Home
  • Browse Store
    • New Soundtrack CDs
    • Top Sellers
    • Low Price New CDs
    • Used CDs
    • Soundtrack Compilations
    • Score Composers
    • Soundtrack Labels
    • Soundtracks by Year
    • ... detailed search page
  • Store Info
    • Happy Customers!
    • $1 Shipping
    • Accepted Payment Methods
    • Safe Shopping Guarantee
    • Shipping Rates & Policies
    • Our Privacy Policy
    • About Us
  • Help Center
    • My Account
    • How to Order
    • Search Tips
    • Return/Refund Policy
    • Cancelling Your Order
    • Contact the Store
  • The Lobby
  •   Message Boards
      Movie Soundtracks
      Seabiscuit

    Archive of old forum. No more postings.

    Please visit our new forum, The MovieMusic Lobby, to post new topics.

    Author
    Topic:   Seabiscuit

     scored for life
     Click Here to Email scored for life
     Standard Userer
     

    Just watched Seabiscuit the other day. Good movie, better score (albeit sounding a lot like "Legends of the Fall" towards the end, which is okay with me). Anyway, Filmtracks says the score was ineligible for the Oscar.
    Anyone know why??

    Edit/Delete Message   Reply w/Quote

    posted 01-31-2004 09:38 PM PT (US)     

     Southall
     Standard Userer
     

    Because Randy Newman refused to submit it (because he fell out with the director after he would not copy the Horse Whisperer temp-track, so William Ross was brought in instead).

    Fancy that, a film composer with principles!

    James

    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 04:09 AM PT (US)     

     Camillu
     Click Here to Email Camillu
     Standard Userer
     

    Great username btw. I like.

    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 05:47 AM PT (US)     

     Dinko
     Click Here to Email Dinko
     Standard Userer
     

    quote:
    Originally posted by Southall:
    so William Ross was brought in instead).
    James

    Really? Well that explains why some of the music is better than Newman's usual stuff.

    And what is this with William Ross and horses? Wasn't he scoring the Black Stallion too?

    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 06:20 AM PT (US)     

     Crono/Kyp
     Click Here to Email Crono/Kyp
     Standard Userer
     

    Wait, so did William Ross score some of the film?

    --Brian

    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 10:58 AM PT (US)     

     Dinko
     Click Here to Email Dinko
     Standard Userer
     

    James explains it here:
    http://www.filmtracks.com/comments/titles/seabiscuit/index.cgi?read=5

    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 12:37 PM PT (US)     

     Southall
     Standard Userer
     

    quote:
    Originally posted by Dinko:
    James explains it here:
    http://www.filmtracks.com/comments/titles/seabiscuit/index.cgi?read=5

    Since I wrote that it's emerged that there was a bit more to it (basically, that Newman refused to copy his cousin's music; but of course, William Ross's career as a composer has been - to date - entirely made up of him rearranging temp tracks and them somehow ending up with "Composed by William Ross" credits - he does it so well, I'm sure there's a great composer bursting to get out, but directors keep forcing him to stick to the temp, I guess.)

    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 01:02 PM PT (US)     

     Dinko
     Click Here to Email Dinko
     Standard Userer
     

    James, what Ross-scored movies in particular are you referring to?

    I can see where the temp-track effect is obvious on a couple of Ross scores, but I don't really hear it in the majority of his music.

    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 02:19 PM PT (US)     

     Crono/Kyp
     Click Here to Email Crono/Kyp
     Standard Userer
     

    Tuck Everlasting being the big exception to that rule...even though I love that score.

    --Brian

    NP: Meet Joe Black

    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 02:24 PM PT (US)     

     johnmullin
     Click Here to Email johnmullin
     Non-Standard Userer
     

    Well, in particular, Ross did the cue where you first see Chris Cooper in the movie. It bascially sounds like THE HORSE WHISPERER, except using Randy's SEABISCUIT theme!

    I disagree with the assertion that Ross did "most" of the score. It only sounds like a few cues here and there (albeit some major ones). The CD is all Randy, it sounds like, and I think it's pretty good. You also have to give Randy credit for stading up and saying, "I'm not going to do that." Love or hate his music, he does seem to have a good deal of integrity and that goes a long way with me at least.


    Edit/Delete Message   Reply w/Quote

    posted 02-01-2004 07:30 PM PT (US)     
     

    Old Infopop Software by UBB

    © 1998-2011, The MovieMusic Company