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What? No MISSING comments?!?
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Topic: What? No MISSING comments?!?

Hector J. Guzman

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<EOM>
posted 11-23-2003 02:27 PM PT (US) 
justin boggan

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If it helps any, your comments seem to be missing...:-()
Has the movie opened up yet? Is that the one with Tommy Lee Jones?
posted 11-23-2003 02:55 PM PT (US) 
rkeaveney

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Here's my review:
http://www.cinemusic.net/reviews/2003/missing.htmlRyan
posted 11-23-2003 04:31 PM PT (US) 
Dinko

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Simon Rhodes turning into Shawn Murphy?
That's scary.Guess it's a Horner score to get from the used CD bins... if anyone even buys it in the first place so that it can get to the used CD bins.

posted 11-23-2003 06:39 PM PT (US) 
sean

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This CD doesn't come out until Tuesday here in Canada.
posted 11-23-2003 07:01 PM PT (US) 
Dinko

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So what's surprising about that? The only things we ever get before the 'States are classical releases.
posted 11-23-2003 07:04 PM PT (US) 
Jeron

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quote:
Originally posted by rkeaveney:
Here's my review:
http://www.cinemusic.net/reviews/2003/missing.htmlRyanp
Good review, Ryan. I got the CD, and agree with everything you said... note for note.

[Message edited by Jeron on 11-23-2003]
posted 11-23-2003 07:18 PM PT (US) 
rkeaveney

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quote:
Originally posted by Jeron:
Good review, Ryan. I got the CD, and agree with you on everything you said... note for note.
You're scaring me!!

Ryan
posted 11-23-2003 07:19 PM PT (US) 
Jeron

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Well ya know. What can I say? I enjoy a lot of things, but my tastes are becoming a bit more discriminating.
posted 11-23-2003 07:21 PM PT (US) 
Hornerfan

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You know, Ryan, after our IM conversation on Friday, I thought you were going to TOTALLY rip the score a new one. Even if we don't totally agree, that was an excellent review.Mike
posted 11-23-2003 09:14 PM PT (US) 
Jeron

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quote:
Originally posted by Hornerfan:
Even if we don't totally agree, that was an excellent review.His criticisms are right on the money, and his sense of humor about the Howard/Horner relationship and the "familiar plot" are hysterical.
posted 11-23-2003 11:24 PM PT (US) 
justin boggan

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Saw the movie last night. Finally, after seeing pieces of sh!t like Reloaded and Scary Movie 3, something that was slightly worth my 7.50.I'll talk about the score first.
I really enjoyed it. Didn't sound like any Horner score I have heard before this time. But I have only heard about a dozen of his scores.
Nice subdued action music and unusual sounds and precussion at times. The some nice themes in full orchastra about the end of the movie.
Some indian chanting ... ah, not exactly chanting but moaning I guess you would call it better by, was featured in some cues of the movie. They were affective and sounded nice. But they didn't work in the End Credits.
One of the reasons we probably did get this get was because there are no songs in the movie. So, they wanted to make sure they make at least a little money off us.
If you're a big Horner fan, you might want to pick this up.
For those of us that are slightly below that level of love and that might hate him, you can feel good that if you see it for 7.00 in a sale bin, or used bin that the purchase of said item wouldn't be all that bad.THE MOVIE:
Eh - It just wasn't as dark and suspenceful as the trailer running on TV made it look.
It left me wanting more.There were a lot of things I just didn't buy. The mother techincally worked - but for those of us who distinguish more and really love movies, she just didn't seem right. Not once did I ever feel for her.
And her kidnapped girl - She may have had good reason to make those comments to her mother in the begining of the movie, but not a single of which, or moment endured me enough to that girl to feel for her as she was held hostage. Indeed, I wanted to slap her across that face in that scene where she sees her necklace. Stupid Bee-atch!!!!!
She most certainly wasn't worth the effort the put in getting her sorry butt back.And to mentioned their mother having been raped by an indiana to give birth to the spawn girl mentioned above, felt contrieved. I sat there thinking the one thing they clearly wanted to be in our heads - "Maybe that guy who kidnapped her was the one who raped her" Give me a brake.
The one character who was of any interest was the one who got killed. Tommy Lee Jones' character.
Admittedly I have seen very few movies with indians, but I seriously believe they don't have a word for "sh!t". Word and such were substituted, or better ones chosen to make the conversations between other indian characters more funny. Yes, they were funny, but I didn't appreciate that. Am I the only one.
For 7.50 I expect a little more you know.So, I am left 50/50 on the movie. I would not rent if or buy it, or illegally download it if I did such things, which I don't. It's not even worth it when it's free.
But I am sure some of you will highly enjoy it though.
posted 12-03-2003 09:01 AM PT (US) 
Lancelot

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For $7.50?? Look, I haven't seen the movie, but you expect a little more? Maybe from a book at about twice that price. But for $7.50? It's a movie! For being that indignant, you could wait 6 months and rent it for $3, and then say, "Oh, it was only $3"....
posted 12-03-2003 09:45 AM PT (US) 
Al

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To some extent, The Missing was enjoyable as a film, but, steering away from an on-coming pun, I really thought something was absent. The movie lacked any stand-out cinematic moments. Maybe the problem was with the writing, or maybe there could have been a moment in the script which Howard just brushed over. Either way, I both admired James Horner for the restraint he used in the score and yet was wholly underwhelmed when it actually showed up.I'm not sure where my recent admiration for restraint has come from--I've probably become tired of the loud Hollywood-blockbuster--but restraint can be used effectively, by making a mark when it shows up, such as in Master in Commander, or it can be there in the right spots but just miss the mark, as what happens in The Missing.
posted 12-03-2003 10:12 AM PT (US) 
mlw
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I thought the music quietly upheld the drama and supported the movement and themes in the movie quite well. Basic but good. I think Horner ought to continue the roll he started with Windtalkers and Four Feathers, mature work. It's like the muted, textural demands now imposed on movie scores finally worked out in his favor so he can seem to come alive where some people would be restrained. (so...it's really not that good?!) All his old habits may be there, but just not so obviously of late.
posted 12-04-2003 01:20 PM PT (US) Old Infopop Software by UBB
