The opening two tracks are the highlights of the album (as is often the case with Morricone's sequencing), featuring the expected Morricone sound with a hint of Spanish flavor. The opening song most prominently features this, and while its mainly of the sad haunting sort, it manages to buildup to a majestic climax that is all too brief. It's definitely the highlight of the album, followed next by a lovely piece which demonstrates that Morricone is writing for strings and solo instruments more intimately than ever. Everything after that, unfortunately, turns into less interesting suspense music with sad moments now and then, very much like A Pure Formality. Only in the end track does the mood pick up with a reprise of the main theme sans vocal.

While I love the careful and intimate approach Morricone is taking in his writing, I recently have been missing the moments when his themes would really take flight. I've been searching for some sweeping Morricone recently, and in a description of a Indiana Jones knock-off "Treasure of the Four Crowns" at Intrada, the score is described as sweeping and rousing. The word 'sweeping' caught my eye. Has anyone heard this score and can comment on it?

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Of the Maestro's new scores, I can really enjoyed 'Perlasca'. An very interesting score indeed with some beautiful passages.

Are there any "sweeping" Morricone themes out there any of you can recommend? You may assume I already know the obvious ones.