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      Taxi Driver

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    Author
    Topic:   Taxi Driver

     jonathan_little
     Oscar® Winner
     

    Continuing my tradition of buying only scores written after 1980, I picked up Herrmann's Taxi Driver over the weekend. I've really enjoyed the suite on the Salonen disc for quite awhile, and I finally decided it was time to hear the rest of the score.

    I don't know what else to say other than I highly recommend this one. The bluesy theme is throughout and the 'darker' music still captures my attention. From examining the horrible poster-style liner notes, it seems some work went into editing this score together and it flows quite well.

    Now a note about the art direction for this release. It's absolutely horrible. By looking at the cover, I almost assume this must be some sort of songtrack, since no composer is listed. Oh, but wait! He is listed, way down on the bottom in almost the smallest print on the cover, on the same line after writer Paul Schrader. I can't believe the producers of this disc had the nerve to dedicate this album to the memory of Bernard Herrmann and then put his name on the cover in such small type. Also, what's with the poor quality images that look like they were lifted off of the Laserdisc?

    Getting back to the music, also included are some arrangements of Herrmann's music by Dave Blume. Typically, I enjoy pop arrangements of film music, but most of these are so saturated with disco sounds that I can't listen to them.

    This is a great disc, but be warned it contains a score that won't lift anybody out of depression. The sound quality is fine and probably above average for a score recorded in 1975. The suite on the Salonen disc holds up very well against the original performance and if you haven't heard any of Herrmann's music, you should check it out.

    Italic text denotes sarcasm alert (or movie title )

    [Message edited by jonathan_little on 04-13-2003]

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    posted 04-13-2003 07:49 PM PT (US)     

     Rich Douglas
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     Oscar® Winner
     

    Im with you jonathan... this is a GREAT score. It not only compliments the on scree action very well, but it is a great (however not uplifting) stand alone listen. Every now and again when Ive had a late night and the streets arent crowded its fun to throw this score in for the main title track alone. The rest of the score deserves credit too though, it's fantastic.

    Rich

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    posted 04-13-2003 08:03 PM PT (US)     

     Luscious Lazlo
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    Congratulations to Martin Scorsese for providing Herrmann with a visual correlative for Herrmann's Doppler-effect shtick. (That is, the shot of the taxi approaching and then going away from the camera. Which is musically imitated by Herrmann's crescendo & diminuendo.)

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    posted 04-13-2003 08:19 PM PT (US)     

     Crono/Kyp
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     Oscar® Winner
     

    Very brassy? Heh, there is not a string in the orchestra

    --Brian

    NP: My Dog Skip

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    posted 04-13-2003 11:01 PM PT (US)     

     perfpitch
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    Scores written after 1980?

    Herrmann wrote and conducted TAXI DRIVER in 1975, just before he died.

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    posted 04-14-2003 04:37 AM PT (US)     

     Timmer
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    Read the post Thinkr, he was being sarcastic!

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    posted 04-14-2003 04:47 AM PT (US)     

     Dinko
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     Oscar® Winner
     

    You people! Sheesh.

    And just so you know, He is the executive producer, and you are not! Now maybe if you used CSS, but no such luck. Which is why YOU AER MISS THE POINT! IMHO too.

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    posted 04-14-2003 06:14 AM PT (US)     

     PeterK
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     FishChip
     

    Dinko, thank you for returning us to the "under 13" mentality we are striving for here. Yes, none of us should be buying scores before 1980.

    It's all in italics!

    JL, thanks for your review. <=== not in italics


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    posted 04-14-2003 09:40 AM PT (US)     

     Dinko
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    If it's all in italics, was that a movie title then?

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    posted 04-14-2003 09:47 AM PT (US)     

     PeterK
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     FishChip
     

    Yes, No One Should Be Buying Scores Before 1980, starring Ferdie Thornton as the nerdy kid, and RonJon Pulliman as the scary old guy. Score by... Bernard Herrmann (obviously tracked in from previous works, adapted by David Raksin).

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    posted 04-14-2003 10:24 AM PT (US)     

     Graham Watt
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     Oscar® Winner
     

    I haven't got the expanded edition, but I've always loved the original release. Nothing against the Dave Blume arrangements either, in fact when I was just getting into film scores AND jazz, those tracks seemed amazing.

    Curiously, for all I love both the film and Herrmann's score, I felt it was used kind of strangely in the film. People always talk about how great it is when linked to the images, but it's often quite haphazardly tracked, fading in and out, looping itself over etc etc, a "flaw" I've detected in other unquestionably great films from unquestionably great directors with unquestionably great scores by unquestionably great composers, e.g. Bertolucci/ Barbieri in LAST TANGO IN PARIS, Leone/ Morricone in ONCE UPON A TIME IN AMERICA etc.

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    posted 04-15-2003 02:18 PM PT (US)     

     James Phillips
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     Oscar® Nominee
     

    I just had a flashback of Herrmann's oeuvre while reading this thread, and noticed the similarities between the final unending chords of CITIZEN KANE, his TWILIGHT ZONE theme, and TAXI DRIVER. Notes without a resolution is what I call it. Does anyone here think the same?

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    posted 04-15-2003 09:22 PM PT (US)     

     Graham Watt
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     Oscar® Winner
     

    James, that "notes without a resolution" thing you mention rings a bell, but I think I remember it in a reference to PSYCHO. If so, that's another one for the list.

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    posted 04-16-2003 09:39 AM PT (US)     

     Gae
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     Oscar® Winner
     

    Yes, the Hitchcock chord (or Minor Major 7th)with its unresolved sound. I wrote my UNI thesis on this very subject. You could do no worse than read the Royal S. Brown article "Herrmann, Hitchcock and the music of the irrational". Also, have a look at A case study of the Bernard Herrmann style

    Gae NP Spartacus (Khachaturian)

    [Message edited by Gae on 04-16-2003]

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    posted 04-16-2003 02:01 PM PT (US)     

     James Phillips
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     Oscar® Nominee
     

    quote:
    Originally posted by Graham Watt:
    James, that "notes without a resolution" thing you mention rings a bell, but I think I remember it in a reference to PSYCHO. If so, that's another one for the list.

    I believe the original quote came from the late, great Christopher Palmer in his liner notes to the Seventies lp recording of PSYCHO, conducted by Herrmann.


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    posted 04-16-2003 08:26 PM PT (US)     
     

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