The MovieMusic Store shopping cart   |  sign in
    SEARCH  
  • Home
  • Browse Store
    • New Soundtrack CDs
    • Top Sellers
    • Low Price New CDs
    • Used CDs
    • Soundtrack Compilations
    • Score Composers
    • Soundtrack Labels
    • Soundtracks by Year
    • ... detailed search page
  • Store Info
    • Happy Customers!
    • $1 Shipping
    • Accepted Payment Methods
    • Safe Shopping Guarantee
    • Shipping Rates & Policies
    • Our Privacy Policy
    • About Us
  • Help Center
    • My Account
    • How to Order
    • Search Tips
    • Return/Refund Policy
    • Cancelling Your Order
    • Contact the Store
  • The Lobby
  •   Message Boards
      Movie Soundtracks
      Scores that bring a tear to your eye... (Page 2)

    Archive of old forum. No more postings.

    Please visit our new forum, The MovieMusic Lobby, to post new topics.


    This topic is 2 pages long: 1 2
    Author
    Topic:   Scores that bring a tear to your eye...

     Donovan448
     Click Here to Email Donovan448
     Standard Userer
     

    I agree about the comments about Superman's Leaving Home, Hook's The Pan, Born on the 4th of July and A.I.

    Here are some of my favorites,

    1. The Empire of the Sun - (Track #9)Toy Planes, Home and Hearth
    2. Medicine Man - (Track #4) The Trees
    3. Edward Scissorhands - (Track #7) The Ice Dance
    4. The Shawshank Redemption - (Track # 21) End Title
    5. Once Apon A Time In America

    Don

    Edit/Delete Message   Reply w/Quote

    posted 12-21-2002 09:38 AM PT (US)     

     devovivo7
     Click Here to Email devovivo7
     Non-Standard Userer
     

    The Score from the Fast and the Furious by BT makes me wanna cry...

    "Nara" by E.S. Posthumus
    "Summer Overture" by Clint Mansell
    "Glory Theme" James Horner
    "Theme from American Beauty" by Thomas Newman

    Edit/Delete Message   Reply w/Quote

    posted 12-21-2002 11:23 AM PT (US)     

     Norman McCay
     Click Here to Email Norman McCay
     Standard Userer
     

    Just re-read Dan's post about Magnolia and Thin Red Line....anyone know which was composed first? The first thing I said when I heard both was the exact same thing--they sound pretty damn close, especially track 5 from Magnolia versus track 3 from Thin Red Line. There are differences between where Brion decided to have his version consistently paced, whereas Zimmer tended to treat his like an rising crescendo and gradually winding down. Anyone in the know about who technically has claim to the motif?

    Edit/Delete Message   Reply w/Quote

    posted 12-22-2002 08:46 PM PT (US)     

     Rommel
     Non-Standard Userer
     

    The ending of Batman, Gladiator, Forrest Gump, Saving Private Ryan, and Braveheart.

    Edit/Delete Message   Reply w/Quote

    posted 03-29-2005 02:08 PM PT (US)     

     Rommel
     Non-Standard Userer
     

    quote:
    Originally posted by dgoldwas:
    GOLDENEYE.

    Makes me cry every time.

    Dan


    Goldeneye may be the best Pierce Bronsan (I hope thats spelled right) film but Eric Sierra's score is disturbing. John Barry helped create bond with the many themes. Eric Sierra didn't use the orginal guitar theme once, it has to be used at least once per film. David Arnold has been the greatest bond composer under Barry's themes of course. Not only is Arnold's much more interesting with the full orchestra, but he includes many of Barry's themes in his own very complicated works.


    Edit/Delete Message   Reply w/Quote

    posted 03-29-2005 02:15 PM PT (US)     
     

    Old Infopop Software by UBB

    © 1998-2011, The MovieMusic Company