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      Your Favourite LATIN based scores!

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    Topic:   Your Favourite LATIN based scores!

     azahid
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     Goldmember
     

    Guys

    These days Im into a lot of Latin or mexicana flavored romantic scores. Heres a few that I enjoyed.

    Can anyone point out some more good scores besides these:

    1)A Walk in the Clouds-Jarre
    2)Il Postino-Bacalov
    3)Under Fire-Goldsmith
    4)The Treasure of Sierra Made-Steiner
    5)Ruby Cairo-Barry
    6)Rio Conchos-Goldsmith

    Thanks!

    Amer


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    posted 06-23-2002 10:05 AM PT (US)     

     SBD
     Goldmember
     

    The Mexican - Alan Silvestri
    Mr. Wrong (sections, at least) - Craig Safan
    The Road to El Dorado - Hans Zimmer & John Powell

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    posted 06-23-2002 12:19 PM PT (US)     

     monkey
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    I`m really into Latin-flavoured scores. Some of my favorites are:
    Conti: Blood in, Blood out
    Broughton: Old man and the sea (bits of)
    Goldsmith: Medicine Man
    and my all time favorite: Under Fire

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    posted 06-23-2002 01:34 PM PT (US)     

     HAL 2000
     Goldmember
     

    Old Gringo
    Viva Zapata
    Don Juan de Marco (my favorite Kamen score next to B. Munchausen)

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    posted 06-23-2002 02:51 PM PT (US)     

     Anders
     Minimember
     

    Does spaghetti westerns count as latin based?

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    posted 06-23-2002 03:29 PM PT (US)     

     nightwing
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    Definitely definitely definitely Don Juan de Marco. Absolutely amazingly beautiful stuff.

    Also, I know it's not scores, but Juaquin Rodrigo's Concierto de Aranjuez

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    posted 06-23-2002 10:32 PM PT (US)     

     Dave
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    The Taylor of Panama.

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    posted 06-24-2002 12:13 AM PT (US)     

     Bradley
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    The Mask of Zorro

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    posted 06-24-2002 05:43 AM PT (US)     

     Graham Watt
     Click Here to Email Graham Watt
     Goldmember
     

    Amer, good to see you still posting. I'm not sure how "romantic" you want your mexicana (RIO CONCHOS romantic?), but you might like the following. Some have already been mentioned above. As you can see, I'm casting the geographical net wide.

    If you like RIO CONCHOS, then 100 RIFLES is for you. But RIFLES is even more "kich-ass" as I believe they say.

    Other butt-kicking south-of-the-border stuff in Bernstein's MAGNIFICENT SEVEN scores and Fielding's WILD BUNCH (with guitar work not unlike UNDER FIRE).

    Still on westerns, yes, why not Morricone's Italian take on the Tijuana trumpet in the spaghettis.

    More Goldsmiths - HIGH VELOCITY. Set in the Phillipines, rather far from the Mexican border too. Iberian and Asian influences (guitar, marimba, flute, seed shakers), and CABO BLANCO (South American set action with Charles Bronson).

    For Cuban Gloria Estefan-type modern scores, Dave Grusin's work for the Robert Redford film HAVANA is good, and his RANDOM HEARTS has some Miami grooves.

    For the authentic Argentina/ Cuba connection, try Schifrin's CHE!

    And for really authentic Latin American stuff seen through a Greek prism, well there's always Mikis Theodorakis? STATE OF SIEGE (though it's dramatically thin).

    Oh yeah, correct, shifting back to Hollywood's Europe, how far out of place would EL CID be in your collection? Or Horner's MASK OF ZORRO with its Iberian flamenco. Geographical net's stretching to breaking point.

    There must be a million more, like from Mexican films, but I've mentioned the ones people like us here collect.

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    posted 06-24-2002 01:40 PM PT (US)     
     

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