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      Ban All Xylophones!!

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    Author
    Topic:   Ban All Xylophones!!

     Kosh
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    Hey,

    I just wanted to hear your thoughts about that instrument called a xylophone.

    I decided to start this thread because one of my musical pet peeves is the xylophone. If I remember right, Goldsmith can't stand the harp. Well, I can't stand the xylophone.

    I mean, it sounds great in Thai and Chinese music, but in something like Western action music, I find its timbre to be ludicrous. It completely takes away any impact and makes the music sound childish.

    What are your thoughts?


    Kosh

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    posted 05-08-2002 03:57 PM PT (US)     

     Shaun Rutherford
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    I TOTALLY disagree.

    If I would ban any instrument, it'd be the oboe. Damned whiny-assed instrument. No offense (again) to oboe players.

    Shaun

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    posted 05-08-2002 04:08 PM PT (US)     

     Lancelot
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    Holst couldn't be Holst without the xylophone...!

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    posted 05-08-2002 04:21 PM PT (US)     

     Ken S
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    "Xylophone...makes the music sound childish."

    THAT'S EXACTLY WHY I LOVE IT

    I can't stand trumpets and most of the "loud-noised" horns in movie scores - they are too "demanding", they seem to eat all the rest of the orchestra. (But there are some exceptions, like most of John Williams' marches - what they would be without the great wind sections ?)

    But oboes, French Horns, and other soft wind instruments are just BEAUTIFUL, even when used in fierce horror music.

    If I had to choose ONE perfect instrument of the orchestra, I'd choose the HARP - it is an instrument which cannot be played in a wrong way; VIOLIN can be played in a wrong way (especially as a solo instrument), so although it is my most FAVORITE instrument within a LARGE ORCHESTRA, I usually can't stand it on its own... Complicated, isn't it ?

    KEN

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    posted 05-08-2002 04:32 PM PT (US)     

     Anders
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    Xylophone is a cool instrument, not used enough I think!

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    posted 05-08-2002 04:41 PM PT (US)     

     Racerprose
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    I'd ban oboe and clairnet.

    -Joe

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    posted 05-08-2002 04:42 PM PT (US)     

     HadrianD
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    i'd ban all the Shakuhachi or whatever it is called because of its redundant, repetitive use in Horner scores. Break all shakuhachi crap

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    posted 05-08-2002 05:46 PM PT (US)     

     miss tonya
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    Come to think of it.. I honestly can't think of a single Goldsmith score that utilizes the harp!

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    posted 05-08-2002 06:27 PM PT (US)     

     miss tonya
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    BTW, Kosh...
    What about Goldsmith's use of the the xylophone in First Knight! I can't remember which track but it really adds immeasurably to the mood!

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    posted 05-08-2002 06:30 PM PT (US)     

     Marian Schedenig
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    quote:
    Originally posted by Racerprose:
    I'd ban oboe and clairnet.

    There wouldn't be much left of good music without half of the winds. Just think of Conan!

    Xylophone is great. Actually, there's not a single "standard" orchestra instrument that's not very important in it's own sense.

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    posted 05-08-2002 07:32 PM PT (US)     

     jonathan_little
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    I honestly can't think of any instruments that I would want removed from the orchestra.

    I love the harp, too.

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    posted 05-08-2002 07:43 PM PT (US)     

     James
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    Not only can I not imagine banning any instrument from the orchestra, but there are a few I'd like to see take perminant residence there. All large orchestras should have at least two theremins, one ondes Martenot, one glass harmonica, vibraphones and marimbas, a couple of accordions, and a Blaster Beam.

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    posted 05-08-2002 08:11 PM PT (US)     

     James
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    Throw a few daxophones in, too.

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    posted 05-08-2002 08:18 PM PT (US)     

     Lou Goldberg
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    I'm with James--bring on the instruments. Xylophones are pretty major to a lot of scores and classical works. And what would Herrmann be without the Vibraphone, god forbid!

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    posted 05-08-2002 09:03 PM PT (US)     

     Richard
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    BAN THE FRICKEN HARPSICHORD!!!!

    I squirm everytime I hear it. It really is awful.

    I also say there should be restrictions on the dynamic(loud/soft) levels the saxophone can play at. Nothing about mp(moderately soft).

    As for clarinets, I don't have a problem with how loudly they play, but frankly, anything above an A or a B is painful.

    I also think Shakira should be banned.
    She needs to be more decisive with regards to how she's going to sing. It's fricken annoying when she cycles through several different vocal styles in a 30second time frame.


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    posted 05-09-2002 01:51 AM PT (US)     

     SBD
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    This is pretty silly. I can't think of a valid reason to dislike any of the instruments mentioned here.

    Um, Shakira is not a musical instrument. She's a talented singer.

    As for Goldsmith and the harp...I hope he never ends up scoring a sequence set in Heaven...in which case, he's up s*** creek.

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    posted 05-09-2002 07:50 AM PT (US)     

     Nicolai P. Zwar
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    quote:
    Originally posted by miss tonya:
    Come to think of it.. I honestly can't think of a single Goldsmith score that utilizes the harp!

    There are four(!) of 'em in Chinatown.

    Frankly, I think every instrument has its place if it's used right. To use or not use a certain instrument is a creative decision just like using or not using a certain color in a painting. There are no inherently "bad" instruments just like there are no inherently "bad" colors. What matters is the final result.

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    posted 05-09-2002 08:25 AM PT (US)     

     Richard Street
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    I'm just trying to imagine Michael J Lewis' "The Destruction of the Cathedral" from THE MEDUSA TOUCH without the xylo. It would suffer, I think.

    Personally, I'd get rid of electronic substitutes for real instruments. If you want a bassoon in there, you should hire a bassoonist, not select "bassoon" on your Yamaha. By all means use keyboards for mocking it up, orchestration, "see what it would sound like if we gave the melody to a detuned viola" and so on, and by all means use keyboards for weird and non-existent instruments. But not to save money on session players...

    NP: TI-KOYO E IL SUO PESCECANE (Francesco De Masi), which has been in that shop for about three years, until this afternoon when I liberated it...

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    posted 05-09-2002 02:08 PM PT (US)     

     Gae
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    Personally, I think Barry makes great dramatic use of the Xylophone in his earlier Bond scores, especially Goldfinger with those tremolo effects e.g. Arrival of the Bomb and Countdown". Personally I like its use in an orchestra when used effectively. It has a unique sound and contrasts well with the other instruments.

    Gae NP AOTC

    [Message edited by Gae on 05-09-2002]

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    posted 05-09-2002 02:24 PM PT (US)     

     Vinylscrubber
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    The composer who could do wonders with the xylophone was Franz Waxman, who usually layered it with horns to create something quite unique. Next time Turner Classics runs INDIAN FIGHTER listen up to the main title. He uses a similar effect in the main title for PRINCE VALIANT and the opening sequence in THE LOST COMMAND.

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    posted 05-09-2002 04:58 PM PT (US)     

     Marian Schedenig
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    quote:
    Originally posted by Richard Street:
    Personally, I'd get rid of electronic substitutes for real instruments.

    I absolutely agree. I can understand why they have to use synths instead of real instruments for TV productions or videogames. But at least when the budget is there, using synths to replace real instruments is just cheap. Even Goldsmith occasionally went too far with it, see Lionheart and possibly Gremlins (although both still are great scores).

    NP: Night Crossing (Jerry Goldsmith)

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    posted 05-09-2002 04:58 PM PT (US)     

     James
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    Just in case any of you thought I was being serious before, let me make this clear.

    While I would love to see all of those instruments gain more wide-spread acceptance (especially the theremin), I don't think I'd like any of them to be made permenant members. Doing that, I think, would ruin the distinctiveness that really makes them special.

    And xylophones are very important. I know I've heard some scores where I questioned there presence---or at least their prominence---but usually they well applied wherever they are used. Currently you can hear them in wonderful use on AOTC, track three.

    Kirk

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    posted 05-09-2002 08:05 PM PT (US)     

     SCimmerian
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    Bernard Herrmann:The Duel with the Skeleton from The 7th Voyage of Sinbad. A masterpiece for Xylophone and Orchestra.

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    posted 05-09-2002 10:52 PM PT (US)     

     Marian Schedenig
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    Xylophone: The Asteroid Field!

    NP: Patton (RSNO, Jerry Goldsmith)

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    posted 05-10-2002 08:28 AM PT (US)     

     Tom_B_Stone
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    quote:
    Originally posted by Gae:
    Personally, I think Barry makes great dramatic use of the Xylophone in his earlier Bond scores, especially Goldfinger with those tremolo effects e.g. Arrival of the Bomb and Countdown". Personally I like its use in an orchestra when used effectively. It has a unique sound and contrasts well with the other instruments.

    Don't forget about little Barry, who plays
    a xylophone on-screen in CLOSE ENCOUNTERS OF THE THIRD KIND.

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    posted 05-10-2002 11:44 AM PT (US)     

     Christian Madsen
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    BAN THE FRICKEN HARPSICHORD!!!!

    The harpsichord is cool!
    I do really love this instrument.


    I also think Shakira should be banned.
    She needs to be more decisive with regards to how she's going to sing. It's fricken annoying when she cycles through several different vocal styles in a 30second time frame.

    [/B][/QUOTE]

    Here I do agree! i think that the following should be banned:
    Shakira
    Kylie Minogue
    Aqua
    (almost every new pop music created by a computer)

    Abowe names has NOTHING to do with music. It is just noise created by some computer nerds.
    I am only listening to film music, and the one and only instrument I don't like is the Ondes Martenot whis Elmer Bernstein use a bit to often.
    But the teremin as used by Herrmann and Rozsa is also coll (e.g. The Lost Weekend, The day the Earth Stood Still etc.)

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    posted 05-12-2002 03:13 AM PT (US)     

     Gae
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    As a footnote to what I said earlier
    ...when played in a Bond score by Barry they are GREAT
    ....when played as occasional octave unisons in an orchestra they are GREAT
    ...but when they are played by Patrick Moore (eccentric British Astronomer) then there is only one thing to say...BAN THEM ALL!!!!!

    NP Dead of Night (Georges Auric)

    [Message edited by Gae on 05-12-2002]

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    posted 05-12-2002 04:34 AM PT (US)     

     Jared Cowing
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    The Xylophone can have great effect sometimes, but I see where Kosh is coming from... when it comes to great action themes with horns blowing and everything else, the xylophone really takes it all and makes it just plain TACKY.
    (Star Trek: Insurrection. There's harp.)

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    posted 05-13-2002 06:01 PM PT (US)     

     Marian Schedenig
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    The Asteroid Field is tacky?

    NP: Tito (Mikis Theodorakis)

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    posted 05-13-2002 07:29 PM PT (US)     
     

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