Most of the article concerns Cohen's DVD experience with Universal on The Fast and the Furious.

But at the very end of the article, the following note, including something about talking with the composer on the film scoring process:

(NOTE: in the excerpt below "he" refers to Cohen)

quote:

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From Wall Street Journal.
This time, he wants to be even bolder in capturing moments of drama on the set, especially the crew's reaction to the film's progressively more daring stunts. "I want to capture the night when [a stunt man] couldn't do it, when he was too afraid to do it," he says. Rather than just shooting an orchestra recording the score, he wants to depict the process by which he and the composer decide what kind of music should be included.

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Though I never knew Edelman used orchestras to record his scores.

The complete article by Bruce Orwall is available at the Wall Street Journal website: http://www.wsj.com