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      Michael Small's AUDREY ROSE

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    Topic:   Michael Small's AUDREY ROSE

     OHMSS76
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     Oscar® Winner
     

    Since it's 3:31 am right now, and I'm still too hyper to sleep, I thought I'd mention this wonderful, seemingly forgotten score and it's fine underrated composer.

    Some of Small's work does nothing for me, but this one really stuck out...it has a 5+ min. main title, quite gorgeous and more mysterioso scoring throughout. Robert Wise' film is also quite well spotted, using Small's music at the best times, and never overbearingly.
    So what else is out there by Small worth hearing? He spoke of a possible promo in the future, when interviewed in a recent soundtrack mag(can't recall which one)....any word on that? If Audrey Rose is included, count me in....

    NP: Wise Up(Aimee Mann)
    Sean

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    posted 12-31-2001 03:29 AM PT (US)     

     Graham Watt
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    Sean, I haven't seen that movie, but I agree with you, he's a greatly underrated talent. There have been thumbs up for Mountains Of The Moon in the past, but I haven't heard that either, in fact the only score of his I have is Consenting Adults, not one of his more memorable works. I'd like to see releases of THE POSTMAN ALWAYS RINGS TWICE, COMES A HORSEMAN and THE STEPFORD WIVES. He can be quite darkly oppressive, but it's usually spine-tinglingly effective. Oh, and lordy lordy, how could I forget MARATHON MAN? That was a brilliant score!

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    posted 12-31-2001 09:47 AM PT (US)     

     BMikeJ
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    I would love to see Intrada produce a promo for Michael Small similar to the David Shire promo from a few years back. Small is another great film composer who has written a lot of great music for film but isn't well represented on CD. Some of my favorite Small scores...

    Klute
    Marathon Man
    The Parallax View
    Comes A Horseman (a refreshing change of pace from the suspense scores he was doing at the time)
    The Driver
    The Star Chamber
    and, of course, Mountains Of The Moon. A big thumbs up for this score. It's long out of print but used copies turn up occasionally. Small wrote on a broader canvas than usual for this film about the explorers Burton and Speke. Like Shire, a great composer and ought to be working more.

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    posted 12-31-2001 04:35 PM PT (US)     

     OHMSS76
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    ...and while I was talking about Small, had a chance to watch THE STEPFORD WIFES last night....great film, supremely eerie, and a great, albeit short, score by Small. It's all pop-based, kind of like some of Michael Lewis' work, but very catchy in a 70's way. There are some moody electronics towards the end by Suzanne Ciani(?!?), and a nice stringent chase for the end.

    Great stuff, add this to the promo

    Sean

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    posted 02-18-2002 11:27 AM PT (US)     

     Graham Watt
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    That STEPFORD WIVES score was great, Sean. I loved the chillingly ironic use of decaffeinated "elevator music" for the final scene in the supermarket (I meant "decaffeinated supermarket music"), which seems to comment on how all real emotions have been replaced by superficial plasticity. Oh well, something like that maybe!

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    posted 02-18-2002 02:30 PM PT (US)     

     OHMSS76
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     Oscar® Winner
     

    Yes! You are right on Graham, that final cue was so chilling, it gave me nightmares(I stayed up WAY past bedtime to finish the film anyway). I kept hoping, no it can't be, it didn't happen, right?...only to find out it did
    Trying to avoid spoilers here, in case someone gets it in their head to GO RENT THIS FILM!

    The whole score is very ambiguous, and would be interesting to study sometime...it really balances warmth, sterility, and fear surprisingly well. It's hard to put my finger on it, but Small tips the scales very slightly in key scenes, making it hard to know how to react. This is real filmmaking, that makes you think, unlike the films now that lead you by the hand every moment.

    Best,
    Sean

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    posted 02-18-2002 02:53 PM PT (US)     

     joan hue
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     Oscar® Winner
     

    I'll have to rent Audrey Rose, Sean. You've sparked my interest.

    There was a sequel to Stepford Wives called, I think, Revenge of the Stepford Wives. Pretty silly movie compared to the original. Again, it deals with controlling those uppity feminist women who think for themselves. Gasp! Sometimes when women meet another lady who is very submissive and jumps to meet her hubby's wishes, we refer to her as a, "typical stepford wife." That term has become part of our language.

    It would be interesting to see what a female screenwriter would do with a Stepford Husband concept. Let's see. They'd deplore the remote control, love to work all day and then cook and clean at night, and of course, they'd adore shopping!

    NP Silverado

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    posted 02-18-2002 04:44 PM PT (US)     
     

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