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The Time Machine
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Topic: The Time Machine

Quill
Oscar® Winner

I hadn't seen this posted anywhere--with the new trailer released (interesting...) I finally got a glimpse at the composer...Klaus Badelt...I've seen his name mentioned but am unfamiliar for the most part...any thoughts or opinion on the choice?
posted 12-11-2001 08:31 AM PT (US) 
dgoldwas

Oscar® Winner

Klaus Badelt has written "Additional Music" for many films, including THE PLEDGE, GLADIATOR, HANNIBAL, PEARL HARBOR, and more - most of them with Zimmer. Word is that he's being assisted on THE TIME MACHINE with Jim Dooley, also at Media Ventures.I'm looking foward to hearing what they come up with!
Danposted 12-11-2001 08:49 AM PT (US) 
Dinko

Oscar® Winner

quote:
Originally posted by Quill:
any thoughts or opinion on the choice?Good choice. It will be one less soundtrack to buy next year.
posted 12-11-2001 09:06 AM PT (US) 
dgoldwas

Oscar® Winner

quote:
Originally posted by Dinko:
Good choice. It will be one less soundtrack to buy next year.Nice to know that people are so open and willing to give people a chance to write a score that they're able to completely dismiss it before hearing a single note!
Dan
posted 12-11-2001 09:11 AM PT (US) 
Dinko

Oscar® Winner

Sorry, Dan but Badelt, Zimmer, Gregson-Williams... whatever.Years ago I would have been happy to hear about an MV-related composer scoring a movie.
Badelt's additional music, or the little I've heard of it, did not impress me much. And The Pledge, while interesting, was boring.
You're right though, my current opinion on the Badelt-Dooley matter is pointless. I haven't heard anything, so cannot judge.
Still, the past is often a good predictor of the future.Open minded? Once upon a time, maybe.
posted 12-11-2001 09:54 AM PT (US) 
Richard Street

Oscar® Winner

Does Dungeons And Dragons count as an MV score? I bought it the other day and it doesn't sound like one (though I'm not sure what it does sound like, to be honest); but it is dedicated to Zimmer.
posted 12-11-2001 09:57 AM PT (US) 
Quill
Oscar® Winner

Thanks for the headsup Dan--I knew I had heard his name somewhere.Dinko--thanks for the input. Very constructive.
posted 12-11-2001 10:12 AM PT (US) 
dgoldwas

Oscar® Winner

quote:
Originally posted by Richard Street:
Does Dungeons And Dragons count as an MV score? I bought it the other day and it doesn't sound like one (though I'm not sure what it does sound like, to be honest); but it is dedicated to Zimmer.I wouldn't really count it as a MV score. Justin Burnett had worked with Zimmer and MV, and dedicated it to Zimmer as such. But from what I understand, that score was pretty much a solo effort.
Dan
posted 12-11-2001 10:58 AM PT (US) 
Finnagin
Oscar® Nominee

D&D had minor aid from Steve Jablonsky, but I'm not sure if any of Steve's work ended up in the final film. I don't think he recieved a credit, but don't quote me on that, I'm not 100% positive. One of the main reasons it sounds different though is that it does not include any of the orchestral/percussion samples that typically blend with the real orchestra in an MV project.Time Machine is composed by Klaus Badelt, addt'l music by Geoff Zanelli, addt'l arrangements by Jim Dooley and Ramin Djawadi. It is also an atypical MV score, although that's coming from me who can actually tell the difference between the MV composers. There's a sound _quality_ that is common to MV scores (the orch/perc samples I mentioned, plus a lot of them are mixed in the same room by the same engineer, Alan Meyerson), but frankly I think it's hard to confuse the music of different composers (I mean the notes, not the production).
And a brief note re: additional music. How do you folks know which tracks were written by which composer? Most of the CDs I have don't indicate which composer wrote which cues, just that they are given credit in the liner notes. Just curious, since someone said they had heard Klaus' additional music specifically. Especially since it's not uncommon for the liner notes to a CD to be finished before the score is and before the CD is cut, I'm not even inclined to trust liner notes if there are any...
posted 12-14-2001 03:18 AM PT (US) 
HadrianD

Oscar® Winner

You're RIGHT ON THE MONEY here. Not to mention the fact that most of the samples being used is owned by Hans. And that's a whole lot of chump change being forked out. Hence the similarity in sound, though I really don't know why people would actually be confused between the work of the individual composers. I, for one, do know the distinction between a Powell writing and a HGW passage and Hans' own. But most MV hater wouldn't even dare to just give it one GOOD listen to make that determination.
posted 12-14-2001 01:45 PM PT (US) Old Infopop Software by UBB
