Any first impression anyone would like to share? I will probably not get to the theatres to see the movie, but I am curious if the score is worth picking up now.

Thanks.

It doesn't help for Nicolas Cage (in the worst casting role of the year) to say he hates the mandolin in his press junkets, especially if the filmmakers (Cage included) earnestly want to drum up some excitement for this film.

When I first heard the score, one thing immediately came to mind: the best score for the worst film of the year has arrived.

If you like Warbeck's music, this is another good score, although it might be a little long in the running time department. Lots of this music is lush, but it really doesn't go anywhere. The main theme is great, but the lack of enthusiasm for the film (and my disgust with Cage's phoney accent) has seriously hampered my listening enjoyment. The La Scala songs attempt to break up the flowing lushness, but these tend to be more irritating than anything else.

quote:

---

Originally posted by Mark:
Yes you remembered correctly Big Bear. Loser.

---

Are you calling Big Bear a loser for writing a "solid" review of this score, or for writing it for SoundtrackNet?

quote:

---

Originally posted by dgoldwas:

Are you calling Big Bear a loser for writing a "solid" review of this score, or for writing it for SoundtrackNet?

Dan

---

Neither Dan, he thinks I am Big Bear because I get along with Big Bear.

NEWS FLASH to Mark - ready for this one you stupid piece of sh!t? I'll assist in bringing your pathetic witch hunt to a screaming halt, k bitchboy?

I live in Los Angeles.
Big Bear lives in Los Angeles.
Dan lives in Los Angeles.
And Jeron is going to school in Los Angeles. Like Dan and Jeron, I TOO HAVE MET BIG BEAR. WE ARE FRIENDS.