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The Top five best music as heard in film.
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Topic: The Top five best music as heard in film.

John Zimmer

Oscar® Winner

I was recently watching Glory and it stuck that this is one of the best scores heard in film of the decade. So with great respect I present to you the Top five scores as heard in film.1. Glory( James Horner). This score has the most emotional music ever written by Horner and the film enhances this very well. I especially lke this score because I also enjoy the film.
2. Jurrasic Park (John Williams). This score works fantasticly in the film and on cd but as you see the Brachiosaurus for the first time Williams really enhances the scene very well and it's not just this scene throughout the film we are continuously bombarded with some of the best music to work in a film ever.
3. Batman (Danny Elfman) All of the music in the film may not fit the film 100 percent prefectly but I am more refering to the theme that fits Batman so well that no matter how bad the film is the theme and music make up for it.
4. Raiders of the Lost Ark (John Williams) For this astronomical film Williams fits it perfectly with his astronomical score. Creating a theme which fits the genre perfectly.
5. The Burbs (Jerry Goldsmith) This VERY fun Jerry Goldsmith score not only presents us with an enjoyable theme but with one of the greatest comedies ever made. Take one of the greats comedy films of al time and combin it with one of the greatest comedy scores of all time and you have a great combination.
Did I miss any well duh of course I did.
Np: The Lost World (John Williams)
Jz
[Message edited by John Zimmer on 08-10-2001]
posted 08-10-2001 09:01 AM PT (US) 
Marian Schedenig

Oscar® Winner

Still the best score in the film for me: The Fury.
posted 08-10-2001 09:18 AM PT (US) 
Hasta
Oscar® Winner

Glory might be my #1 for best in film as well. Also, just watched the Braveheart DVD earlier today... Never had thought too highly of the film, but I'll be damned... It's fantastic, and Horner's score is equally so. It's a bit too long and repetative for a GREAT cd, but it's definitely great in the film... I love your mention of The 'Burbs too, definitely one of Goldsmith's best comedic scores and most effective on screen... Then again, I think Gremlins is even more so.[Message edited by Hasta on 08-10-2001]
posted 08-10-2001 09:36 AM PT (US) 
Ken S

Oscar® Winner

John, very nice top five !Here's mine:
1. SUPERMAN - THE MOVIE (John Williams) This is simply THE most versatile movie score ever created; beautiful, big, adventurous, scary, noble, fun, romantic, soaring - and every bit of the score fits the movie perfectly.
2. RAIDERS OF THE LOST ARK (John Williams) Can't help it
because the score is, in my opinion, a sequel to SUPERMAN's score. My favorite is the cue for the climax, "Miracle of the Ark", which is also Williams' very best horror music.3. E.T. THE EXTRA-TERRESTRIAL (John Williams) (- - - I thought this one for a looong time; but I have to put it here - - -) In the movie, the score works splendidly, although the music works best as on the original album versions.
4. POLTERGEIST (Jerry Goldsmith) If I put E.T. in here, then I must include this one also. Goldsmith's score fits perfectly to the movie - even the outtakes
A classic, because it is not ONLY terrific horror music, but also beautiful and enchanting.5. PETER BENCHLEY'S THE BEAST (Don Davis)
I can't watch this television movie without a big smile in my face, because Davis's music makes me feel warm and cozy... (if you want to know more, please read my review of it...)If this would be a Top Ten list, then Alan Silvestri's FATHER OF THE BRIDE would take the third position and the list would include Philippe Sarde's GHOST STORY, Silvestri's SOAPDISH, Pino Donaggio's CARRIE and the score for Disney's SNOW WHITE AND THE SEVEN DWARFS.
posted 08-10-2001 10:03 AM PT (US) 
John Zimmer

Oscar® Winner

Oh well I haven't seen The Fury or even heard the score.Also about Gremlins the score fit the film but to be honest I hated the film andthe score wasn't all that impressive.
Oh man I totaly forgot about Superman!
And I was thinking what about the top five worst fitting scores to their films. Here are my top five.
1. Battlefield Earth (Elia Cmiral) What was he thinking when he wrote this score it is good music (sort of) but it dosn't fit the pitiful film at all.
2. 1492: Conquest of Paradise (Vangelis) Great Music but it just dosn't fit the film.
Hmmm... well I can't think of any other right off of the top of my head. so are there any others.
Jz
posted 08-10-2001 10:45 AM PT (US) 
Ken S

Oscar® Winner

To think of a list of the worst scores - well, the things that come into my mind are dozens of television movies whose names I don't recall.Couple of times I've been in another room when somebody has been watching tv series BEVERLY HILLS 90210 and MELROSE PLACE - and yuck! the so-called "melodies" of the background score are almost always the same, and they bug one's mind even more when listened to without seeing the "action".
posted 08-10-2001 11:45 AM PT (US) 
Timmer

Oscar® Winner

Blade Runner - VangelisShawshank Redemption - Newman
...ain't got time for more...bed!...g'night!
posted 08-10-2001 06:38 PM PT (US) 
wistiti

Oscar® Winner

I won't do a top 5. I'm bound to forget some.
But here are the two movies I've seen this year, in which I think the music fit perfectly:1) Final Fantasy: The Spirit Within
2) The Tailor of Panama
In both of these, I thought the music added an extra dimension to the movies.
These two films stand out of the batch. Too often these days I find many movies to be badly spotted, or with inappropriate music, or simply too much music. FF and ToP had the perfect amounts of music, at the best spots, and exactly the music that particular scenes needed.posted 08-10-2001 07:07 PM PT (US) 
Hard Target
Oscar® Winner

My top 5 are:Raiders of the Lost Ark (John Williams)
First Blood (Jerry Goldsmith)
Judgment Night (Alan Silvestri)
The Green Mile (Thomas Newman)
Rounders (Christopher Young)posted 08-10-2001 09:51 PM PT (US) 
JJH

Oscar® Winner

let's get in the Way-Back Machine* for a minute.I would add the following because I'm in a bit of an elitist mood tonight:
1. Ben-Hur
2. Spartacus
3. Psycho
4. Cleopatramore recent scores:
oh, let's go with:5. Hook
6. Titus
7. The Cell
yeah, that'll work.dammit Marian, The Fury has been on TV recently and I can't ever get home in time to watch it to see how Williams' amazing score works in context.
*The Way-Back Machine: I ripped this off from a Sports TV show hosted by one George Michael (not THAT one, another guy). His little replay segment was called the Way-Back Machine. how stupid.NP -- The Robe, Alfred Newman
[Message edited by JJH on 08-10-2001]
posted 08-10-2001 11:53 PM PT (US) 
Marian Schedenig

Oscar® Winner

quote:
Originally posted by JJH:
dammit Marian, The Fury has been on TV recently and I can't ever get home in time to watch it to see how Williams' amazing score works in context.You'd be surprised.

Seriously, the score is great on CD, but it's MUCH better still in the film!
NP: Watermark (Enya) - Thanks, Timmer!
posted 08-11-2001 06:01 AM PT (US) 
Ken S

Oscar® Winner

Marian
- Because the score is BETTER as in its original form, not as the rerecording as "soundtrack".
posted 08-11-2001 06:15 AM PT (US) 
Marian Schedenig

Oscar® Winner

I think the original recording is best for the film, while the re-recording is probably best for the CD.NP: Mike Oldfield compilation made by Timmer
posted 08-11-2001 07:04 AM PT (US) 
Mark Olivarez

Oscar® Winner

Some older films as well:King Kong (1933) - Steiner
Gojira (1954) - Akira Ifukube
Day The Earth Stood Still - Herrmann
Psycho - Herrmann
Gone With The Wind - Steinerposted 08-11-2001 08:34 AM PT (US) 
Bill R. Myers

Oscar® Winner

Herrmann's Vertigo.NP: The Fury (Williams)
posted 08-11-2001 08:39 AM PT (US) 
John Zimmer

Oscar® Winner

GAAAAHHHHH!!! I can't stand it how long is The Fury? Is it a regular release? How can I get this score? What is the film about? INFORMATION PLEASE!!!Np: Hoosiers (Jerry Goldsmith)
Jz
posted 08-11-2001 02:38 PM PT (US) 
Ken S

Oscar® Winner

THE FURY is one of Brian DePalma's more "original" movies. Released in 1978. The story is about a boy and a girl who share same kind of psychokinetic powers - an ability to make things happen just by the power of thought. A group of terrorists kidnap the boy, and his father comes to the rescue and simultaneously rescues the girl... but the movie does not end as happily as one might suspect.Almost always, when speaking of this movie, the John Williams score is mentioned and praised to be "THE greatest ever created for a motion picture". Well, I think Williams has done many better ones, although the score for THE FURY is also among my favorites. The original Arista Records' soundtrack (later released on Varese Sarabande as CD) is an atmospheric rerecording, with tingling Gothic & Romantic sound, as the music is performed by The London Symphony Orchestra.
The soundtrack total time is about 43 minutes. It is a rerecording and many of the cues are different than on the actual movie score; and some of the music appearing in the movie is not included.
posted 08-11-2001 06:22 PM PT (US) 
Ken S

Oscar® Winner

...And YES, THE FURY
IS available through Movie Music com - atleast right now !!!
posted 08-11-2001 06:28 PM PT (US) 
Marian Schedenig

Oscar® Winner

And the DVD is coming out very soon!
posted 08-11-2001 06:32 PM PT (US) 
justin boggan

Oscar® Winner

JAWS- is there a better marrige of music and movie?Star Trek: First contact (you guys might notice i say that aot, but i love this score)COMPLETE.
Indiana Jones and the last crusade.
Titanic. I love alo of the music from the movie, not to say all of it. I'm ot saying its up there with JAWS, but it fits he film so very well.
Star Trek 2.
posted 08-11-2001 11:16 PM PT (US) 
John Zimmer

Oscar® Winner

Looks pretty cool I must admit .Np: Planet of the Apes (Goldsmith) Only a clip
Jz
posted 08-13-2001 07:00 AM PT (US) 
Dr. Zaius

Oscar® Winner

POTA (original)
THE MISSION
COOL HAND LUKE
GOOD BAD and UGLY
GREAT ESCAPE
posted 08-13-2001 07:32 PM PT (US) Old Infopop Software by UBB
