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      Movie Soundtracks
      A New Label?

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    Author
    Topic:   A New Label?

     OHMSS76
     Click Here to Email OHMSS76
     Oscar® Winner
     

    Looky what I found at rec.music.movies...


    We are working on several scores at the moment, including some
    requested items as Days of Heaven, Meteor Man, Ghostbusters, and
    others...

    Our first release is at hand. We will be releasing a score which is
    seeing its first time on CD, or any format for that matter.

    The CD is American Perfekt by Simon Boswell.. There will also be a
    bonus track to the alternate score to Eighteenth Angel that Simon
    composed but walked off of. The Eighteenth Angel score will be an
    upcoming release, as will some of Simon's earlier work such as the
    early Italian horror films, Hackers, and Hardware (rights on some of
    these permitting).

    American Perfekt will be a limited edition numbered run of 2000 and
    will be #1 in the composers collection. So if you think you will ever
    collect the entire set, start now before they are $100 on ebay.

    We are now putting together the new site at www.regal-audio.com

    We will be accepted money order, cashier's check, personal check,
    credit cards (through paypal initially).

    Please support us, and PLEASE DON'T POST THE RELEASES HERE. We can
    only afford to print 2000 copies at a time, and if these don't sell,
    we won't be able to bring you more scores.. copying against a huge
    company like Warner is one thing. Copying against a small outfit
    composed of collectors is another..

    Feel free to email if you have any questions...

    THANKS FOR READING!
    ::::::::::::::::::::
    Here's the email they give:

    ::+: Morpheus :+:: (starwars@satx.rr.com)


    Ghostbusters eh? Hmmmmm.....
    Here's the direct link for those who are also baffled: http://groups.google.com/groups?hl=en&safe=off&th=5d3bddad98852bfe,1


    [Message edited by OHMSS76 on 07-31-2001]

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    posted 07-31-2001 02:33 PM PT (US)     

     Richard Street
     Click Here to Email Richard Street
     Oscar® Winner
     

    Just wondering: how legit are these new releases? And Hardware already exists, identically on Varese and Milan (I have the Varese).

    NP: THE MUMMY (Jerry Goldsmith)

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    posted 07-31-2001 02:39 PM PT (US)     

     Marian Schedenig
     Click Here to Email Marian Schedenig
     Oscar® Winner
     

    Did you say...GHOSTBUSTERS!??

    NP: Leonard Bernstein: Symphony #1 "Jeremiah" (Israel Philharmonic Orchestra, Leonard Bernstein)

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    posted 07-31-2001 03:52 PM PT (US)     

     OHMSS76
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     Oscar® Winner
     

    yep, but the whole things sounds hinky to me Marian.

    Check out the site, and we'll all just have to keep posted on it!

    NP:Ionisation(Varese)

    Sean

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    posted 07-31-2001 03:56 PM PT (US)     

     Shaun Rutherford
     Click Here to Email Shaun Rutherford
     Oscar® Winner
     

    What does that mean, "hinky?" Why not say "strange" or "weird."

    Don't use words around me that got no meaning.

    Shaun

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    posted 07-31-2001 03:57 PM PT (US)     

     Racerprose
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     Oscar® Winner
     

    Meteor Man? By Cliff Eidelman???

    Wow. If they release this one, I'll kiss who ever produces it!

    -Joe (Is praying the producer is a women)

    [Message edited by Racerprose on 07-31-2001]

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    posted 07-31-2001 04:03 PM PT (US)     

     dgoldwas
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     Oscar® Winner
     

    Well, Elmer Bernstein's office doesn't know about any plans to release GHOSTBUSTERS, but Elmer doesn't own the music (technically, I suppose Columbia Pictures does)......

    Still, with that nasty-sounding bootleg out there, I wonder what they're planning on releasing..... and odd (although not unheard of) that they wouldn't involve the composer in their plans.

    Dan

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    posted 07-31-2001 04:30 PM PT (US)     

     Beatty
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     Oscar® Winner
     

    hinky is a great word. I use it all the time.

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    posted 07-31-2001 05:34 PM PT (US)     

     Timmer
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     Oscar® Winner
     

    Anyone tell me what HARDWARE is like, I seem to remember it sounding quite good but I really don't want to endure the film again

    Ghostbusters I'm sure will get a legit score release sooner or later...goddam it deserves it!

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    posted 07-31-2001 06:23 PM PT (US)     

     jonathan_little
     Oscar® Winner
     

    quote:
    Originally posted by OHMSS76:
    Looky what I found at rec.music.movies...

    [snip]

    Please support us, and PLEASE DON'T POST THE RELEASES HERE. We can
    only afford to print 2000 copies at a time, and if these don't sell,
    we won't be able to bring you more scores.. copying against a huge
    company like Warner is one thing. Copying against a small outfit
    composed of collectors is another..


    Well, I'm pretty skeptical about anything coming from an "outfit" that says something like that. I've never seen any other specialty label ever post something as lame as that.

    Edit/Delete Message   Reply w/Quote

    posted 07-31-2001 07:07 PM PT (US)     

     jonathan_little
     Oscar® Winner
     

    Oh yeah...
    http://www.regal-audio.com/Rarities.htm

    Heh.

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    posted 07-31-2001 07:10 PM PT (US)     

     dgoldwas
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     Oscar® Winner
     

    Heh.

    I like this one:

    Executive Decision - 61 Tracks - 2 CDs - Jerry Goldsmith
    Hong Kong Limited Edition Pressing of 2500 Pieces
    $29.99

    "Hong Kong Limited Edition"??

    Isn't Hong Kong basically "Bootlegger Central"? (Or is that Bangkok?)

    Dan

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    posted 07-31-2001 09:25 PM PT (US)     

     PeterK
     Click Here to Email PeterK
     FishChip
     

    This is a real hose job. That's one hell of a purty website there. Jonathan Little's suspicions are correct. Let's watch and see how far this thing goes.

    Dan - I bet FSM wouldn't tell you it's odd to not involve a composer in their projects. Even better... I am talking about the living composers, too!

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    posted 08-01-2001 12:33 AM PT (US)     

     dgoldwas
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     Oscar® Winner
     

    quote:
    Originally posted by PeterK:
    Dan - I bet FSM wouldn't tell you it's odd to not involve a composer in their projects. Even better... I am talking about the living composers, too!

    True.... but I think places like FSM and others that don't involve the composers are the exception, not the norm. And in that regard, it IS "odd". (But again, as I already said, it's not unheard of.)

    Dan

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    posted 08-01-2001 07:10 AM PT (US)     

     dgoldwas
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     Oscar® Winner
     

    Interesting discussion going on over at rec.music.movies about this guy's company. He doesn't come across as professional AT ALL......
    http://groups.google.com/groups?hl=en&safe=off&th=5d3bddad98852bfe,10

    Dan

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    posted 08-01-2001 01:11 PM PT (US)     

     PeterK
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     FishChip
     

    He just registered here, so we'll be getting his point of view as soon as he's ready to deliver it.

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    posted 08-01-2001 01:16 PM PT (US)     

     OHMSS76
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     Oscar® Winner
     

    <~~~~playfully eyeballing can o' worms he opened.

    Yep, I saw the exchange on rec.music.movies. I usually don't dig this sort of scene, but it will be interesting to see how this all plays out. Of course that copy of The Howling has me salivating, so hopefully our new friend can give some more info.

    NP:Twilight's Last Gleaming(Goldsmith)It's Jerry day! Yea yea!

    Sean

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    posted 08-01-2001 01:23 PM PT (US)     

     regal-audio
     Click Here to Email regal-audio
     Oscar® Nominee
     

    Thanks for the interest in our company.

    We are completely legitimate. In most cases, the composer has nothing to do with the deal. It's mechanical rights, and master rights. With Simon, we have been VERY lucky in being able to deal with him on some of the material he owns the rights to.

    In regards to the others, it's a matter of finding the master tapes...

    Oh, and if any of you wanted to see Blow Out, or Meteor Man, you can thank Ford Thaxton for killing those deals. We are a completely legitimate company, but he emailed MGM, telling them we were going to rip them off (he doesn't know us and never has) and they backed out of Blow Out, and Meteor Man is iffy (although that is owned by Motown)...

    For those of you who don't know, Ford Thaxton is the resident idiot on the net, in regards to soundtracks. He even spent some time at a well-known composer's house one time, and ran up a $1000 phone bill. He is even reported to have made a homosexual pass at another, being promptly kicked out. For more on him, follow this link http://groups.google.com/groups?q=ford+thaxton+lukas+kendall&hl=en&safe=off&rnum=2&selm=3leu86%244a5%40dcsun4.us.oracle.com and MOST IMPORTANTLY http://groups.google.com/groups?q=ford+thaxton+lukas+kendall&start=30&hl=en&safe=off&rnum=31&selm=2000121002492176639%40zetnet.co.uk.

    This is the kind of guy who claims to love music, but he just single handidly killed two scores chances of seeing the light of day (at least Meteor Man.. who else is going to release that??)

    If anyone has any questions, feel free to email. We are gearing the site up now, and Simon's first release is being prepared and will be sent to the replicators soon.

    James Mamone
    Regal-Audio

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    posted 08-01-2001 01:26 PM PT (US)     

     dgoldwas
     Click Here to Email dgoldwas
     Oscar® Winner
     

    Well, I don't want to get into the whole politics of personal destruction here, but maybe if things were worded just a little more professionally, Ford (and others) might not have thought you were non-legit.

    Anytime you see someone running a record company (like Robert Townson, or Roger Feigelson, etc.) talking "with the rest of us", they usually do so with a certain level of decorum and professionality - and I haven't really seen that yet. All Ford asked was if anyone knew who you were. That's it.

    And he pointed out that you're selling bootlegs. While that probably wouldn't have been much of an issue (Intrada, SuperCollector, etc. all sell them too), the problem is that you're selling bootlegs while trying to get licenses from the very companies that these titles were bootlegged from!

    I'm not going to be on any side here, I don't know enough about the company to make any judgement calls. But I do know what I read, and don't seem to be handling these posts professionally at the moment.

    Dan

    [Message edited by dgoldwas on 08-01-2001]

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    posted 08-01-2001 01:35 PM PT (US)     

     regal-audio
     Click Here to Email regal-audio
     Oscar® Nominee
     

    Oh, and in regards to Hardware, this was part of the score with bands. Varese no longers sells their version, and it is out of print, and as far as we know by checking into it, they no longer hold the rights to it. We would be releasing every last drop that Simon composed for that film, if we do release it, with no music from bands. The only music we are putting out with bands, are the bands we sign, and we are only talking with one at the moment.


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    posted 08-01-2001 01:41 PM PT (US)     

     regal-audio
     Click Here to Email regal-audio
     Oscar® Nominee
     

    quote:
    Originally posted by dgoldwas:
    All Ford asked was if anyone knew who you were. That's it.

    [Message edited by dgoldwas on 08-01-2001]


    That's not entirely true. Ford (like always) emailed, said we were not legitimate, made threats, said he was going to "ruin us," and single handidly killed the releases of at least one, but possibly two scores. This is only the tip of the iceberg. Check out the urls I provided. You will see what kind of person Ford is.

    Thanks...

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    posted 08-01-2001 01:53 PM PT (US)     

     PeterK
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     FishChip
     

    We do not discuss Ford Thaxton here anymore, because he cannot defend himself. Additionally, it's a waste of everyone's time.

    Bye bye.

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    posted 08-01-2001 01:57 PM PT (US)     
     

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