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      Movie Soundtracks
      Grammy Nominations Announced

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    Author
    Topic:   Grammy Nominations Announced

     H Rocco
     Oscar® Winner
     

    Here are the soundtrack-related nominees. Note that according to their own schedule, AMERICAN BEAUTY, for example, is only eligible this year. THE PATRIOT would have been eligible, but they went for ANGELA'S ASHES instead ... never any telling, is there.

    Compilation Soundtrack Album for a Motion Picture, Television or other Visual Media:

    ``Almost Famous,'' various artists

    ``Fantasia/2000,'' James Levine conducting the Chicago Symphony Orchestra

    ``High Fidelity,'' various artists

    ``Magnolia,'' Aimee Mann

    ``The Sopranos,'' various artists.

    Score Soundtrack Album for a Motion Picture, Television or other Visual Media:

    ``American Beauty,'' composer Thomas Newman

    ``The Cider House Rules,'' composer Rachel Portman

    ``Gladiator,'' composers Lisa Gerrard and Hans Zimmer

    ``Magnolia,'' composer Jon Brion

    ``Toy Story 2,'' composer Randy Newman.

    Song Written for a Motion Picture, Television or Other Visual Media:

    ``The Great Beyond,'' (R.E.M. from ``Man on the Moon''), songwriters Peter Buck, Mike Mills and Michael Stipe

    ``Independent Women Part I,'' (Destiny's Child from ``Charlie's Angels''), songwriters Samuel Barnes, Beyonce Knowles, Jean Claude Olivier and Corey Rooney

    ``Save Me,'' (Aimee Mann from ``Magnolia''), songwriter Aimee Mann

    ``Things Have Changed, (Bob Dylan from ``Wonder Boys''), songwriter Bob Dylan

    ``When She Loved Me,'' (Sarah McLachlan from ``Toy Story 2''), songwriter Randy Newman.

    76. Instrumental Composition:

    ``The Egg Travels,'' James Newton Howard (presumably from DINOSAUR)

    ``Round Robin,'' Paul McCandless (Oregon with The Moscow Tchaikovsky Symphony Orchestra)

    ``Sing, Sang, Sung,'' Gordon Goodwin (Gordon Goodwin's Big Phat Band)

    ``The Templars,'' Ralph Towner (Oregon with The Moscow Tchaikovsky Symphony Orchestra)

    ``Theme from Angela's Ashes,'' John Williams


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    posted 01-03-2001 01:10 PM PT (US)     

     JJH
     Click Here to Email JJH
     Oscar® Winner
     

    I never really paid all that much attention to the Grammies, so know that before I aks this question.

    for that instrumental composition nomination,
    do they really combine tracks from film scores WITH classical scores?

    I think that's horrid. two totally different genres in one category. terrible!

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    posted 01-03-2001 01:27 PM PT (US)     

     Marian Schedenig
     Click Here to Email Marian Schedenig
     Oscar® Winner
     

    Why not, as long as they judge them from a purely musical view?

    NP: Catherine the Great (Laurence Rosenthal)

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    posted 01-03-2001 04:23 PM PT (US)     

     Quill
     Oscar® Winner
     

    I agree...even though I feel the final grade for a score is how it works in the film...some film music warrants itself to be judged on its own...Howard's great work for the opening sequence of Dinosaur for example (The Egg Travels). It stands quite well on its own.

    Oh well...any awards given to film music is a waste of time anyway.

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    posted 01-03-2001 05:19 PM PT (US)     

     jonathan_little
     Oscar® Winner
     

    "What the..." ???



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    posted 01-03-2001 09:30 PM PT (US)     

     Richard
     Click Here to Email Richard
     Oscar® Winner
     

    UH!

    Well its very clear that "Magnolia" should win for both Score and Songs.

    I suppose I could settle for Thomas Newman if John Brion doesn't get it, but Aimee Mann certainly should out of that list.

    And THAT, my friends, is what I think about THAT!

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    posted 01-03-2001 09:37 PM PT (US)     

     Richard
     Click Here to Email Richard
     Oscar® Winner
     

    While I'd like to see Hans Zimmer win something, I just don't think "Gladiator" is better than "Magnolia" or "American Beauty".

    In both terms of film and score.

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    posted 01-03-2001 09:40 PM PT (US)     

     JJH
     Click Here to Email JJH
     Oscar® Winner
     

    Marian:

    because "The Egg Travels" is like 2 minutes long, and Angela's Ashes' theme is only 6 minutes, and neither makes great use modern classical techniques. I can't imagine either of them coming close to those classical compositions.

    I won't gripe so much if there is a classical category all it's own. there'd better be one, dammit.

    perhaps this is something I should pay more attention to.


    NP -- The Challenge, Goldie, but I think I need to switch...let's see....Snow Falling on Cedars sounds right, with a bit of Bernstein's Hawaii thereafter...

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    posted 01-03-2001 09:42 PM PT (US)     
     

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