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      The Real Gone In 60 Seconds Tracklisting

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    Author
    Topic:   The Real Gone In 60 Seconds Tracklisting

     Jeff78
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     Oscar® Winner
     

    Well the score is great but varese is back to the original length with this one being only 29:06. But it's a great 30 minutes.
    Barnes And Noble here was selling it already.


    1. Porche Boost 1:12
    2. The Last Car 4:49
    3. Keys To Eleanor 1:22
    4. 50 Cars 2:57
    5. Sphinx :38
    6. Bad Man 1:36
    7. For The Cars 1:31
    8. Roundabend 5:21
    9. Meet The Team 1:15
    10. Memphis Jumps Elle 1:40
    11. The Throb 1:10
    12. Bad English 1:35
    13. Haals Of Dalmorgan :53
    14. Big Drag :49
    15. Bad Carma 1:51

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    posted 09-18-2000 05:36 PM PT (US)     

     TimT
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    :-O

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    posted 09-18-2000 09:08 PM PT (US)     

     Jeron
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    Looks like you're not the only time traveler around here, Tim! Jeff, looks great! I'm definitely looking forward to picking it up tomorrow.

    Jeron

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    posted 09-18-2000 09:24 PM PT (US)     

     sabbey
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    Any idea if it includes the track from the song compilation? I am assuming no, unless they changed the track title!

    Regards,
    Sean Robert Abbey

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    posted 09-19-2000 10:08 AM PT (US)     

     TimT
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    Yes it does. sort of. it's a mix of 2&1

    Hey I noticed the surface of my CD looks wierd, like it was melting or something. It still plays. But is this something to be concerned about?

    [Message edited by TimT on 09-19-2000]

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    posted 09-19-2000 11:05 AM PT (US)     

     Audacity
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    I can't believe how awesome this score is, I was looking forward to it, but even I didn't predict it would be this great. "Sphinx" is one of the coolest short themes I have ever heard. Trevor Rabin is definitely in his element with this type of electronic score. Justin, you better have gotten this today.

    TimT,
    What do you mean it looks melted, the playing surface of the CD or the label side?

    Audacity

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    posted 09-19-2000 12:38 PM PT (US)     

     Al
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    Tim- did the cd go from a cold atmosphere to a warm one suddenly? or vice versa? I've seen what a CD looks like when this happens. Almost like the surface is melting.

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    posted 09-19-2000 12:41 PM PT (US)     

     TimT
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    I don't know what atmosophere its been in I just bought it and opened it.
    I'm talking about the surface of the disc that the laser reads. It looks like it melted then hardened agian. It's still a flat smooth surface and the CD still plays, but the first 3 tracks are harder to read I guess becuase the slightest bump on my CD player and the tracks will skip, the rest don't when I bump it. (Not that I do that regularly)

    Sometimes when I burn a CDR this happens, but this is not a CDR. I'm suspecting Varese of using cheap quality CDs to write on!

    [Message edited by TimT on 09-19-2000]

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    posted 09-19-2000 01:13 PM PT (US)     

     Jack
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    You guys will like this one:

    Went to my local Best Buy to get the GONE score cd over lunch today. Not a one to be found. So I asked an employee...."We didn't get any in because we still have 40 copies of the soundtrack cd."

    So I bebop over to Circuit City..."The other one didn't sell so we didn't order any."

    Sigh


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    posted 09-19-2000 02:15 PM PT (US)     

     TimT
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    Man! That would make me punch somebody!
    No store here has gotten The Watcher or Dragonheart 2 yet!

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    posted 09-19-2000 02:17 PM PT (US)     

     Hard Target
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    Hey Tim, do you want a copy of Dragonheart A New Beginning. I have an extra one, I can be able to let go if you want.

    P.O.
    The Replacements (John Debney/Various) ***/****

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    posted 09-19-2000 02:39 PM PT (US)     

     Justin
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    YES SIR! Completely satisfied with another one of Rabin's masterpieces. Enjoying this CD as it spins in the drive now. Awesome work!

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    posted 09-19-2000 08:34 PM PT (US)     

     Wedge
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    I dunno what copy of the score YOU guys are listening to! My track list looks something like this:

    1. Porche Boost 0:59

    And that's it! What a rip-off!

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    posted 09-19-2000 08:38 PM PT (US)     

     Justin
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    ?!?!?!?! I have no clue what that is all about Wedge? Very interesting

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    posted 09-19-2000 08:47 PM PT (US)     

     TimT
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    quote:
    Originally posted by Wedge:
    I dunno what copy of the score YOU guys are listening to! My track list looks something like this:

    1. Porche Boost 0:59

    And that's it! What a rip-off!


    Are you saying you just have one tracks?


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    posted 09-19-2000 09:30 PM PT (US)     

     Wedge
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    Oh, for crying out loud ... see what happens when you don't include a " "

    The TITLE, people, the TITLE?

    (Okay, it's my own fault for sinking SO low for such a stupid joke. Mea culpa. )

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    posted 09-19-2000 10:04 PM PT (US)     

     ActionGuy
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    AAAARRRGH!! I want my copy!!!
    I looked all over up here in Bozeman, and no one was getting it in, or knew what a film score was for that matter, so irritating. I asked about gone in 60 seconds and they would grab the soundtrack. I finally ordered it from Amazon and had it shipped next day air so it would get here asap, hope its worth it, from the looks of it i bet it will be.

    ActionGuy
    NP - Chill Factor - trk 10 ****/*****(zimmer/powell)

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    posted 09-20-2000 12:17 AM PT (US)     

     Matthew
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    I had a hard time finding it and The Replacements as well.I went to 3 Tower Records,2 Borders Books,Best Buy,plus I called the Virgin megastore.Nobody had either scores.I finally tracked them down at Barnes & Noble.But not before I had talked to no less than 8 people who even after my explaining numerous times,still had no idea what the difference between a soundtrack and a score soundtrack was.Even after I told them specifically what I was looking for over and over.They all just kept saying,"yes we have the soundtrack.Your looking for the one with Ice Cube and Moby right?"

    Aaaaaahhh!!!!!

    When will they learn the difference?
    My guess is NEVER!!!

    [Message edited by Matthew on 09-20-2000]

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    posted 09-20-2000 01:57 AM PT (US)     

     Audacity
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    I had to call around to about four different stores before I found my copy, even then I wasn't sure. The last store I called was Media Play and the guy I talked to didn't seem to know what I was talking about, but he was smart enough to look in the computer and it said they had one. So I rushed to the store and looked for it and all they had was the soundtrack, with one copy of the clean version of the soundtrack. I was mad, I thought for sure he had seen that one copy of the edited version on his computer and thought that was what I wanted. I went up to the counter to ask about it and I was shocked to find he had put the one copy of the score they had behind the counter for me. It's nice to have a good score buying experience once in a while.

    Audacity

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    posted 09-20-2000 07:30 AM PT (US)     

     sabbey
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    You know! This is exactly why I buy online! First, I am able to advance order the scores, and second, I get them right when they are released. Sounds good huh?

    Anyway, CDNOW shipped mine out Monday, and I received it yesterday! Pretty hassle free IMO!

    Regards,
    Sean Robert Abbey

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    posted 09-20-2000 07:50 AM PT (US)     

     sabbey
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    quote:
    Originally posted by TimT:
    Yes it does. sort of. it's a mix of 2&1

    Yeah! I pretty much got that, when I listened to the CD this morning!

    Thanks for confirming it though!

    Regards,
    Sean Robert Abbey


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    posted 09-20-2000 07:52 AM PT (US)     

     PeterK
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     FishChip
     

    I have a question about this score. Is there a conductor credited? If so, is there any indication what orchestra was used? I am hearing this is an all-synth score and that it's a typical under-30 Varese release. This makes no sense, because the "under-30s" are usually that length due to orchestral re-use fees. But for an all-synth score?

    I need the real Gone in 60 Seconds credits!

    PeterK

    NP - "Armageddon" score by Rabin

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    posted 09-20-2000 08:57 AM PT (US)     

     TimT
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    I just talked to Ford about this, becuase I was wondering if reused fees applied to what seems to be an all synth score.
    But he brought to my attention that there was an orchestra used.
    In the credits it list:
    The orchestra was Conducted by Gordon Goodwin
    The Orchestrations were by Trevor Rabin and Goodwin.
    The Orchestra was recorded by Steve Kempster at the Easrwood Scoring Stage.


    But it's true all I hear is synthisizers.

    [Message edited by TimT on 09-20-2000]

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    posted 09-20-2000 09:00 AM PT (US)     

     PeterK
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     FishChip
     

    Thank you TimT!

    PeterK

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    posted 09-20-2000 11:41 PM PT (US)     

     Jeron
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    If you'll listen closely enough (Tim), there are live strings to be heard in the mix with the synth strings and various other synth instruments. Most noticeably in track (2). Check it out.

    Jeron

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    posted 09-21-2000 06:47 AM PT (US)     

     Audacity
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    Wedge,

    I don't think anyone else got your joke, but I thought it was damn funny.

    Audacity

    [Message edited by Audacity on 09-21-2000]

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    posted 09-21-2000 07:22 AM PT (US)     

     scoreboy13
    unregistered  

    quote:
    Originally posted by ActionGuy:

    ActionGuy
    NP - Chill Factor - trk 10 ****/*****(zimmer/powell)

    I realize this is off the topic, but Do you have Chill Factor ActionGuy?

    Clay G.

    NP Casper (James Horner)

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    posted 09-21-2000 12:50 PM PT (US)     

     ActionGuy
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    scoreboy,

    I do in fact have the score (my own mix actually). In fact if you havent heard the good news about the psuedo released score, go check out the Chill Factor thread in the general topics section. Its got details on how to make your own from the DVD, and how I mixed mine. Mine is 16 tracks and just over 25 minutes long. As it turns out all the menus on the dvd have different pieces of the score. If you want to trade, let me know.

    ActionGuy
    NP - Gone in 60 Seconds (I wish! not until amazon finally gets it to me)

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    posted 09-21-2000 03:53 PM PT (US)     

     ActionGuy
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    FINALLY GOT MY COPY OF "Gone" (took amazon long enough). It's by far my favorite Rabin score. Anybody else recognize its similarities to Con Air? Rabin even uses one of the exact riffs from con air. Not that I'm complaining, I love the work he and Mancina did for Con Air.

    Rich D.
    NP - Gone in 60 Seconds - 9. Meet the Team

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    posted 09-22-2000 03:44 PM PT (US)     

     Audacity
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    Hey Action, or is it Mr. Guy,

    I noticed that Gone in 60 was similar to Con Air, but where did he use the same "riff"? I couldn't spot it.

    Audacity

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    posted 09-26-2000 02:28 PM PT (US)     

     ActionGuy
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    Action, Rich, or Mr. Guy.. heck, makes no difference to me

    It's in track 8 (Roundabend I think)
    check out track 4 of Con Air exactly 3:26 into the track. Then listen to track 8 on Gone, I'm pretty sure its the same sort of riff. I'm not 100 percent sure its track 8 though, I would grab the cd, but its in my car and its way too cold to go get it.

    Rich D.
    NP - Con Air

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    posted 09-26-2000 11:34 PM PT (US)     
     

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