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Topic: Good Movie-Bad Score/Good Score-Bad Movie

scoreguy15
unregistered
Is there anyone out there who thinks there was a really good movie with a horrible score, and a movie with a great score, but the film was horrible? If so which?
My good movie-bad score would have to go to:
Snake Eyes(Although it grows on you after a while)
As for a good score-bad movie, I'd have to say:
What Lies Beneath (Way to long and drawn out)Clay G.
NP Armageddon (Harry Gregson-Williams)
posted 08-30-2000 06:13 PM PT (US) 
Scott

Oscar® Winner

That is a great question.Need to think about it though.
Scottposted 08-30-2000 08:20 PM PT (US) 
Observer
Oscar® Winner

The only thing that can come to my mind is:
Good Score-Bad Movie
U-Turn (Ennio Morricone)[This message has been edited by Observer (edited 30 August 2000).]
posted 08-30-2000 08:27 PM PT (US) 
MWRuger

Oscar® Winner

Well, you could list almost Jerry Goldsmith's entire body of work as a Bad Movie-Good score.But my personal favorite:
It's Alive 2 by Bernard Herrmann. (I mean, come on. The guy who does Citizen Kane does the score for an awful sequel. It’s good, but damn. What a waste.)
Bad Score-Good Film: X-Men.
(It's not really bad, its just so non-descript as to vanish completely. It just doesn't do anything.)
NP: Journey to the Center of the Earth (Great score, cheesy flick)posted 08-30-2000 09:52 PM PT (US) 
DjC

Oscar® Winner

Good Film-Bad Score= GLADIATOR...I dug this film a lot, even though a few theatrical shortcomings, plus, the essencs of the story was deeper than Braveheart, though BH told a dumb story better. The score for Gladiator had one good part, the silent guitar/voice parts, that was it, rest sucked, bad.
posted 08-30-2000 11:45 PM PT (US) 
Will

Oscar® Winner

No directly answering the question, but related; where the score is better than the movie: American Beauty. To me the score shines better than the movie.And to answer for a good score bad movie: The 13th Warrior. And speaking about the 13th Warrior, anyone can make a CD-R copy of the expanded score for me? We'll trade.
NP American Beauty (Thomas Newman)
posted 08-31-2000 07:38 AM PT (US) 
ZapBrannigan

Oscar® Winner

Good Score, Bad Movie: SupergirlGood Score, Fair Movie: Star Trek 5 The Final Frontier
Bad Score, Fair Movie: Star Trek Insurrection
All by Goldsmith.
[This message has been edited by ZapBrannigan (edited 31 August 2000).]
posted 08-31-2000 08:49 AM PT (US) 
Camillu

Oscar® Winner

The same few always come to mind.Cutthroat Island
Hook
Dragonheart
Far and AwayIt's up to you to figure out which category I'm referring to.
And lately, after numerous VHS watchings, I am inclined to add SW - Episode 1 to the list.
NP - American History X
posted 08-31-2000 11:03 AM PT (US) 
Aaron Collins

Oscar® Winner

Camillu,Hook and Cutthroat bad movies? Well, I guess everyone has their own opinions. I personally thought the movies were enjoyable and both have scores that ranked in the best of the 1990's.
As far as Bad Movie/Good Score:
KRULL- an amazing score and one of James Horner's best scores to date.
Alien 3- One of the most complex and chilling scores composed. The movie was terrible, but the music is awesome!
Now two bad movies/good scores that usually get mentioned are Kevin Costner's Waterworld and The Postman. Waterworld is an alright movie with an A+ score. The Postman in my opinion is much better than Waterworld and the theme is a definite hummer.
Later,
AaronNP: KRULL 2 CD
posted 09-01-2000 12:05 PM PT (US) 
Greg Bryant

Oscar® Winner

Under Good Movie/Bad Score, I would list:Crimson Tide
Speed
Deep ImpactUnder Bad Movie/Good Score, I would list:
a lot of films on which Goldsmith worked (what does that say about his choice of films?)
posted 09-01-2000 01:10 PM PT (US) 
scoreguy15
unregistered
Greg, I'd have to STRONGLY disagree on Crimson and Speed. Both scores were wonderful in my eyes.Clay G.
NP Plunkett & Macleane (Craig Armstrong)
posted 09-01-2000 07:56 PM PT (US) 
Mark Olivarez

Oscar® Winner

Goldeneye: good film / bad scorebad films / good score:
Rambo III
Star Trek V
Supergirl
The Swarm
Krull
King Kong (1976 remake)
The Final Conflict (Omen III) This score needs to be remastered, the sound quality is kinda crappy. It seems the best cues are "muffled"Movies that could have used better scores:
Torn Curtain (Hitchcock should have stuck with Herrmann)
Star Trek Generations
Armageddon
Patriot Games
Titanic (Cameron wanted Williams to originally score this movie, I sure wish he could of)[This message has been edited by Mark Olivarez (edited 01 September 2000).]
posted 09-01-2000 08:35 PM PT (US) 
Camillu

Oscar® Winner

Aaron,I'm not saying Hook and Cutthroat were hopeless films. I just personaly believe they are both flawed in various departements (especially the latter) and that they were way outshone by their scores.
Waterworld is another such example, as you rightly pointed out.
Bye for now.
NP - North - Shaiman
posted 09-02-2000 03:19 AM PT (US) 
A.G

Oscar® Winner

Greg, I must disagree about Deep Impact, it was, for a few months, my most listened to score!Bad Film-Good Score: Superman IV
posted 09-02-2000 04:46 AM PT (US) 
Shaun Rutherford

Oscar® Winner

AARON WROTE:The Postman in my opinion is much better than Waterworld and the theme is a definite hummer.
Aaron, where I'm from, that's not a compliment.Shaun
posted 09-04-2000 02:51 PM PT (US) 
Eric Paddon

Oscar® Winner

Good film, bad score
-GoldeneyeBad film, good score
-JFK
-Taxi Driver
-Raise The Titanic
-Hawaii
-The SwarmI love the scores for King Kong (76) and Supergirl but consider both films to be entertaining. (The new DVD can't help but enhance Supergirl's watchability).
posted 09-05-2000 11:07 AM PT (US) 
Greg Bryant

Oscar® Winner

quote:
Greg, I'd have to STRONGLY disagree on Crimson and Speed. Both scores were wonderful in my eyes.In the film itself, Mark Mancina's score to Speed is effective. The mostly percussive score adds to the tension. However, on it's own (without the film) Mancina's score is repetitious and annoying.
I have a problem with Zimmer's overuse of the male choir during Crimson Tide. I'm reminded of being in church - you expect to choir to go "Ahhhh......mennnnn." (Maybe they do...I can't remember.) It's just a little too thick and nauseating for me (in an otherwise intelligent and engrossing film).
What is strange is that the Russian choral music in The Peacemaker (also by Zimmer) does work. So, I guess it's just a matter of usage.
[This message has been edited by Greg Bryant (edited 05 September 2000).]
posted 09-05-2000 01:11 PM PT (US) 
scoreguy15
unregistered
Greg, your coment on Crimson Tide actually made me realize, that's what is wrong with some of Zimmer's scores. To much male, not enough female vocals. The Peacemaker had some REALLY good dramatic solo vocal parts though, that is what I truely loved about it.Clay G.
NP ID4 Complete (David Arnold)
posted 09-05-2000 01:47 PM PT (US) 
Jeron

Oscar® Winner

LOL... Shaun, not that kind of hummer! Geeesh. You've gotta remember - Aaron is from Florida. He's a composer. Entertainingly enough, his middle name is Tune. The word "hum" is in his everyday vocabulary, thus... "hummer," pertains to something that is catchy and hummable (is that bad usage, too?).You are a goofball, Shaun Rutherford. That made me laugh big time.
Jeron
posted 09-05-2000 02:29 PM PT (US) Old Infopop Software by UBB
