I’d love to meet the ghost of M. Rosza. I’d ask him if he was a strongly religious man. I’ve always wondered about his inspiration for the melodies in King of Kings and Ben Hur. His ability to musically portray God seems unsurpassed, although Newman’s The Greatest Story Ever Told and Bernstein’s Ten Commandments are also superb.
I’d ask Jerry Goldsmith if he prefers the avant-garde, atonal style of Planet of the Apes and Hollow Man to his more melodic writings.
I’d ask any composer if he/she has a preference for certain types of movies for scoring such as action, romantic, adventure, etc., or if they want variety in subjects. Guess I’d just drive them all nuts with questions.
I'd ask John Debney which kind of soundtracks he enjoys writting the most: rousing adventure scores like White Fang II or scarey joltingly frightening scores such as Komodo