1. THE HOLLOW MAN: The title track is a slow melodic piece that resembles BASIC INSTINCT in tone. A subtle synth-breath is woven throughout...

2. ISABELLE COMES HOME: is a six minute track that escalates into classic suspense music, some of the best I've ever heard from Goldsmith.

3. LINDA AND SEBASTIAN: is a mellow piano theme that's a little offbeat, quite touching. Strings join in and the track becomes uplifting and warm. The main theme makes a welcome return towards the end.

4. THIS IS SCIENCE: This sounds like something that takes place in the Lab -- probably the scene where Kevin Bacon is being experimented on. Slowly, everything falls quiet, then it all gets really aggressive about 3 mins in. I'm betting this is where Kev turns invisible. A pioneering feel runs throughout.

5. NOT RIGHT: The pace continues, then becomes more aggressive, as the title suggests. The pace quickens and the track segues into a thrilling 'chase' type motif. Low brass and high strings.

6. WHAT WENT WRONG: The main theme returns, more reflective this time, but the pace is brisker than in the title track.

7. BROKEN WINDOW: Eerie and unsettling low strings signal danger. A repetitive low piano motif and suspense strings crank up the tension... it's very creepy and unsettling. The theme returns but it doesn't bring relief. Classic Goldsmith stuff this.

8. FALSE IMAGE: Fantastic. Sounds like something from Twilight Zone: The Movie. Low piano strings, stabbing brass, xylophones -- cool. The score was great to start but it's getting better with every track...

9: HI BOSS: A strange musical sound immediately puts us at unease. Strings let us know that something bad is about to happen. And it does. Big pulsating action music that reminds me of Rambo explodes. Further on, it becomes quiter, but still menacing. It's nice how JG weaves the theme throughout.

10. FIND HIM: Searching/hunting-type music, as the title suggests, complete with cool synth beats -- a familiar Goldsmith tool. More action music... more suspense.

11. BLOODY FLOOR (9:57): The tension is still not letting up. One word describes this: Relentless suspense. Then quiet. Then action. Then quiet. Action could break out at any time. The synth-breathing returns. About 4 1/2 mins in, a painful theme pops up, but it's not too long before it all gets going again... there is an element of success and hope as it moves along, still at a rattling pace, moving faster and faster until the breathtaking finale... phew, I'm exhausted.

12. THE ELEVATOR: And the action music just keeps on coming. Eeerie sweeping strings, quiet for a moment, and then a terrifying descending motif that scared the crap out of me. Whoah. I keep looking over my shoulder, not that I'd be able to see Kevin Bacon if he was there...

13. THE BIG CLIMB: The scary motif continues with MORE action!!! Muscluar brass thunder along... becomes low and sympathetic for a moment, then comes to a triumphant, upbeat finale.

The banter begins!

Shaun

--Kyp