Mine are:

1. Raintree County by John Green
2. The Best Days of Our Lives by Hugo Friedhofer
3. The Big Country by Jerome Moross
4. Vertigo by Bernard Herrmann
5. Forever Amber by David Raskin
6. Bride of Frankenstien by Franz Waxman
7. Anthony Adverse by Erich W. Korngold
8. They Died With Their Boots On by Max Steiner
9. Ben Hur by Miklos Rosza
10. Spartacus by Alex North
11. The Song of Bernadette by Alfred Newman
12. The Thing by Dimitri Tiomkin
13. East of Eden by Leonard Rosenman
14. Mutiny on the Bounty by Bronislau Kaper

And John Williams conducted violinist Isaac Stern in a splendid rendition of the WUTHERING HEIGHTS theme by Alfred Newman.

Others are Adventures of Robin Hood (available as a re-recording on Varese, but I don't have it yet), The Sea Hawk (also re-recorded, forgot the label, never found the disc), Ben Hur, Spartacus (there seems to be no decent official release, what are they waiting for?), The Adventures of Don Juan (available or upcoming on "BYU").

And Philip Sainton's Moby Dick, available on Marco Polo.

Oh, and I don't yet have FSM's Prince Valiant (Waxman), but I have to get it soon. I love the suite on Gerhardt's Waxman album.

I thought the Silver Age was the 50’s and 60’s. Current
times would encompass the 70’s through now. Is this correct?
(Is this the Bronze age? )

I’d concur with The Big Country, Ben Hur, Spartacus, and add
my other favorites, Mr. Roberts (Waxman, this score only has the
main theme on CD so far) and King of Kings by
Rosza. However, are these from the Golden Age or Silver Age? (Duh!)

It has always been my understanding that Hollywood's "Classic Era" (often referred to as the "Golden Age") was roughly between 1930 and 1960. Most film historians abide by this.

As for "Silver Age," this identifier is not necessarily specific enough to any time frame. The lack of this descriptive word in most historical critiques of cinema might suggest the absence of where such "age" begins and ends.

SPOR, what recorded form do you refer to with Kaper's Mutiny on the Bounty? Truly a perfect example of a great score from a bad film, I am only aware of the LP. Is there any other such format available? Or not available as the case may be?

PeterK

I love Waxman's REBECCA and THE BRIDE OF FRANKENSTEIN, and a friend of mine has me very interested in another upcoming Marco Polo release - Waxman's OBJECTIVE, BURMA. I've yet to see the film and I've only heard the suite of the score on Varese's Vol. 1 of Waxman's music, but I liked that very much. Basically, anything available by Waxman that I've heard, I've been thrilled with.

Rozsa's SPELLBOUND will always be a favorite of mine ...

Herrmann's THE GHOST AND MRS. MUIR - beautiful stuff ...