The MovieMusic Store shopping cart   |  sign in
    SEARCH  
  • Home
  • Browse Store
    • New Soundtrack CDs
    • Top Sellers
    • Low Price New CDs
    • Used CDs
    • Soundtrack Compilations
    • Score Composers
    • Soundtrack Labels
    • Soundtracks by Year
    • ... detailed search page
  • Store Info
    • Happy Customers!
    • $1 Shipping
    • Accepted Payment Methods
    • Safe Shopping Guarantee
    • Shipping Rates & Policies
    • Our Privacy Policy
    • About Us
  • Help Center
    • My Account
    • How to Order
    • Search Tips
    • Return/Refund Policy
    • Cancelling Your Order
    • Contact the Store
  • The Lobby
  •   Message Boards
      Movie Soundtracks
      Bruce Broughton

    Archive of old forum. No more postings.

    Please visit our new forum, The MovieMusic Lobby, to post new topics.

    Author
    Topic:   Bruce Broughton

     Wolfie
    unregistered  

    To me, Broughton is the best right after John Williams.
    The way he writes action, western and , lately, scifi is marvellous. I am especially fond of TOMBSTONE which is an orchestral tour-de-force (listen to OK Corral fight) but Broughton does more than that, the way he quotes his main theme then goes elsewhere, than come back to it for a few notes...that is pure mastership! SILVERADO is also terrific, as well as SHADOW CONSPIRACY, HONEY I BLEW UP THE KID and LOST IN SPACE. They way he uses the trombones and "darker" brass gives me goosebumps.

    Sorry for my errors but I am German.

    Wolfie

    Edit/Delete Message   Reply w/Quote

    posted 05-13-1999 08:11 AM PT (US)     

     Magdi
     Click Here to Email Magdi
     Standard Userer
     

    He's written very charming "little" scores, too. "Carried Away" is a nice example.

    His Americana-writing is also entertaining: "Homeward Bound", "O Pioneers!" are both fine.

    "Honey, I Blew Up the Kids" is a very funny catoonish score. Broughton throws everything in (Gershwin, Williams, Mancini), mixed it and it became an amusing ride, fantastically performed.

    Edit/Delete Message   Reply w/Quote

    posted 05-13-1999 01:15 PM PT (US)     

     TimT
     Click Here to Email TimT
     Standard Userer
     

    It was Broughton's scores for "The Boy Who Could Fly" and "Harry And The Hendersons" that got me in to Filmscores.

    Edit/Delete Message   Reply w/Quote

    posted 05-13-1999 01:30 PM PT (US)     

     PeterK
     Click Here to Email PeterK
     FishChip
     

    The Rescuers Down Under is a great Bruce Broughton score that fits both here in this topic and in the under-rated film score topic. Rarely, I mean RARELY, have I heard much conversation about this score. It might be because of the fact that it's a really hard score to find, but then again there are plenty of scores that are hard to find that are discussed. Anyway, great score for this animated film.

    PeterK

    Edit/Delete Message   Reply w/Quote

    posted 05-13-1999 04:39 PM PT (US)     

     James
     Click Here to Email James
     Standard Userer
     

    Recuers Down Under is my favorite Broughton score!!! And my favorite animated score after Horner's Land Before Time. I love those themes, and the action cues are just incredible! I wish so very much that this score was widely available. But, of course, Disney couldn't care less about their movies' scores! Well, they could, but you know what I mean! Anyway, I love this score, it's incredible, Broughton's great! Does anyone know if any of his non-filmscore concert music will ever be released?

    Edit/Delete Message   Reply w/Quote

    posted 05-13-1999 06:34 PM PT (US)     

     Al
     Click Here to Email Al
     Standard Userer
     

    I'm planning on buying Intrada's release of Heart Of Darkness. It's a score for an animated computer game. They have a clip online. It sounds like a lot of fun! Check it out!

    [This message has been edited by Al (edited 05-13-99).]

    Edit/Delete Message   Reply w/Quote

    posted 05-13-1999 08:14 PM PT (US)     

     Wolfie
    unregistered  

    Gee, how could I forget RESCUERS DOWN UNDER HOMEWARD BOUND HARRY AND THE HENDERSONS.

    Oh, and while "we" are at it: YOUNG SHERLOCK HOLMES one of the "most wanted" is definately a terrific score.

    I did not want to forget those the first time....

    Wolfie

    Edit/Delete Message   Reply w/Quote

    posted 05-14-1999 08:08 AM PT (US)     

     Dawk
     Click Here to Email Dawk
     Standard Userer
     

    I liked his score to Stay Tuned believe it or not!

    Edit/Delete Message   Reply w/Quote

    posted 05-14-1999 12:57 PM PT (US)     

     Al
     Click Here to Email Al
     Standard Userer
     

    Stay Tuned has a fun theme. Believe it or not, when I heard Broughton was scoring Lost In Space, this was the type of theme I thought he'd write.

    Edit/Delete Message   Reply w/Quote

    posted 05-14-1999 02:10 PM PT (US)     

     Wolfie
    unregistered  

    Yeah Dawk, STAY TUNED Is a lot of fun too. Jeez I forgot a lot of movies he made. I just love the movie STAY TUNED and of course the score. The way Broughton (as well as the movie) makes fun of movies and tv shows is great. And the way Broughton toys around with other people's scores (like Driving OVER Miss Daisy) is hilarious!!! Three thumbs up....

    Tood bad there is only two trax on cd from BB. Reminds of the days where I bought CDs just because of ONE composer track....crazy film nut I am .

    Wolfie

    Edit/Delete Message   Reply w/Quote

    posted 05-14-1999 02:28 PM PT (US)     

     Dawk
     Click Here to Email Dawk
     Standard Userer
     

    Hey, don't feel nutty, I've been known to do the same thing. I didn't even know there was a CD out, I'll have to look for it.

    Edit/Delete Message   Reply w/Quote

    posted 05-15-1999 01:51 PM PT (US)     

     Widescreen
     Standard Userer
     

    Bruce Broughton forever will have kept me in his good graces for his score to Silverado. There are rarely any other western scores that rank that high as having a sweeping score of it's magnitude. The next score of his to really show how good he is was Lost In Space.

    Edit/Delete Message   Reply w/Quote

    posted 05-17-1999 09:42 PM PT (US)     

     Ted
     Click Here to Email Ted
     Standard Userer
     

    Bruce Broughton is a composer I had heard very much of but hadn't heard a name. To me he is a very worthy composer. There are points in some of his scores, however, that I can't tell the difference between him and some of Williams. I don't know whether this is a bad thing or not to some people, however. :

    Edit/Delete Message   Reply w/Quote

    posted 05-19-1999 06:00 PM PT (US)     

     Steve Hughes
     Click Here to Email Steve Hughes
     Standard Userer
     

    I love THE MONSTER SQUAD by Broughton. I have a poor quality promo -- but I wish they'd release it comercially. I love all of his big, big scores. IMO, his music sounds like Western music and it often sounds like it's from the '80s, but that's no bad thing.

    Edit/Delete Message   Reply w/Quote

    posted 05-28-1999 09:55 AM PT (US)     

     PeterK
     Click Here to Email PeterK
     FishChip
     

    Has anyone given Jeremiah a listen?

    Edit/Delete Message   Reply w/Quote

    posted 03-06-2001 11:06 PM PT (US)     

     SBD
     Standard Userer
     

    I also love LOST IN SPACE, YOUNG SHERLOCK HOLMES (great theme), HONEY I BLEW UP THE KID and STAY TUNED (how I wish there was a full score album). But why has no one yet mentioned Broughton's wonderful music from BABY'S DAY OUT? Excellent themes and some fine moments.

    Edit/Delete Message   Reply w/Quote

    posted 03-07-2001 09:26 AM PT (US)     

     Jeron
     Click Here to Email Jeron
     Standard Userer
     

    quote:
    Originally posted by PeterK:
    Has anyone given Jeremiah a listen?

    Yep! It's a pretty good score. It's well composed, but I don't think Mr. Broughton had much to work with in terms of a budget. For the most part, it's hard to actually recognize Broughton's style in the score, though it becomes MUCH more evident toward the end. Lots of synth strings (but they are well-used). Some middle eastern vocals... and good percussion passages! Lots of percussion. Track 12, "Jerusalem Falls," is a great 10 minute piece. I'd like to hear the score in conjunction with the film.

    Jeron

    [Message edited by Jeron on 03-07-2001]

    Edit/Delete Message   Reply w/Quote

    posted 03-07-2001 11:03 AM PT (US)     

     PeterK
     Click Here to Email PeterK
     FishChip
     

    Broughton is blipping on the radar a wee bit.... the newest Silverado 2CD, and forthcoming expanded Tombstone with Intrada...

    ...plus 10 minutes of score on the Bambi II CD coming out Feb 7!

    Is this it for a while, or will there be more?

    Edit/Delete Message   Reply w/Quote

    posted 02-06-2006 11:03 AM PT (US)     

     Frank V
     Click Here to Email Frank V
     Standard Userer
     

    quote:
    Originally posted by PeterK:
    [B]...plus 10 minutes of score on the Bambi II CD coming out Feb 7!
    [b]

    Only 10 minutes?


    Edit/Delete Message   Reply w/Quote

    posted 02-06-2006 04:05 PM PT (US)     

     Widescreen
     Standard Userer
     

    Peter,

    Intrada given any indication as to when Tombstone expanded will be available?

    Edit/Delete Message   Reply w/Quote

    posted 02-07-2006 06:32 AM PT (US)     

     PeterK
     Click Here to Email PeterK
     FishChip
     

    No, not yet. Intrada has made progress over the years announcing titles: First, they changed from prematurely announcing titles before they were even manufactured. Next, they changed from announcing pre-orders when the product was at the manufacturer to announcing products only after they were dumped in their lobby. So, I assume we'll have an official word when they are ready to ship! I like it like that, prefer it.

    As for Bambi II, score tracks are as follows:

    Snow Flakes in the Forest (1:40)
    Bambi's Dream (1:28)
    Being Brave Part 1 (1:22)
    Being Brave Part 2 (1:14)
    Bambi and the Great Prince/End Credit Suite (3:35)

    I guess we're lucky to get this much, as there's a bonus song on the CD that was supposed to be used in the "Being Brave" scene. Song wasn't used and the score was. Fancy that, a pop song being dropped in favor of score cues.... but I wonder if that's what really happened.

    Edit/Delete Message   Reply w/Quote

    posted 02-07-2006 09:54 AM PT (US)     

     PeterK
     Click Here to Email PeterK
     FishChip
     

    Little more clarification on the Bambi II song: the dropped song wasn't necessarily a "pop song. Should've called it a "vocal song" written for the fillm. Broughton and Seth Friedman wrote the music and lyrics.

    Edit/Delete Message   Reply w/Quote

    posted 02-07-2006 10:00 AM PT (US)     

     Scorro
     Click Here to Email Scorro
     Standard Userer
     

    True Women

    Anyone who likes Boughton's western themes should have a copy of this, my own personal favorite.

    Edit/Delete Message   Reply w/Quote

    posted 02-07-2006 05:27 PM PT (US)     

     John C Winfrey
     Click Here to Email John C Winfrey
     Standard Userer
     

    There are some cues in Rescue that are right up there with Tombstone and Silverado. The piece they put together for the End Title is super.

    J.

    Edit/Delete Message   Reply w/Quote

    posted 02-09-2006 06:53 PM PT (US)     

     John C Winfrey
     Click Here to Email John C Winfrey
     Standard Userer
     

    Also the music he did for that TV film on the Arctic is really good. Some powerful music in there. Some of it is on the promos with all those scores all mixed up.

    What someone needs to do is sort all those out and group all the ones that belong to each score so they are all together. For there are five or six cuts for some spread on several different discs. DUMB!!!!!!!!!!!!!1

    J.

    Edit/Delete Message   Reply w/Quote

    posted 02-09-2006 06:55 PM PT (US)     
     

    Old Infopop Software by UBB

    © 1998-2011, The MovieMusic Company