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Film music moments that give you chills/well up your eyes
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Topic: Film music moments that give you chills/well up your eyes

UCFKevin

Oscar® Winner

Being the huge Williams fan that I am:Superman The Movie: When Superman saves Lois from the helicopter. This was the first movie I'd ever seen and it's still my favorite of all time, and I had waited for the soundtrack to be expanded because my favorite moment in the movie was THIS part, and finally, when the expanded soundtrack came out, I put the CD in my player, laid in my bed and closed my eyes. For almost 20 years, I had waited to hear the Superman theme kick in when he flies up and that guy in the crowd goes, "What the hell is that?" And when I first heard it, on the CD, I had goosebumps all over my body and tears in my eye. Nothing will ever, EVER top this moment for me.
Return of the Jedi - I grew up with the really lame and short casette soundtrack of Jedi, which has like 40 minutes of music, most of which wasn't even in the movie. So when I got the 4 CD set Anthology, and listened to this, I was blown away...but then I finally got to the moment in which I had wanted to hear outside of the film for ages...Luke defeats Vader. When the male chorus comes on and sings so powerfully, I remember the first time hearing it, 1995 I believe, my jaw just dropped and I was like, "Oh my God..."
Phantom Menace - While the movie nor the music is nowhere near as classic as the original trilogy, they're still very good. I was one of the folks who heard the soundtrack before the movie, and for someone who's second favorite piece of music is the Force theme (first is Superman), hearing the Force theme in a new way for the first time since 1983 put tears in my eye faster than you could say "Pansy". Especially the Kids at Play track, when it's played in it's full regards, rather than just a tease...that blew me away. But the BEST damn moment was not on the soundtrack, but in the movie when ObiWan is hanging onto that outcropping and the Force theme builds in the background as he builds up the Force within...I remember being in the theater with my entire body covered in goosebumps and said, pardon my language, "Holy ****."
Sorry...I'm just very passionate about my music I s'pose....
posted 06-15-2000 09:41 PM PT (US) 
JJH

Oscar® Winner

bravo UCF!I get chills watching that droid ship blow up with Williams aggressive action music blasting in the background. It's so cool.
There's not much music that makes me well up, but an Arvo Pärt contemporary classical piece really makes me do that: It's called Passio. The Passion of Saint John. I guess, basically the story of the crucifixion. The last few bars resonate with an intimacy that can only be described as heartbreaking. The vocal quartet intones a slow prayer at the very end, spread over 4 perfectly in tune octaves, and ending with glorious major chord. You'd think the heaven's opened up. To me it's one of those perfect moments that only music can describe; one of those moments where I listen and say to myself: "everything'll be okay."
I, too, suppose I'm passionate about the music I listen to. It's also probably why I keep almost everything I buy and don't sell it to someone who won't appreciate it as much as I (at least in my screwed up mind, anyway)Np -- Second Jungle Book, John Scott
posted 06-15-2000 09:57 PM PT (US) 
JJH

Oscar® Winner

and in case you heard otherwise, I'm ALL MAN, baby!
posted 06-15-2000 10:07 PM PT (US) 
Ted

Oscar® Winner

Though I said this before in another post...I always enjoy those moments in films when something longly awaited is revealed to the audience for the first time. If scored well, these scenes always send shivers down my spine, such as these two which come directly to my mind:
THE ABYSS, when Bud first sees the vastness of the underwater city. Probably the first time I understood the power of choral music.
THE MATRIX, when Neo wakes up.
...Also, I thought these movies had some great scenes too:
The end of THE MISSION, as Morricone's soft music builds into a massive choral masterpiece (wells).
The last, painful, yet somehow triumphant slow-motion ending shot of GLORY, set to the greatest cue Horner ever wrote (Epitaph to War). That scene made my eyes well up and gave me chills at the same time.
The end to THE SIXTH SENSE, (chills/wells).
The final cue from BRAVEHEART (chills/wells).
--Ted
posted 06-15-2000 10:16 PM PT (US) 
Jeron

Oscar® Winner

Ted!!! Where've you been, man? I've been trying to get a hold of you for a long time!Anyway, I'm with Ted on the Sixth Sense... also, Last of the Dogmen, Track 12 - gets me every time.
Jeron
posted 06-15-2000 10:57 PM PT (US) 
Eric Paddon

Oscar® Winner

The Overture and Finale from Ben-Hur, my favorite score of all time.I also get a tingle every time I hear the ghostly echo of the Orca Theme in the opening of "Jaws II".
posted 06-15-2000 11:12 PM PT (US) 
Aaron Collins

Oscar® Winner

Well, I want to throw three more on this post:-Hunchback of Notre Dame; track 11(the choral climax)... this piece is awesome! I get the chills everytime!
-Cutthroat Island; track 17(this score has everything! John Debney at his best!)
-To Kill a Mockingbird; The Main Title(One of the best themes composed for film. This melody touches me everytime I play it.)
Thanks,
AaronNP: Dark City
posted 06-15-2000 11:25 PM PT (US) 
Darth Fart

Oscar® Winner

Raiders Track 9 - Map Room DAWN, when Indy puts the staff into place as the sun appears.
Just amazing.posted 06-15-2000 11:57 PM PT (US) 
Marian Schedenig

Oscar® Winner

UCF, that chorus piece from Jedi keeps getting mentioned by some of us (including me) over and over again. Wow!When I got into film scores and bought the Jurassic Park CD, I suddenly realized why I had tears in my eyes when watching that lake (where they see some of the first dinosaurs) in the movie.
Or what about Hook. I recently got the DVD, and had tears in my eyes during several sequences.
The finale from E.T., of course. And to mention a non-Williams score, "To The Stars" from Dragonheart.
Interestingly, as much as I love Goldsmith's music, I can't recall anything by him that brought tears to my eyes.
NP: Fargo (Carter Burwell)
posted 06-16-2000 09:55 AM PT (US) 
Mark Olivarez

Oscar® Winner

Moments that make me swell with emotion:Anytime I hear the Force theme from any of the SW movies.
E.T.'s goodbye....what can I saw, still moves me to tears.
Schindlers List.
Hymm To The Fallen....I was in tears during the end credits, so was the whole room.
Cocoon....Rose's Death
Return Of The Jedi....Luke and Vader's final duel
Godzilla v.s. Destroyer....Godzilla's death scene, Ifukube's music is moving
Godzilla (1954)....The music the children's choir sings while images of Tokyo in ruins are shown is another emotional moment by Ifukube.
Mulan....for those who have the academy promo, when Mulan turns to face the crowd at the palace and they all bow to her, Goldsmith uses the choir to hi-lite this moving moment.
Superman.....Williams has several, When Clark says goodbye to his "mom" and the performance of the Love Theme for the end titles.
The First Lady's death from Independence Day.
There are sooo many to write of, but these stand out at the moment.posted 06-16-2000 10:12 AM PT (US) 
Lee

Oscar® Winner

The one and only track, as of late, that has really given me the chills was when Ennio Morricone's finale started to come to life during Mission to Mars. Up to that moment, I wasn't that impressed with the score, but as soon as the choir began, my whole impression of the score changed dramaticly. And as a added bonus, that one track was the reason why I purchased the soundtrack the next day.
posted 06-16-2000 11:03 AM PT (US) 
A.G

Oscar® Winner

Like Kevin, I'd have to go for a piece from Superman.
The music which scores Jor-El's farewell speech to his baby son just before the destruction of Krypton is just beautiful.[This message has been edited by A.G (edited 16 June 2000).]
posted 06-16-2000 11:58 AM PT (US) 
Marian Schedenig

Oscar® Winner

Okay, my first list was only tear-jearkers.Here are those my goosebump selections:
- "Striking the Shores of Dover" from The Sea Hawk (Korngold)
- Nearly anything from Captain Blood (Korngold)
- "The Planet Krypton" from Superman (Williams)
- Anything from The Fury (Williams)
- The rowing sequence music from Ben Hur (Rozsa)
And many more of course.
NP: Captain Blood: Classic Film Scores for Errol Flynn (Charles Gerhardt conducting the National Philharmonic Orchestra)
posted 06-16-2000 12:33 PM PT (US) 
Howard L
Oscar® Winner

The scene in Breaking Away when Dave confesses he's a 'cutter to the coed. Devastating moment made that much more so by P. Williams' fine underscoring.
posted 06-19-2000 12:12 PM PT (US) 
H Rocco
Oscar® Winner

Here's one that probably nobody thinks about much, but really gets to me for some reason: Anthony Hopkins at the end of THE EDGE: "They died ... saving my life."
posted 06-19-2000 12:51 PM PT (US) 
pietari

Oscar® Winner

Almost anything from Schindler´s List, for example the expression on the face of the Jewish clerk having to face a pile of teeth and Williams´ great secondary theme.
The attack on the Japanese camp and the following aftermath from The Thin Red Line with Zimmer´s music. (well, almost anything from that film as well)NP-The Challenge ***/*****
[This message has been edited by pietari (edited 19 June 2000).]
posted 06-19-2000 01:03 PM PT (US) 
Richard

Oscar® Winner

Freedom/The Execution/Banockburn - Braveheart
Descent into Mystery - Batman
Selina's Electrocution - Batman Returns
Truman Sleeps - The Truman Show
The Penitent Man Will Pass - Indy 3 (and every time the "grail" theme is played.)NP: Indy 3 - Williams 3.5/5
Just Finished: Fargo - Burwell 3.5/5
[This message has been edited by Richard (edited 19 June 2000).]
posted 06-19-2000 07:42 PM PT (US) 
Laurence Page

Oscar® Winner

Favourite goosebump moments:
Close Encounters: Bob Balaban looks up at the sky in the Sandstorm to Williams’ ominous chord..
Superman: Pa Kent’s Death - high strings and tolling bell in long shot of collapsed Pa…
Tombstone: Sad little musical phrase as Doc Holliday passes on..
Star Wars: Luke looks at the binary sunset..
Spartacus: Farewell my love, my life (you know the bit)…
Towering Inferno: Main titles play over helicopter flight…
Braveheart: Solemn brass chords and side drum as Scots and British face each other for the first time…
P.S. Thanks H Rocco and Timmer for the Gordon Parks comments!posted 06-21-2000 01:47 AM PT (US) 
JJH

Oscar® Winner

just thought of something that brought (almost) a tear to me eye:Just after the death plague in Prince of Egypt, where a solo cello plays a mournful tune. It's not very long, but it is very effective, to me anyways.
NP -- Morricone, Cinema Concerto, GET THIS CD! sorry to shout, but it's so frikkin' good.
posted 06-21-2000 09:41 PM PT (US) Old Infopop Software by UBB
- "Striking the Shores of Dover" from The Sea Hawk (Korngold)
