Here go mine:

• Most of "The Fury" (scored by Williams)
  
• Very much of "Much Ado About Nothing" (scored by Doyle)
  
• "High Wire Stunts" and Ellie's Run from "Jurassic Park"
  
• Main Titles from "Star Wars"
  
• When Vader is first seen in the rebel complex on Hoth, and his theme pops up
  
• The final Luke/Vader duel from "Return of the Jedi"
  
• "Duel of the Fates" from "Phantom Menace"
  
• The first flight sequence from "E.T."
  
• The modified 20th Century Fox Fanfare from "Alien 3" (Goldenthal)
  
• "The Enterprise" from "Alien" (Goldsmith)
  
• The resignation music and subsequent statement of the Riders of Rohan theme in track "The Dawn Battle; Theoden's Victory" from "Lord of the Rings" (Rosenman)) - I still have tears in my eyes when I see it, even though the movie is quite disappointing.
  
• "To The Stars" from "Dragonheart" (Edelman)
  
• Main Title from "Captain Blood" (Korngold; yes, I know, this is mostly music, but it's still one of my favourite scoring moments)
  

Surely thou dost mean ST:TMP?!!

, 'antartica'!!
just a 'subtle' hint Marian ol'freind!!

NP : The Wind And The Lion 5/5
Your fault Marian....you made me play this?!!

"Tie Fighter Attack" from Star Wars

"The Hijacking" from Air Force One

"The Desert Chase" from Raiders of the Lost Ark

"Hand to Hand Combat" from Jaws (personally, I would've titled this track "Smile You Sonuvabitch!")

More later.

quote:

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Originally posted by Timmer:
'The Enterprise' from Alien???

Surely thou dost mean ST:TMP?!!

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Great. Now it's happend. Now I'm gone completely mad!
But I'm just in the middle of making my complete "Alien" CD. Maybe I should name one of the tracks "The Enterprise"!?

I'm going to look for "Antartica" the next time when I'm at the library.

Oh, yes, I forgot one in my list:

• The corpse in the elevator from "Dressed to Kill" (Donaggio)
  

1) The scene in The Postman in which Kevin Costner and the kids gather on horses, preparing to head out. He gives them instructions on what to do, and they all take off before he does. He hurries after them and catches up, makes his way through the group to the front of the pack. The music builds and builds, then finally breaks into the main theme as we see (from over-head) the group split apart and head off in different directions. The combination of James Newton Howard's excellant music and those sweeping camera moves just comes together so perfectly.

2) The scene that occurs immediately after, with the little boy, where he stands with his arm out, holding the letter. Costner starts riding towards him in slow-motion shots, as the music again builds and builds until hitting the main theme.

Two excellant scenes from one VERY good movie.

• The Map Room sequence from "Raiders"
  

1) THE BATTLE OF HOTH (ESB) - Williams

2) THE ENTERPRISE (ST-TMP) - Goldsmith

3) FINALE (Cinema Paradiso) - Morricone

4) MAIN TITLE AND COLWYN'S ARRIVAL (Krull) - Horner

5) MISERERE (The Mission) - Morricone

6) EVERYWHERE (Powder) - Goldsmith

7) FINALE (Close Encounters) - Williams

8) FINALE (ET) - Williams

9) THE DARK SIDE BEACONS (ROTJ) - Williams

10)GILLIAM'S ESCAPE / THE BAD GUY EXPLODES (The Fury) - Williams

12) THE MURDER (Psycho) - Herrmann

13) NON NOBIS, DOMINE (Henry V) - Doyle

14) ENGULFED CATHEDRAL (Escape from New York) - Carpenter/Debussy

15) RICORDARE (A Pure Formality) - Morricone

The prom sequence from "Carrie" - from the announcement of the King and Queen right up to the bucket of blood - Donaggio's music is perfect.

Gillian's escape from "The Fury" - great scoring by John Williams

The opening of "The Sound of Music" - the best opening to any motion picture, and Irwin Kostel's arrangement of Rodgers music is brilliant.

Cary Grant's abduction if "North By Northwest" (and almost every other scored sequence from this film)

The Art Museum scene in "Dressed To Kill" (and almost every other scored sequence in this film)

The birth of Christ in "Ben-Hur"

The realization of death in "The Sixth Sense"

quote:

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Originally posted by John Maher:
Well, we've dealt with this topic before, but it is always fun

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Yes, I already realized this. I had a blackout, I really thought it was a new idea!

And another one I forgot:

• The Rowing sequences from "Ben Hur" (Rozsa)
  

The very beginning of The Mummy when Goldsmith's music plays over the shots of Egypt.

The Hummel Gets the Rockets sequence in The Rock, great action scene and awesome music to go with it.

I said this one before but it is worth repeating. The first time we see Travolta's character in Broken Arrow and his theme plays, great stuff.

The beginning of Lost in Space when Broughton's theme plays over the shots of the space station.

Star Trek VI, I love how Eidelman's music gradually builds to a cresendo, then the planet explodes.

Also anytime we hear the Main Theme in the Back to the Future trilogy.

And of course all of the Star Wars movies.

Danny Elfman's music goes hilariously, wonderfully and appropriately over the top.

quote:

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Originally posted by John Maher:
Cary Grant's abduction if "North By Northwest" (and almost every other scored sequence from this film)

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Yes that one's also fantastic, of course.
I had the chance to see "North by Northwest" on the "big screen" last year. It's been one of my favourites since I first saw it (only some years ago), but it still was SO MUCH better that time!

North's fascinating hard-as-steel limning of Jean Simmons' stand off with Olivier in SPARTACUS.

Corigliano's agitation and ultimate triumphant upsurge to that blazing release as Tom Dobb finds his love in the crowd at the close of REVOLUTION

Poledouris' clinching of ROBOCOP's Paradise Lost thematic in the walk through Murphy's former home, the memories flooding back. Poetry. Nihilism!

Goldsmith's unmatched comprehension of simultaneous bond and conflict between men in EXTREME PREJUDICE (true to Walter Hill movie form, the music really just drifts and wraps around the atmosphere rather than cements to one specific moment for me)

Fielding's sublime extirpation of seething rage built to the moment Pike Bishop yells "If they move, kill em!" in THE WILD BUNCH

--the very opening of Fargo, with the car driving towards us, set to Burwell's doleful music.
--"Buffalo Hunt" from Dances With Wolves
--"Battle of Hoth" from ESB
- the entire ROTJ score. hey, for me it works throughout!
-- the action sequences of 13th Warrior are made that much better by Goldsmith's rousing score!

and finally,

"Hospital" in Goldsmith's PAPILLON is impeccable. And I wonder if another "Hospital" cue he wrote, for the same director's PATTON, would have worked in the final film, after all. (They were probably wise to eliminate the cue, but it's a wonderful piece on its own -- Goldsmith comforted Schaffner, "It won't be lost forever, it'll go on the album.")

Not a scene, really, but Williams' interpolation of the Darth Vader theme into Anakin's theme in PHANTOM MENACE still knocks me out, especially the sweet, wistful End Title version.

I second Mr. Ware on EXTREME PREJUDICE, one of my favorite Goldsmiths. I'll add his masterful work on the scene in FIRST BLOOD -- called "First Blood" on the album -- where Stallone is talking to Trautman over the walkie-talkie and says (what else?) "They drew first blood, not me." Goldsmith also showed considerable wisdom in NOT SCORING AT ALL the climactic scene where Rambo and Trautman finally meet.