Anybody care to help me out?

Horner saw immense potential in TITANIC, however, and decided to pursue the job. found out that Cameron had thought about Enya, and, by his own admission, said to Cameron during their exploratory meeting, "You'll think I'm crazy, but I hear something like ... Enya." Cameron laughed: "Bull****! Somebody told you to say that!" I don't think Cameron ever considered any other composers other than the abovementioned.

I should point out that Cameron has ALWAYS had trouble communicating with his composers -- he hated Alan Silvestri's score for THE ABYSS, as well. I always thought he hired Brad Fiedel for TRUE LIES merely because Fiedel must be someone who's willing just to go where he's pointed. By all accounts, TITANIC is the first score for a Cameron film that he was thoroughly satisfied with.

<<<Horner was leaked the script by his agent, and loved it. Cameron probably never considered Horner to start with, because their relationship on ALIENS had been extremely rocky (one story has Cameron so furious during a playback of the "Gayne Ballet Suite" ripoff music that he threw Horner up against a wall and started yelling in his face -- something like "If I WANTED the "Gayne Ballet," I coulda just BOUGHT IT!")>>>

And your source for these rumors????

Are these from some published source???

Please be specific

Also you make the following comment:

"he hated Alan Silvestri's score for THE ABYSS,"

And what's your source for this comment as well?

Once again BE SPECIFIC.

Because I'd like to read the interview or news story that you read this in.

Ford

And WE have FRONT ROW SEATS!

Go, ROCCO!

Then again, I never the Bond movies would get worse than Live and Let Die.

NP: Sam Cooke: Greatest Hits - "Chain Gang" *****/***** (haven't listed to a single score all day long)

You hear all the same stories I do, Mr. Thaxton -- no doubt more, since you're actually in the business.>>

Ah, so in other words you presenting as FACT a unconfirmed rumor that has never been confirmed in any PRESS story or interview.

You can't support that statement or the others you made.

I'll judge your remarks wtihin that context.

If you have any on the record sources who will confirm your comments, please let me know.

One should present something as a fact unless you can back it up.

That's reasonable, would you agree?

After that, Cameron lost all hopes upon his movie and decided to ruin it for good (just to **** all executives that put their money on it) by calling Jimmy Horny to re-score his movie stealing the temp tracked tunes from Enya.

That's all about it.

The whole essence of the TITANIC movie experience, the visuals, the romance, the characters, the drama, the Irish, the tragedy, and so on, made this movie a wonderful scoring opportunity for ANY film composer.

Personally, I’m pleased that James Horner, my favourite current film composer, got the job.