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      South Park & Oscar Broadcast

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    Author
    Topic:   South Park & Oscar Broadcast

     LRobHubbard
     Click Here to Email LRobHubbard
     Oscar® Winner
     

    Gotta love this...

    'South Park': Bleep the Oscars!

    MARCH 3 — Forget Canada--blame the Academy Awards organizers for wanting to stuff a big bar of soap in the mouths behind South Park.

    After taking the title for filthiest
    movie ever and scoring a coup with the Best Song
    contender "Blame Canada," Trey Parker and Matt
    Stone have a (bleeping) problem about how to perform
    the (bleeping) song from their (bleeping) epic animated
    gut-buster South Park: Bigger, Longer & Uncut for the
    72nd annual awards show on ABC.

    Most Oscar-nominated songs are belted out as-is, but
    "Blame Canada," cowritten by Parker and Marc
    Shaiman, includes several, um, adult lines, including
    "f***," "fart" and an anti-Canadian curse directed at
    "that bitch Anne Murray." In the film, overprotective
    parents lash out against our neighbors to the north for
    spawning a movie that turned their children into
    potty-mouthed shi--, uh, brats. War ensues, people
    die--including many beady-eyed head-flapping
    Canadians--and Parker and Stone manage to take a
    nice healthy jab at censorship and the Motion Picture
    Association of America in the process.

    The irony is thick enough to make you dizzy.

    But the ditty is actually one of the cleaner selections
    from South Park's soundtrack. (It would have been a
    bigger problem if, say, "Uncle Fukka" or "Kyle's Mom's
    a Bitch" got the nod). Still, the song's lyrics led
    Academy Awards producer Lili Fini Zanuck to say,
    "They need to find a creative solution to the song."

    But neither Parker nor Shaiman want to budge, and
    they're telling the Oscar folks to go bleep
    themselves--literally. "It would be ironic to have to
    change the words in a song in a movie about
    censorship," Shaiman tells the Hollywood Reporter.

    The tune from the toon will go up against Diane
    Warren's "Music of My Heart" from Music of the Heart;
    Aimee Mann's "Save Me" from Magnolia; Randy
    Newman's "When She Loved Me" from Toy Story 2;
    and Phil Collins' "You'll Be in My Heart" from Tarzan.
    The Oscar ceremony will be telecast March 26 from
    Los Angeles' Shrine Auditorium.

    The main rub could actually end up being over the other
    F-word: fart. While Parker and Shaiman may get the
    show to bleep out the cuss words, it's still not known
    whether that familiar flatulent slang will also be gassed
    from the broadcast.

    "We won't tolerate changing the lyrics," Parker tells the
    Washington Post. "That's the wrong way to go--the
    song got nominated for what it is."

    According to Ain't It Cool News, Parker reportedly told
    a group at the Directors Guild that even Anne Murray
    gave him permission to use the "bitch" comment about
    her in the song, as long as it stays in context.

    Those Canadians aren't so bad after all, eh?

    Edit/Delete Message   Reply w/Quote

    posted 03-07-2000 02:44 PM PT (US)     

     Jeron
     Click Here to Email Jeron
     Oscar® Winner
     

    That's interesting, I was wondering if something like this was gonna happen. Great info, Rob. I guess we'll just have to wait and see what happens.

    Jeron

    Edit/Delete Message   Reply w/Quote

    posted 03-07-2000 02:50 PM PT (US)     

     H Rocco
     Oscar® Winner
     

    SOUTH PARK by Trey Parker and Marc Shaiman is the finest film score of 1999.

    I thought it was damned weird that "Blame Canada" was nominated at all -- I thought if SOUTH PARK had any shot, their nomination would be Satan's ballad "Up There."

    But didn't I read that Parker IS rewriting parts of "Blame Canada"? Yes, I did. Just like him to pick a fight with the Academy though. That's what they get for opening the Song nominations to SOUTH PARK, even while closing the Score nominations to it -- and to TARZAN as well (with the result that Phil Collins will win the Oscar for Best Song, though that was preordained as soon as Disney hired him for TARZAN.)

    I really wonder if "Blame Canada"'s nomination is a kind of rebellion from within the nominating board -- SOUTH PARK would never have won the Score Oscar, but I think it had a good shot at being nominated. On the other hand, I remember when the original BATMAN was not nominated for Original Score, even though DANNY ELFMAN was on the Nominating Board (he was sponsored by Charles Bernstein; the Chief of the Board was John Addison) -- the late David Kraft (Elfman's and Goldsmith's agent's Emmy-winning director brother) told me at the time that he was CERTAIN Elfman would win the Oscar for BATMAN because the other composers would feel bad for him that he had to share credit and screen time with Prince. Instead, as it happened, the composers felt jealous of Elfman's more or less instant success, and snubbed him, as they did for MANY years after.

    Edit/Delete Message   Reply w/Quote

    posted 03-07-2000 02:58 PM PT (US)     
     

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