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Can't they make an animated feature without all the songs!?@#$! (Page 1)
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Topic: Can't they make an animated feature without all the songs!?@#$!

HAL 2000
Oscar® Winner

I finally watched Disney's Tarzan last night on video. I had avoided this thing in the theatre for two reasons. One, the whole ridiculously arrogant premise of the Tarzan myth itself, and two, the guarantee of a song every 12 minutes. It was awful and it didn't help that nearly every song was sung by Phil Collins himself.Granted, the musical animated film is a Disney tradition but they've set it so that everyone has to compete with them by delivering a like product.
I hear that Dreamworks up coming Road to Eldorado is more of the same. A songfest with little pockets of movie between numbers. It's all quite tiresome by now.
Give me a straight animated story without the stinking songs featuring the vocal talents of so and so. Titan AE may be the only relief... too bad it looks so hokey.
posted 03-02-2000 07:04 AM PT (US) 
Thor

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Wasn't the IRON GIANT without songs (except source cues) and with a Kamen-only score?
posted 03-02-2000 07:39 AM PT (US) 
Scott

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Hal2000either you like the story of Tarzan or you don't.
Either you like musicals or you don't.Musicals are by no means a Disney invention, they have been around for ages.Actually it isn't even an American invention. Musicals are direct descendants of Operrettas which derived from Operas.
The fact that Disney makes it so that everyone has to do the same thing is ...well, I don't know. It seems that the majority of audiences just likes the formula, and as long as they like Disney and all the others will probably play it save.
I find Tarzan did break a little away from the tradition however, in somuch that none of the characters actually sang (except for that rumble in the jungle bid).
I found the songs, in the background actually enhanced the story.
What bugs me with the Disney Animated Features lately is the pathetic political correct messages and story changes they are lazed with these days.
Just my two cents. Actually one cent, need to get a second job, all these soundtrack purchases are driving me to the poorhouse.
Scott
NP:Indiana Jones and the Temple of Doom (*****/*****)
posted 03-02-2000 07:51 AM PT (US) 
HAL 2000
Oscar® Winner

Thor. Good grief you're right! I didn't see it because it was not in the theatre long and my local Blockbuster didn't have the video in so I didn't rent it lst night. But you may have inadvertently made a point. That movie was a critical success but a financial disaster. Was it the absense of a musical selling point? I'm afraid so.Scott. I agree with you on nearly every point. Persronally I have never liked the underlying messages in the Tarzan thing. I rented the video to check out how the music (Mancina's) worked in the movie.
The one point I disagree on is that it WAS a distraction to me that the characters did not sing the songs. At least then the singing builds and integrates into the narrative of the story. Os many of the songs in Tarzan were so vague in thier association to what was on screen that they seemed pasted on. The other problem was that the movie never got a real dramatic flow going. Each time the story moved a few more inches it was like, uh oh, I feel a song coming on. then it was just a music video. Prime moment... when the apes invade the camp and banged all over everything doing thier STOMP routine. What a useless scene, unless you count it as just another oportunity to get one of those songs in.
posted 03-02-2000 08:14 AM PT (US) 
SBD
Oscar® Winner

HAL, I concur that we need an animated feature without superfluous musical numbers.The songs from MULAN and ANASTASIA, while enjoyable, completly overshadowed what the film's should have presenting: The brilliant scores by Jerry Goldsmith and David Newman, respectively.
What if John Williams was scoring an animated feature(and God willing, he shall someday)?
Would you truly bookend his score with catchy(but not in a good way) songs?
Think hard now: one of the greatest film composers, living or dead; 37 Oscar nods; household name; wonderous themes.
If you answered yes, cut yourself off from anything even remotely resembling film music, get an encyclopedia volume and hit yourself in the head with it repeatedly because YOU ARE A MORON!!!!
posted 03-02-2000 08:35 AM PT (US) 
Wedge

Oscar® Winner

Not that I always mind musicals, but here are some great Animated movies that go lite on the song:The Great Mouse Detective (2 songs, but it's Vincent Price, so it's forgiven.)
The Black Cauldron
The Rescuers Down Under
Watership Down (One song, but it's refreshing, and not sung by rabbits.)
The Plague Dogs (Ditto.)
The animated Batman movies
The Secret of N.I.M.H. (One song, but it's part of the plot. And it's Jerry.)
[This message has been edited by Wedge (edited 02 March 2000).]
posted 03-02-2000 08:37 AM PT (US) 
Dave

Oscar® Winner

I whole heartedly agree with you 100% HAL. Lets hope that Titan AE is a big hit to show the movie studios that you don't need any songs to make an animated feature film fun and memorable. Everyone cross your fingers.This is the reason why I belive that The Iron Giant wasn't promoted as much as it should have been. There were no songs in it and the studio was frightend with this "new" approach. And when I finally saw the movie I was happy to see there was no songs in it and it was a great story with humor, heart, and action. None of which had to be expressed through a song with inanimate objects or cutsie little animals.
If worse comes to worse we can all move to Japan where animated features are very comon and offten are #1 in their box office.
dave
NP : nothing I'm at school

posted 03-02-2000 08:41 AM PT (US) 
Thor

Oscar® Winner

Another "retroinnovative" thing with IRON GIANT was the fact that very little of the animation was CGI. So, in all aspects of the production (including the story), this one was an undeserved flop that seemed to go unnoticed simply because it refused to adher to the ruling Disney paradigm (although I love a Disney flick now and then). And I find that a bit sad, to tell you the truth, as animation is a vastly underrated genre to begin with.
posted 03-02-2000 09:28 AM PT (US) 
dantoris

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I don't WHY Disney feels every animated movie of there's has to be a musical. I still like Mulan, though. Perhaps because the songs were short. Rescuers Down Under has so musical numbers whatsoever. Can't recall if A Bug's Life had any or not. I really liked that one, so maybe it didn't. But most of Disney's other movies I hate.That's way my favorite animated movies are the two Batman ones, Mask of the Phantasm and SubZero. Can you imagine: if Disney had done them, Batman and Robin would have been breaking into a song and dance every TEN damn minutes!!
Why DOES Disney feel their movies have to be musicals?
posted 03-02-2000 09:35 AM PT (US) 
Lancelot

Oscar® Winner

Quick thought here--"Tarzan" was really a break from the norm with Disney, in the first place, in that the songs were, for the most part, sung by a "narrator" of sort--in that much, I consider it to be rather innovative. It wasn't a "musical" so much (wherein the characters break out into song)....I am rather impressed with "Tarzan", combining the talents of Phil Collins and Mark Mancina, and I think it was one of last year's better efforts.
From what I understand, "Kingdom of the Sun" featuring Sting, is next up on the drawing board for Disney. I rather like this trend of bringing one vocal artist and one composer in for the Disney feature.
I do feel that not every animated feature *requires* a song--there are some awful examples of where a song was "squeezed in", in order to sell a record. (Was the pop-version of "Colors of the Wind" extremely necessary?)
"Black Cauldron" is a terrific example of animation with an amazing stand-alone music score. (Alas, it is an extremely hard-to-come by score, much to my discontent.)posted 03-02-2000 10:08 AM PT (US) 
HAL 2000
Oscar® Winner

Because Disney is a franchise-driven, mass- appeal empire. You gotta keep those share holders happy, you know. Like it or not, the animated musical has a proven box-office track record and Disney is not one to think outside the box except when it comes to Pixar. Their movies, while a medium quite apart from traditional Disney animation, proves that wit, imagination and clever style are enough to keep an animated film afloat. And Randy Newman's songs usually manage to have a sad poignancy that touches and fleshes out the characters without coming across as crass or material.
posted 03-02-2000 10:08 AM PT (US) 
Marc Flake

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Personally, I've been avoiding Tarzan because of Rosie O'Donnell. Because I have two boys (2 and 5) I thought this would be impossible, especially with the McDonalds tie-ins and such. However, no big push from the boys to see this movie . . . yet.I took the 5-year-old to Iron Giant, he loved it.
I'd like to make a favorable comment about one child-oriented musical -- even though it isn't animated: Muppet Treasure Island. GREAT songs -- even a little subversive to entertain the adults who listen closely.
Marc
posted 03-02-2000 10:56 AM PT (US) 
Bryan T
Oscar® Winner

I don't mind musicals, and I understand Disney's wish to strive for marketability, but lately the songs really do seem shoehorned in. They've been justified in the past. Most of the songs in BEAUTY AND THE BEAST, for example, advanced the plot, the whole movie was in the style of a classic Broadway (or Hollywood, I suppose) musical. MULAN, however, did not really need the songs as much. "Reflection" was nice, and, forgive me, I sort of get a kick out "I'll Make a Man Out of You," but in the long run, Jerry Goldsmith's score would have more than sufficed.
Warner Bros.' THE IRON GIANT was indeed a sad case. I don't know if the absence of songs scared people away, but I will say the ad campaign, while somewhat extensive, made the film seem a little corny. Of course, it was nothing of the kind. With a PG rating, and some dark undertones it was really intended for older children and adults. The only songs were the period ones, and Michael Kamen contributed an effective (if not quite spectacular) score.
Pixar is one of the best things to happen to Disney since, heck, SNOW WHITE, and the traditional animation department would do well to take some lessons from this cutting edge studio. By the way, I really enjoyed Randy Newman's score for Toy Story 2, and his "When She Loved Me," his really kind of touching.
At any rate, if you are any kind of fan of animation at all, rent THE IRON GIANT (it's much better in widescreen, if you can find it). Just some thoughts; sorry I rambled so long.
posted 03-02-2000 10:58 AM PT (US) 
James

Oscar® Winner

Wedge made great choices
For fab films watch those movies
And "Land Before Time"
[This message has been edited by James (edited 03 March 2000).]
posted 03-02-2000 01:56 PM PT (US) 
Sean Bires

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Watch anime, heh.
(No, sailor moon, pokemon, dragonball Z do not count as anime. Those are children's shows.)-Sean Bires
seanb20000@mediaone.net www.furnation.com/sean_b/music.htmposted 03-02-2000 03:07 PM PT (US) 
Jeron

Oscar® Winner

Guys, guys, guys. Just so you know:My friend Tab Murphy (who wrote Tarzan) will be writing a couple of Disney's upcoming projects. For 2001, an animated movie titled, "Atlantis - The Lost Empire" will be exactly what you guys are talking about. No songs. Apparently it's gonna be a pretty awesome film and story (according to Tab).
Just thought you guys might wanna know.
Jeron
[This message has been edited by Jeron (edited 02 March 2000).]
posted 03-02-2000 03:19 PM PT (US) 
Dave

Oscar® Winner

Hey Jeron thanks for the scoop! Its nice to hear some good news
Where do you guys get to know all of these hi-fa-looten Hollywood types ??
dave
NP : nothing again...I'm still at school
posted 03-02-2000 04:03 PM PT (US) 
Marian Schedenig

Oscar® Winner

I don't really know many musicals, but I'm generally rather annoyed by them. And I usually dislike songs in movies, for most of them are incredibly cheesy (worst example: "When You're Alone" from Williams' "Hook". Actually very beautiful, but so cheesy that it hurts).I don't really like the "Tarzan" story, but I liked Disney's film. Especially the Elephant scenes very incredibly funny. The songs were, in my opinion, simply boring. The only good thing Phil Collins did for the film was that percussion piece.
I DO like the songs in "Lion King", whatever you may think of Hans Zimmer (I'm not too fond of him), I think he did a great job arranging Elton John's songs (which are again not very good in their original versions, IMHO). And I did find most of the "Robin Hood" songs quite good (except that cheesy love song), but I only know them from the synchronized German version. A fantastic score, BTW, but unfortunately not available on CD (seems to be the only unavailable Disney score
).I also like Randy Newman's songs (and score) for "Toy Story", but I haven't yet seen #2.
NP: Eric Clapton Unplugged (*****/*****)
posted 03-02-2000 04:31 PM PT (US) 
Dr.Evil

Oscar® Winner

I don't mind about musicals per se, like Broadway shows etc, I'm a big fan of Andrew L. Webber. but I must agree, this little story of " any animated must have zillions of terrible songs, and please, make a special version for the radios..." is just a joke. Some of youi folks mentioned great animated scores without a bunch of misplaced songs.
I'm sick of that Menken gay, ups, guy composinga laughable " score" with a niiice song, sung by a niiice whoever.
Man I'm Evil today!
posted 03-02-2000 05:07 PM PT (US) 
Wedge

Oscar® Winner

JAMES! Nice try! Almost right! It's 5,7,5 ... way to keep the spirit alive!
posted 03-02-2000 06:00 PM PT (US) 
AaronR1074

Oscar® Winner

ohhhFantasia, Fantasia 2000, A Bugs Life, Heavy Metal, The Lord of The Rings, these don't follow the American animated "Disney" musical Standard that ****es us off so much.All I have to say is I can't WAIT FOR TITAN AE!!!!!!!!!!!!!!!!
PS, I Enjoyed both the songs and score to Prince Of Egypt, Aladdin, and The Lion King. But I hate all the others.
[This message has been edited by AaronR1074 (edited 02 March 2000).]
posted 03-02-2000 06:53 PM PT (US) 
robin4

Oscar® Winner

Toy Story and Toy Story 2!!!!!!!!They barely had songs, and those that were added to the story or were amusing. Those are the best!
posted 03-02-2000 07:00 PM PT (US) 
SBD
Oscar® Winner

Some rare exceptions to the all score/no song rule:The original 101 DALMATIANS; you must admit that "Cruella De Vil" is a great song
THE NIGHTMARE BEFORE CHRISTMAS; without Danny Elfman's superb, award-worthy songs, the film is only half a classic
LADY AND THE TRAMP; good tunes, particularly the one used in the Italian restaurant scene(which incidentally is another memorable scene)
In addition to these, here are my favorite animated features, songs notwithstanding:
THE SWORD IN THE STONE
ANASTASIA
BATMAN: MASK OF THE PHANTASM
THE LION KING(though these songs are good)
SCOOBY-DOO ON ZOMBIE ISLAND
CATS DON'T DANCE
ANTZ
TOY STORY 1 + 2(you must see 2 with the outtakes; they are simply sidesplitting) (sp?) and...NP - THE SECRET OF NIMH *****/*****
but the "Flying Dreams" lyrics biteP.S. I do mean to see THE IRON GIANT & A BUG'S LIFE soon
posted 03-03-2000 06:25 AM PT (US) 
SBD
Oscar® Winner

Some rare exceptions to the all score/no song rule:The original 101 DALMATIANS; you must admit that "Cruella De Vil" is a great song
THE NIGHTMARE BEFORE CHRISTMAS; without Danny Elfman's superb, award-worthy songs, the film is only half a classic
LADY AND THE TRAMP; good tunes, particularly the one used in the Italian restaurant scene(which incidentally is another memorable scene)
In addition to these, here are my favorite animated features, songs notwithstanding:
THE SWORD IN THE STONE
ANASTASIA
BATMAN: MASK OF THE PHANTASM
THE LION KING(though these songs are good)
SCOOBY-DOO ON ZOMBIE ISLAND
CATS DON'T DANCE
ANTZ
TOY STORY 1 + 2(you must see 2 with the outtakes; they are simply sidesplitting) (sp?) and...NP - THE SECRET OF NIMH *****/*****
but the "Flying Dreams" lyrics biteP.S. I do mean to see THE IRON GIANT & A BUG'S LIFE soon
posted 03-03-2000 06:28 AM PT (US) 
HAL 2000
Oscar® Winner

One point seems to be emerging here. That there is a good way and a bad way to incorporate songs into movies, in this case animated ones. As much as I had grown tired of them I think Alan Menkin's songs weaved their way into the stories much better than the ones in say, TARZAN.And Danny Elfman's sly, irreverent song's fit Nightmare Before Christmas like a glove. Tarzan was, to me, a textbook example of how not to do it. A self consciously crass marketing gimmick aimed squarely at the McDonald's crowd. I hope the news of Atlantis indicates a change in attitude over at the Mouse Company. In the meantime we're going to get a similar thing to Tarzan in Road To Eldorado (although Prince of Egypt did a decent job with song integration). Most of the songs are written by Elton John and Tim Rice and performed by Elton John. Happy meal anyone?
[This message has been edited by HAL 2000 (edited 03 March 2000).]
posted 03-03-2000 06:59 AM PT (US) 
James

Oscar® Winner

Wedge-D'oh! Okay, I just erased the "The" in the last line to make it 5. Thanks for correcting me.
posted 03-03-2000 07:32 AM PT (US) 
Marian Schedenig

Oscar® Winner

It's Five-Seven-Five
To keep the spirit alive!
(Sorry for the rhyme)
Wedge, why is there no Haiku thread????
LOTR, of course. How could I forget this completely amazing score! It DOES have a song, but I like that one. And actually, as has already been mentioned on the LOTR thread, a GOOD LOTR movie needs a LOT of songs (but not a single musical-styled one!).
NP: Bond Back in Action (****.5/*****)
posted 03-03-2000 10:00 AM PT (US) 
Bulldog
Oscar® Winner

Apes don't have voice boxes or opposable thumbs.Ruff, ruff,
BD
posted 03-03-2000 10:40 AM PT (US) 
Jeron

Oscar® Winner

It's a children's movie fashioned to appeal to both children and adults. Give them a break!! Geeeesh.Jeron
posted 03-03-2000 10:51 AM PT (US) 
Audacity

Oscar® Winner

Well, I am still a little upset that the Dinosaur's talk in the new Disney movie Dinosaur. But does anyone know if they will sing these kind of ridiculous songs you are all talking about? I think that just might ruin that movie.Audacity
NP The Sea Hawk (Erich Wolfgang Korngold)****1/2posted 03-06-2000 07:46 AM PT (US) 
HAL 2000
Oscar® Winner

Audacity,You took the words right out of my mouth. Someone told me too that the dinos would talk. Bummer. I was expecting soemthing really unique with the sounds and the music carrying the story but NOOO! It may turn out to be a CGI Land Before Time. If they break out in song during this movie I think I may walk out.
posted 03-06-2000 08:25 AM PT (US) 
Jeron

Oscar® Winner

There will be no singing in Dinosaur. Don't worry about it.
posted 03-06-2000 02:51 PM PT (US) 
Wedge

Oscar® Winner

I worry about ANY movie that puts the phrase "love-monkey" in the trailer.
posted 03-06-2000 04:06 PM PT (US) 
DjC

Oscar® Winner

I have become allergic to DIsney since they only spew out musicals/marketable crap, so mcdonalds can sell thier happ meals, leave it o Dreamworks to fill that needewd gap in american animation, Prince Of Egypt beats the crap outta any Disney animated film...
posted 03-06-2000 06:03 PM PT (US) 
AaronR1074

Oscar® Winner

YAHOO! FIINALY another Prince of Egypt fan! You ROCK DUDE!!
posted 03-06-2000 07:54 PM PT (US) 
Scott

Oscar® Winner

DjC,that's a big statement to make. Care to back that up with specifics.
Btw, Prince was heavily marketed, had songs and distorted the original story in various ways (another political correct version of something). A lot of animators on that film came from the Disney studios as did some of the writers and directors.
Little bias there DjC, what happened, Mickey beat you up?

ScottNP: Borne on the fourth of July (BOTFJ, for Jeron). I love this one. Awesome.
[This message has been edited by Scott (edited 07 March 2000).]
posted 03-07-2000 11:49 AM PT (US) 
John Maher

Oscar® Winner

My complaint isn't necessarily all those songs, although I must admit that with very few exceptions (Beauty and the Beast, Anastasia), I hate most of these songs - my complaint in today's animated films, is the whole formula of a villian with a goofy sidekick. When I was a kid, we took our villians straight. Why this need to counteract the villians? When I went to see "Sleeping Beauty", I was scared at the evil queen. Her scepter didn't come to life and start spouting off Heny Youngman oneliners. "Anastasia" was a fairly perfect film, except for that wretched bat. Why?
posted 03-07-2000 12:43 PM PT (US) 
Jeron

Oscar® Winner

The bat was there so they could do a spin off (which they have done) and make more money. =)Jeron
posted 03-07-2000 01:31 PM PT (US) 
SBD
Oscar® Winner

That's a little unfair. Now for me, a classic case of misplaced comic relief in an animated film is Jeremy the crow (voiced by the great Dom DeLuise) in THE SECRET OF NIMH. Granted the story was somber enough to merit some humor, but on the other hand, the story was so serious, unlike a number of animated films from previous sources nowadays, that such comic relief was unnessecary (sp?) Another good example is Mushu the dragon (Eddie Murphy) in MULAN. He was funny, but what was up with that?
A slap on the wrist to those people that thought "Oh, TARZAN should have a wise-cracking monkey friend. It'll be voiced by Rosie O'Donnell. We'll be rich...er!"
posted 03-08-2000 06:46 AM PT (US) 
Mary

Oscar® Winner

I think a lot of this discussion depends on if you like musicals or if you like cartoons. I, for one, much prefer musicals.About political correctness and accuracy-- I disagree that Prince of egypt wasn't true to the storyline. I found it very accurate and the songs were gorgeous.
But, on the other hand, what about the animated King and I that came out last year? Talk about changing the story! That was very annoying.
Maryposted 03-08-2000 12:45 PM PT (US) Old Infopop Software by UBB
