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      GODZILLA MILLENNIUM

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    Author
    Topic:   GODZILLA MILLENNIUM

     H Rocco
     Oscar® Winner
     

    Has anyone else seen this yet? I just did last night.

    Gets off to a TERRIFIC start, then peters out. Not a lot of story considering how many writers they had (well, that's pretty common on any side of the pond, isn't it). Really remarkable, stylish direction by Takao Okawara, who keeps improving with each successive picture -- as fond as I am of the Godzilla series, I kind of think Okawara owes it to himself to break out and do something different. He has MASSIVE ability, and I really fear he's pissing it away. If he could do a story that really MEANT something to him, it might be earthshaking. The Japanese film industry is no longer very encouraging of real talent (was it ever? debatable), so I understand why Okawara might be playing it safe, but man, there's a volcano of talent in there just waiting to erupt.

    Score is by Takayuki Hattori, who also did SPACE GODZILLA -- such a dreadful, dreadful film that nothing could have helped it, but Hattori's score seemed way out of place. But I was given the CD of it, and liked it quite a bit, apart from the movie -- nice pseudo-Horner-Barry stylings. And last fall I also saw the terrific comedy THE RADIO HOUR, for which Hattori composed a most vigorous and impressive score. (He's the grandson of the accomplished Tadashi Hattori, who did a few Kurosawa pictures, among many other things.)

    Hattori's MILLENNIUM score is a whole other thing altogether -- some of the same tics that I recall from SPACE GODZILLA, but none of the direct lifts from scores as obvious as COCOON and YOU ONLY LIVE TWICE. It's a dark and impressive piece of work, based on the mediocre copy of the movie I just saw (haven't heard the CD yet). Although parts of the movie are so good I wish Mr. Ifukube HAD agreed to do it. Though the open-ended nature of the finale is such that I can see where Ifukube would have found it frustrating -- being asked once more to say his goodbyes to the character, while the machine is already geared to crank the next movie out. (MILLENNIUM actually ends with a trailer for GODZILLA 2001!)

    Anyone else seen it? (Why don't we get Japanese visitors to these boards? You can access Japanese Kurosawa homepages and suchlike through the IMDb links, but they never seem to come visit US.)

    NP: Symphonic Fantasia #1 (Ifukube, this version conducted by Junichi Hirokami -- I've never heard it before now, it's probably better than the original live-recorded issue, though Masaru Sato also did a good job with it in 1994 -- it also received an amazing public workout in 1989, as one of the appetizers for the premiere of Ifukube's BUDDHA)

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    posted 02-16-2000 09:53 AM PT (US)     

     The New Film Score Sounds
    unregistered  

    I know that Sony Pictures(Who did our bersion of Godzilla) bought the rights to release Godzilla 2000:Millinium theatriacl here. Supposed to be released in Augest on 2000 screens..GNP is also releasing the soundtrack here..I myself would reather see the Japanesse version of Godzilla more then our American version..I own about 15 of the 23 Godzilla movies..and I have 8 of the old Godzilla soundtracks.

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    posted 02-16-2000 11:07 AM PT (US)     

     Timmer
     Click Here to Email Timmer
     Oscar® Winner
     

    H, I'm going to have to blame YOU for making me splash out more money due to your various posts on Japanese composers, right now I'm playing silva's GODZILLA volume One 1954-1975, God damn it if there ain't some great stuff on this!!

    I gotta get more1
    Somebody stop me
    Stop MEEEEeeeeeeeeeeeeeeeeeeeeeeeee

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    posted 02-16-2000 05:02 PM PT (US)     

     Mark Olivarez
     Click Here to Email Mark Olivarez
     Oscar® Winner
     

    GODZILLA v.s. SPACEGODZILLA is the one GODZILLA score I don't have. I'll settle for the cuts I have on GNP vol 2. As for GODZILLA MILLENIUM's score, I've heard some of it and to put it politely it is DREADFUL. It has to be the worst piece of crap I have heard. I thought Serra's music for GOLDENEYE was bad. Hattori seriously needs to have someone help him with his orchestrations. Too bad Ifukube didn't have a protogee to carry on his work.

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    posted 02-16-2000 07:19 PM PT (US)     

     H Rocco
     Oscar® Winner
     

    Ifukube has dozens of proteges ... in fact, he's outlived a fair number of em. As far as the Japanese film industry, it no longer works that way, I'm afraid.

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    posted 02-16-2000 11:34 PM PT (US)     
     

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