Track Listings:

1. World Is Not Enough, The - Garbage
2. Show Me The Money
3. Q Boat Chase
4. Bonding At The Computer
5. M's Confession
6. Baku
7. Ski Chase
8. Elektra's Theme: The Bedroom
9. Spying In Baku
10. Going Down
11. Pipeline
12. M And Renard
13. Caviar Factory
14. Garotte
15. Elektra Upstairs
16. Submarine
17. Christmas In Turkey
18. Only Myself To Blame - Scott Walker

--Crono/Kyp
Writer/Director/Producer

I can't wait to see how the video parallels with the movie. Ya know, how once you see the movie, then watch the video again, some of it starts to make sense. I guess we'll see!

Can't wait for the cd release. What is it, we've got 20 days until Nov. 9th? Let the countdown begin!

~Jeron

NP - Larger than Life, BSB (forgive me, cool song though)

YEAH! Hans rules!

Hehe, I just realised how close we are to this scores release an indeed, the movies release. Getting real excited now!!!

Dan (UK)

PS: We can always petition for an isolated score on the DVD slated for a May 2000 release if unsatisfied with the CD. Heheh

I have the total time for the CD and cover art.

Track Listings:

01. The World is Not Enough (3:55) -- Garbage song
02. Show Me the Money (1:28)
03. Come in 007, Your Time is Up (5:19)
04. Access Denied (1:33)
05. M's Confession (1:32)
06. Welcome to Baku (1:41)
07. Casino (2:55)
08. Ice Bandits (3:52)
09. Elektra's Theme: The Bedroom (2:06)
10. Body Double (3:00)
11. Going Down - The Bunker (6:27)
12. Pipeline (4:15)
13. Remember Pleasure (2:45)
14. Caviar Factory (6:01)
15. Torture Queen (2:22)
16. I Never Miss (3:32)
17. Submarine (10:19)
18. Christmas in Turkey (1:27)
19. Only Myself to Blame (3:37) -- Scott Walker song

Total Time: 68:21--Not Bad

BUT, I was reading a review ofr it on Filmtracks.com and they seamed to bash it, only giivng it three stars out of five, TNd got four. I can only hope their wrong.

For the cover art, it's small, sorry, click on the link below.

http://www.filmtracks.com/images/covers/world_enough.jpg

The next update will be my review on Nov 9th some time during the day.

--Crono/Kyp
Writer/Director/Producer

Ack, only 2 complete apperances of the bond theme, grrrrrrr, ack, ack, ACK! However, I do like the two real audio clips on offer, and maybe their review is being a tad too harsh here, as the "Come in 007, your time is Up" track appears to be a bit from the boat chase scene I saw and loved, and I STILL love what I am hearing!

Frankly I still look forward to this more then ever, and especially so when I read reviews of the movie like this one:

http://www.aint-it-cool-news.com/display.cgi?id=4604

..where the reviewer starts off by saying how great the score is and how much they NEED to own it.

Dan (UK)

NP: Pushing Tin (****/*****)

quote:

---

007 NEWS has now learned that the Scott Walker song that is on the TWINE soundtrack will not be in the movie. The song that plays over the closing credits will either be a re-mix of the Garbage title song or an
instrumental version.

For Tomorrow Never Dies, k.d. Lang's Surrender ushered audiences out of the theater and when the track list came out for the TWINE soundtrack, every indication was that the last song titled "Only Myself to Blame" would do the same.

The song however got in the album after David Arnold
and Don Black decided to put lyrics to a melody they
had written for a casino scene in the film. Thus, Scott
Walker, of Walker Brothers fame, will croon "Only Myself
To Blame" on the CD.

---

Dan (UK)

Not to be rude, just blunt

But who am I kidding

Just my two cents.

---------------------------------

ScoreLogue Web Magazine (http://www.scorelogue.com)
Review for The World Is Not Enough
Music by David Arnold
**** (4 out of 4 stars)
The World Is Not Enough may very well be the best James Bond score John Barry never composed. John Barry would be pleased though as David Arnold firmly takes hold of the 007 franchise and brings Bond into the new millennium with terrific confidence. The World Is Not Enough is an exhilarating experience on CD with a forward momentum all its own.

Arnold’s previous Bond effort Tomorrow Never Dies was a fine score and proved that the composer was more than up to the task at hand. Arnold also played it safe in some parts by relying on the famous Bond theme but to great avail. With World, David Arnold comes into his own as a Bond composer by taking more than a big risk, he jumps off a cliff without a parachute and thankfully lands on both feet. His music is both daring and exciting, while at the same time, his use of electronic and orchestral music is both fun and sensual. First comes the new theme song performed by Garbage, in what becomes a huge departure for the rock driven band, not used to such vivid orchestrations. Arnold’s arrangements are top notch and automatically one is reminded of his fine producing talents with other female voices like Bjork, Aimee Mann, k.d. lang and Chrissie Hynde. Shirley Manson’s voice may lack some strong confidence in vocal ranges but she makes up for that with sheer attitude and Arnold leads the way. “Show Me the Money” starts ofF the album with a hint of techno thrust and ends with a tantalizing taste of the Bond theme piece which bleeds into a truly Y2K compliant electronic and ultra-techno take on the old bond cue, “Come in 007, Your Time is Up.” Arnold’s confidence here is very apparent and again it seems as though the composer has made the serial his own with his own unique talents.

Following suit are fine action cues that generously blend some of Arnold’s best electronic work and his best orchestral writing since Last of the Dogmen. Hints of Dogmen’s beauty pop up in “Elektra’s Theme,” a jazz-enriched piano love theme that anchors the CD with a more intellectual tone that best describes the pace of the film. This Bond score is a smarter effort with a somewhat darker and more mature sound to it similar to the departure John Barry made with On Her Majesty’s Secret Service. Some of Arnold’s more emotionally gripping writing here also brings to mind his haunting score to Young Americans in the way both compositions mixed sleek electronics with lush orchestral themes.

Then there is the huge action payoff here for all Bond fans of the best chases, gunplay, and sabotage. The middle of the album is driven by a kinetic energy the composer develops with some inspired and groundbreaking synth sounds not heard before in a Bond score. Instead of monotonous electronic noise, the pace is set by three cues of satisfying and melodic synth material, “Body Double,” “Going Down - The Bunker,” and “Pipeline.” And as “Elektra’s Theme” gives the score its intellectual soul, these three cues contribute to the on the go Bond we all know and love.

“Submarine” is the big 10+ action cue that ends the CD, (before one last love theme “Christmas in Turkey”) and the long piece again becomes a stirring mix of fine orchestral movement with Arnold’s signature electronic feast for the senses.

The final song by Scott Walker, “Only Myself to Blame” is the biggest disappointment that has, thankfully been cut from the film. This pseudo-jazz interpretation fails due to Walker’s voice, which is not clearly up to the task (think Sid Vicious doing Frank Sinatra) and the non-thematic music that can’t carry the drama or excitement from the score or give Bond a suitable end.

It happens dude, the cover art here will just showcase the International poster art, simply because thats the image everyone here notices, not the US poster. It happens with scores sometimes, our Braveheart artwork is different for instance.

Just like that conversation we had about Braveheart