by JohnnyA on 4/6/2000
favorite track: 2
 
From the beginning of the first track, you realise Danny Elfman has achieved the mysterious, spooky quality which the film demands. When the harp begins, it seems to say nothing about what is to come, until the basses and choir arrive, leading into the first theme with an intriguing climax. The chromatic theme with its waves of dynamics sets the tone for the movie at once.

The best track is "Main Titles." The rythmic movement of the strings throughout feels more like a rustling in the background: the rhythm is there, but it is difficult to place. When the oboe arrives in the theme, you can imagine you are actually in the town of Sleepy Hollow.

This is possibly Danny Elfman's best score to date!