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11/21/2009    




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The Last Samurai
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movie year: 2003
movie genre: action
composer: Hans Zimmer
label: Elektra (62932)
released on 11/25/2003

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Alexborn007's review of this soundtrack CD:

4.5 stars
by Alexborn007 on 1/7/2004
favorite track: 6
 
Described by Zimmer as "Gladiator in Japan," many were not hoping much for The Last Samurai. However, I can vouch for this score and say it is the most stirring Zimmer score I've heard yet. Through two great themes both in strong Zimmer style, a true sense of power and history are evoked. The locale is complemented with ethnic instruments like the koto and taiko drums. The latter of those two really carries this score in numerous places.

One theme in particular works wonders in the film; on CD, it is one of the more original themes to come from the scrutinized composer. It is best heard on track 6, and can be best described as one of two Samurai themes. I've seen some say the other theme (heard best in "Red Warrior" at 3:04) is for Algren, but is used during the first Samurai attack so both must symbolize the fallen warriors in one form or another. If anything, the second theme serves as the transformation when Algren assimilates into the Samurai's world.

Authentic and faithful Japanese instruments are well used here. The koto seems a bit underused, but I can see where too much of its use would have made the score seem more extroverted, or lose all of the East/West fusion. Taiko drums take the score to a soaring sense of impact. During the harshest and sometimes most emotional moments, they add a depth and simplistic quality that really let it become a score that does not sound weak in any way. Flutes also allow for a decent authenticity.

One downside, albeit small, is the use of electronic sounds. In one cue it kind of becomes a bit unnecessary, but is quickly balanced out and almost becomes a non-issue. Those who do not really like Zimmer may feel put off by this score as there are some purely Zimmer touches and moments here. Yet, I can't help but feel like it'd become meaningless as the score gets a hold of them. I've always enjoyed scores that mix West with the East -- Japan in particular (Tora! Tora! Tora! and Princess Mononoke are great examples). I think this is a great purchase and should get some Oscar attention. "Idyll's End" makes this worthwhile for the skeptical buyer and it REALLY grows on the less apt Zimmerphile (myself included). Excellent work from all involved.
 


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