by Demetris Christodoulides on 11/1/2005
 
This minimalistic mostly electronic score is in the vein of Isham's Crash, but darker and more complex in parts, with use of electronic dissonance. Some trumpet solos alter the atmosphere a bit but the whole package comes without the female vocals and that "little something" that adds depth and character to the latter. I am giving it more listens but I don't think this work can be addressed to anyone else other than a tight circle of fans of the said genre.