by master_kevin on 12/14/2005
favorite track: 12
 
This isn't The Lord of the Rings, so get over it. Instead, what we have here is a totally originaly, utterly amazing masterpiece (not saying LOTR isn't, but in totally differing respects). Harry Gregson-Williams has been my favorite composer ever since "MGS2 Sons of Liberty" came out. This just goes to show you why.

HGW (this acronym is not meant for offense, but saves me a bunch of time as I type!) has created a rich thematic and melodic tapestry with heart, heroism, suspense and tragedy. This is why I listen to film scores. From the first moments of the score, you are transported into this world of HGW's. I only wish I could do a track by track analysis and explain how fantastic each and every part of the score is... alack, I could spend hours upon hours doing this.

The Heroic Theme as it is being called, is one of the greatest heroism and grand themes in recent film history. It captures the spirit of Narnia, Aslan, Peter and the entire world. It brings tears to my eyes every time it comes on. It is introduced in Track 9 but in Track 12 'The Battle' that is where it makes its glory known. HGW makes wonderful use of the choir by not underusing them or making their statement null by overusing them. Instead, when listening to "A Narnia Lullaby" or "The Battle" they compliment extremely well with the driving percussion, the brassy and brilliant symphony and the amazing use of electronics. That is something to be admired for HGW. Unlike other MediaVenture composers, HGW knows where to place electronics to maintain effect.

The ending songs are also rather well done (which is a large compliment from me as I usually don't bother with end of score songs and skip over them). "Wunderkind" and "Where" are the best of the four tracks.

All in all, this is one of the best scores of the year (if not the best) and the best of Harry Gregson-Williams' career. Congratulations! You just continue to show me why you are my favorite.